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TWO: TWO:Meanwhile the parallelism between Thought and Extension was not exhausted by the identification just analysed. Extension was not only a series of movements; it still remained an expression for co-existence and adjacency.412 Spinoza, therefore, felt himself obliged to supply Thought with a correspondingly continuous quality. It is here that his chief originality lies, here that he has been most closely followed by the philosophy of our own time. Mind, he declares, is an attribute everywhere accompanying matter, co-extensive and co-infinite with space. Our own animation is the sum or the resultant of an animation clinging to every particle that enters into the composition of our bodies. When our thoughts are affected by an external impulse, to suppose that this impulse proceeds from anything material is a delusion; it is produced by the mind belonging to the body which acts on our body; although in what sense this process is to be understood remains a mystery. Spinoza has clearly explained the doctrine of animal automatism, and shown it to be perfectly conceivable;569 but he has entirely omitted to explain how the parallel influence of one thought (or feeling) on another is to be understood; for although this too is spoken of as a causal relation, it seems to be quite different from the logical concatenation described as the infinite intellect of God; and to suppose that idea follows from idea like movement from movement would amount to a complete materialisation of mind; while our philosopher would certainly have repudiated Mr. Shadworth Hodgson��s theory, that states of consciousness are only connected through their extended substratum, as the segments of a mosaic picture are held together by the underlying surface of masonry. Nor can we admit that Spinoza entertained the theory, now so popular, according to which extension and consciousness are merely different aspects of a single reality. For this would imply that the substance which they manifest had an existence of its own apart from its attributes; whereas Spinoza makes it consist of the attributes, that is to say, identifies it with their totality. We are forced, then, to conclude that the proposition declaring thought and extension to be the same thing570 has no413 other meaning than that they are connected by the double analogy which we have endeavoured to explain.CHAPTER III TWO:Artistic drawing is addressed to the senses, geometrical drawing is addressed to the understanding. Geometrical drawing may, however, include artistic skill not in the way of ornamentation, but to convey an impression of neatness and completeness, that has by common custom been assumed among engineers, and which conveys to the mind an idea of competent construction in the drawing itself, as well as of the machinery which is represented. Artistic effect, so far as admissible in mechanical drawing, is easy to learn, and should be understood, yet through a desire to make pictures, a beginner is often led to neglect that which is more important in the way of accuracy and arrangement. TWO: