ONE:I see, he said. Well then, Miss Propert, you must cross out what I have dictated to you about it. Please read the letter through.... Yes, cross out from the sentence beginning, Re the payment for carriage of goods. Dear me, it is nearly one: what a lot of time we have spent over that. The booking-clerk would have done it much more quickly.
TWO:Suddenly it struck this unfortunate clergyman that his words might conceivedly bear a disastrous interpretation to his adorer. Anything was better than to let such an interpretation become coherent: he felt that Alice had been encouraged to be on the point of proposing to him. Without a moments delay (since every moment was precious so long as Alice did not take possession of it) he switched off violently on to religious topics. Just now they had seemed dangerous to him, at this awful moment they presented the appearance of an Ark of Refuge.My hearer grinned. "Oh, that ain't no sign. Boys will be boys. You know that, yo'se'f. An' o' co'se she know it. Oh, yass, she at home."
ONE:It was but a few months ago that Mr Keeling, taking advantage of a break in the lease of his own house, and the undoubted bargain that he had secured in this more spacious residence, had bought the freehold of The Cedars, and had given the furnishing and embellishment of it (naming the total sum not to be exceeded) into the hands of his wife and the head of the furnishing department in his stores. The Gothic porch, already there, had suggested a scheme to the artistic Mr Bowman, and from it you walked into a large square hall of an amazing kind. On the floor were red encaustic tiles with blue fleurs-de-lis, and the walls and ceiling were covered with the most expensive and deeply-moulded Lincrusta-Walton paper of Tudor design with alternate crowns and portcullises. It was clearly inconvenient that visitors should be able to look in through the window that opened on the carriage-sweep; so Mr Bowman had arranged that it should not open at all, but be filled with sham{15} bottle-bottoms impervious to the eye. In front of it stood a large pitch-pine table to hold the clothings and impedimenta of out-of-doors, and on each side of it were chairs of Gothic design. The fireplace, also new, had modern Dutch tiles in it, and a high battlemented mantel-shelf, with turrets at the corners. For hats there was a mahogany hat-rack with chamois-horns tipped with brass instead of pegs, and on the Lincrusta-Walton walls were trophies of spears and battle-axes and swords. Mr Bowman would have left the hall thus in classic severity, but his partner in decoration here intervened, and insisted on its being made more home-like. To secure this she added a second table on which stood a small stuffed crocodile rampant holding in his outstretched forelegs a copper tray for visitors calling cards. Mrs Keeling was very much pleased with this, considering it so quaint, and when her friends called, it often served as the header-board from which they leaped into the sea of conversation. The grate of the fire-place, empty of fuel, in this midsummer weather, was filled with multitudinous strips of polychromatic paper with gilt threads among it, which streamed from some fixed point up in the chimney, and suggested that a lady with a skirt covered with ribbons had stuck in the chimney, her head and body being invisible. By the fireplace Mrs Keeling had placed a painted wheelbarrow with a gilt spade, containing fuchsias in{16} pots, and among the trophies of arms had inserted various Polynesian aprons of shells and leather thongs brought back by her father from his voyages; these the outraged Mr Bowman sarcastically allowed added colour about which there was no doubt whatever. Beyond this hall lay a farther inner one, out of which ascended the main staircase furnished (here again could be traced Mr Bowmans chaste finger) with a grandfathers clock, and reproductions of cane-backed Jacobean chairs. From this opened a big drawing-room giving on the lawn at the back, and communicating at one end with Mrs Keelings boudoir. These rooms, as being more exclusively feminine, were inspired in the matter of their decoration by Mrs Keelings unaided taste; about them nothing need be said beyond the fact that it would take any one a considerable time to ascertain whether they contained a greater number of mirrors framed in plush and painted with lilies, or of draped pictures standing at angles on easels. Saddlebag chairs, damask curtains, Landseer prints, and a Brussels carpet were the chief characteristics of the dining-room.
TWO:The spectators fled with one accord. Allingham and Gregg doubled up in hot pursuit. Arthur Withers, who had mustered the wit to fall down rather than to be knocked down, picked himself up quickly and joined them.
