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ONE: TWO:Now wind black central hand fourteen and a half times, press centre knob until bell rings, close lid, replace wig and hat, and Clockwork man is ready for action.

ONE:Near the gateway was a pagoda or tower in seven stories, and it is said to be one of the finest in Japan. The Japanese pagoda is always built in an odd number of stories, three, five, seven, or nine, and it usually terminates, as does the one we are now contemplating, with a spire that resembles an enormous corkscrew more than anything else. It is of copper or bronze, and is a very beautiful ornament, quite in keeping with the edifice that it crowns. On its pinnacle there is a jewel, or something supposed to be one, a sacred emblem that appears very frequently in Japanese paintings or bronze-work. The edges of the little roofs projecting from each story were hung with bells that rang in the wind, but their noise was not sufficiently loud to render any inconvenience to the visitor, and for the greater part of the time they do not ring at all. The architecture of the pagoda is in keeping with that of the surrounding buildings, and thoroughly Oriental in all its features. TWO:But Gregg had the sense to admit to himself that his generalisation was no more than a faint aurora hovering around the rumoured dawn of the future. It was necessary, in the first place, to posit an imperfect thinking apparatus. After all, the Clockwork man was still a mystery to be solved, and even if he failed to justify a single theory born of merely human conjecture, there still remained the exhilarating task of finding out what actually he was and how he had come to earth.