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TWO:In the lives of English painters the story of Benjamin Robert Haydon is perhaps the saddest. In youth he devoted himself with such zeal to the study of art that people wondered how he ever found time to eat. He was one of those men of genius who may be called "unlucky." He was always in pecuniary difficulties, though his father allowed him ��200 per annum in the earlier part of his career. He applied for admission into the Academy, but did not obtain a single vote; and he got involved in controversies, which continued to embitter his life. He succeeded at last, however, by his energy, in commanding public attention and winning fame. For the "Judgment of Solomon" he received ��700, with ��100 voted to him by the directors of the British Institution, and the freedom of Plymouth. His pictures were, however, very unequal; here and there was a powerful piece of work, but the whole was generally rough and unfinished. He committed suicide in 1846. Sculpture, which was then at its lowest ebb, was relieved alone from vacuity by the works of Chantrey, Flaxman, and Gibson.

TWO:On the 7th of March the House of Commons went into committee on the establishment of the Duke of York, on account of his marriage. Fox united with Pitt in supporting the recommendation that twenty-five thousand pounds per annum should be added to the twelve thousand pounds which the duke already had; besides this the duke had a private yearly revenue of four thousand pounds, making altogether forty-one thousand a year, in addition to the bishopric of Osnaburg, in Germany, which had been conferred on the duke, though a layman and a soldier. Notwithstanding the union of Whigs and Tories on this occasion, the vote did not pass without some sharp remarks on the miserable stinginess of the King of Prussia, who only gave his daughter the paltry sum of twenty-five thousand pounds as a dowry, and stipulated that even that should be returned in case of the duke's death, though in that case his daughter was to have a permanent allowance of eight thousand pounds a year.

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TWO: Unsettled Condition of Europe��Machinations of Russia and Austria against Turkey��Disasters of the Austrians��Capture of Oczakoff��Further Designs of Catherine��Intervention of Pitt��Gustavus of Sweden invades Russia��His Temporary Check��He remodels the Diet and pursues the War��Joseph renews the War��Disaffection in Hungary��Revolution in the Austrian Netherlands��Abolition of the Joyeuse Entr��e��The Emperor declared to have forfeited the Crown��The Austrian Troops retired to Luxembourg��Death of Joseph��Outbreak of the French Revolution��Efforts of Turgot and his Successors to introduce Reforms��Lom��nie de Brienne��Recall of Necker��Assembly of the States General��The Third Estate becomes the National Assembly��The Meeting in the Tennis Court��Contemplated Coup d'��tat��Project of a City Guard��Dismissal of Necker��Insurrection in Paris��The City Guard��Capture of the Bastille��The Noblesse renounce their Privileges��Bankruptcy and Famine��"O Richard, O Mon Roi!"��The Women and the National Guard march on Versailles��The King brought to Paris��Effect of the Revolution in England��Different Views of Burke and Fox��Rejection of Flood's Reform Bill��The Nootka Sound Affair��Satisfaction obtained from Spain��Motions of Reform in the Irish Parliament��Convention of Reichenbach��Continuance of the War between Sweden and Russia��Renewal of the War with Tippoo Sahib��Debates in Parliament��Discussions on the Eastern Question��The Canada Bill��It is made the occasion of speeches on the French Revolution��Breach between Fox and Burke��Abuse of Burke by the Whigs��Wilberforce's Notice for Immediate Emancipation��Colonisation of Sierra Leone��Bill for the Relief of Roman Catholics��Fox's Libel Bill��Burke's "Reflections on the French Revolution"��Replies of Mackintosh and Paine��Dr. Price��Dr. Priestley��The Anniversary of the taking of the Bastille��The Birmingham Riots��Destruction of Priestley's Library��Suppression of the Riots��Mildness of the Sentences.The taste for Italian music was now every day increasing; singers of that nation appeared with great applause at most concerts. In 1703 Italian music was introduced into the theatres as intermezzi, or interludes, consisting of singing and dancing; then whole operas appeared, the music Italian, the words English; and, in 1707, Urbani, a male soprano, and two Italian women, sang their parts all in Italian, the other performers using English. Finally, in 1710, a complete Italian opera was performed at the Queen's Theatre, Haymarket, and from that time the Italian opera was regularly established in London. This led to the arrival of the greatest composer whom the world had yet seen. George Frederick Handel was born at Halle, in Germany, in 1685. He had displayed wonderful genius for music as a mere child, and having, at the age of seven years, astonished the Duke of Saxe Weissenfels��at whose court his brother-in-law was a valet��who found him playing the organ in the chapel, he was, by the Duke's recommendation, regularly educated for the profession of music. At the age of ten, Handel composed the church service for voices and instruments; and after acquiring a great reputation in Hamburg��where, in 1705, he brought out his "Almira"��he proceeded to Florence, where he produced the opera of "Rodrigo," and thence to Venice, Rome, and Naples. After remaining in Italy four years, he was induced to come to England in 1710, at the pressing entreaties of many of the English nobility, to superintend the opera. But, though he was enthusiastically received, the party spirit which raged at that period soon made it impossible to conduct the opera with any degree of self-respect and independence. He therefore abandoned the attempt, having sunk nearly all his fortune in it, and commenced the composition of his noble oratorios. Racine's "Esther," abridged and altered by Humphreys, was set by him, in 1720, for the chapel of the Duke of Chandos at Cannons. It was, however, only by slow degrees that the wonderful genius of Handel was appreciated, yet it won its way against all prejudices and difficulties. In 1731 his "Esther" was performed by the children of the chapel-royal at the house of Bernard Gates, their master, and the following year, at the king's command, at the royal theatre in the Haymarket. It was fortunate for Handel that the monarch was German too, or he might have quitted the country in disgust before his fame had triumphed over faction and ignorance. So far did these operate, that in 1742, when he produced his glorious "Messiah," it was so coldly received that it was treated as a failure. Handel, in deep discouragement, however, gave it another trial in Dublin, where the warm imaginations of the Irish caught all its sublimity, and gave it an enthusiastic reception. On its next presentation in London his audience reversed the former judgment, and the delighted composer then presented the manuscript to the Foundling Hospital, where it was performed annually for the benefit of that excellent institution, and added to its funds ten thousand three hundred pounds. It became the custom, from 1737, to perform oratorios[156] on the Wednesdays and Fridays in Lent. Handel, whose genius has never been surpassed for vigour, spirit, invention, and sublimity, became blind in his latter years. He continued to perform in public, and to compose, till within a week of his death, which took place on April 13, 1759.

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TWO:[See larger version]Charles, accompanied by O'Sullivan, Sheridan, and other gentlemen, rode away to a seat of Lord Lovat's. The wild gallop of horsemen startled that wily old fox in his lair; and when he heard the news the Master began to tremble for his own safety. There are different accounts of his reception of the fugitive prince. One says that he was so occupied with thinking of making his own escape, that he hardly showed common courtesy to the prince and his companions, and that they parted in mutual displeasure. Another states that Lovat urged the same advice as Lord George Murray had done, still to get up into the mountains, and make a bold face, by which time might be gained for fresh reinforcements, or at least for making some terms for the unhappy people. But it is clear that Charles had now lost all spirit, if he had ever retained much after he had been forced to retreat from Derby. He and his party rode away again at ten o'clock at night, and reached Invergarry, the castle of Glengarry, about two hours before daybreak. Lord George still entertained the idea of keeping together a large body of Highlanders. He had already with him one thousand two hundred. Charles had stolen away from Invergarry to Arkaig, in Lochaber, and thence to Glenboisdale, where the messengers of Lord George found him, accompanied only by O'Sullivan, O'Neil, and Burke, his servant, who knew the country and acted as guide. All the rest of his train had shifted for themselves. Lord George entreated the prince not to quit the country, but to continue to gather a force in the mountains, and thus resist and harass their enemies till they received reinforcements; but Charles sent him word that the only chance was for himself to hasten over to France, and use all his interest to bring over an efficient force. He therefore sent Lord George a written plan of his intentions, which was not, however, to be opened till he had sailed; and he desired Lord George to request the different chiefs and their men to seek their own safety as best they might. That act terminated the Rebellion.

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