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THREE:CHAPTER XV. PNEUMATIC MACHINERY FOR TRANSMITTING POWER. FORE:So far Aristotle gives us a purely superficial and sensational view of the drama. Yet he could not help seeing that there was a moral element in tragedy, and he was anxious to show, as against Plato, that it exercised an improving effect on the audience. The result is his famous theory of the Catharsis, so long misunderstood, and not certainly understood even now. The object of Tragedy, he tells us, is to purify (or purge away) pity and terror by means of those emotions themselves. The Poetics seems originally to have contained an explanation of this mysterious utterance, now lost, and critics have endeavoured to supply the gap by writing eighty treatises on the subject. The result has been at least to show what Aristotle did not mean. The popular version of his dictum, which is that tragedy purges the passions by pity and terror, is clearly inconsistent with the wording of the original text. Pity and terror are both the object and the instrument of purification. Nor yet does he mean, as was once supposed,306 that each of these emotions is to counterbalance and moderate the other; for this would imply that they are opposed to one another, whereas in the Rhetoric he speaks of them as being akin; while a parallel passage in the Politics188 shows him to have believed that the passions are susceptible of homoeopathic treatment. Violent enthusiasm, he tells us, is to be soothed and carried off by a strain of exciting, impassioned music. But whence come the pity and terror which are to be dealt with by tragic poetry? Not, apparently, from the piece itself, for to inoculate the patient with a new disease, merely for the sake of curing it, could do him no imaginable good. To judge from the passage in the Politics already referred to, he believes that pity and terror are always present in the minds of all, to a certain extent; and the theory apparently is, that tragedy brings them to the surface, and enables them to be thrown off with an accompaniment of pleasurable feeling. Now, of course, we have a constant capacity for experiencing every passion to which human nature is liable; but to say that in the absence of its appropriate external stimulus we are ever perceptibly and painfully affected by any passion, is to assert what is not true of any sane mind. And, even were it so, were we constantly haunted by vague presentiments of evil to ourselves or others, it is anything but clear that fictitious representations of calamity would be the appropriate means for enabling us to get rid of them. Zeller explains that it is the insight into universal laws controlling our destiny, the association of misfortune with a divine justice, which, according to Aristotle, produces the purifying effect;189 but this would be the purgation of pity and terror, not by themselves, but by the intellectual framework in which they are set, the concatenation of events, the workings of character, or the reference of everything to an eternal cause. The truth is that Aristotle��s explanation of the moral effect produced by tragedy is307 irrational, because his whole conception of tragedy is mistaken. The emotions excited by its highest forms are not terror and pity, but admiration and love, which, in their ideal exercise, are too holy for purification, too high for restriction, and too delightful for relief.Hetty had no reply for the moment. That idea had never occurred to her before. Certainly she had never looked upon the Countess as a model mother; indeed, she had never seen her display what might be called natural affection.

THREE:Balmayne promptly collapsed into the chair that Beppo had put for him. He glanced in a white and agitated way round the room. There was not a friendly face to be seen anywhere. Given immunity from protection, and not one man there would have refused to cut his throat for a handful of coppers. FORE:But the Germans were efficient, for during the night they had laid down the rails on which in the morning they transported parts of the heavy ordnance that would demolish all the Belgian defences.

THREE:This absolute separation of Form and Matter, under their new names of Thought and Extension, once grasped, various principles of Cartesianism will follow from it by logical necessity. First comes the exclusion of final causes from philosophy, or rather from Nature. There was not, as with Epicurus, any anti-theological feeling concerned in their rejection. With Aristotle, against whom Descartes is always protesting, the final cause was not a mark of designing intelligence imposed on Matter from without; it was only a particular aspect of Form, the realisation of what Matter was always striving after by virtue of its inherent potentiality. When Form was conceived only as pure thought, there could be no question of such a process; the most highly organised bodies being only modes of figured extension. The revival of Atomism had, no doubt, a great deal to do with the preference for a mechanical interpretation of life. Aristotle had himself shown with masterly clearness the difference between his view of Nature and that taken by Democritus; thus indicating beforehand the direction in which an alternative to his own teaching might be sought; and Bacon had, in fact, already referred with approval to the example set by Democritus in dealing with teleological enquiries. FORE:It is evident that the fate of Socrates was constantly in Plato��s thoughts, and greatly embittered his scorn for the multitude as well as for those who made themselves its ministers and minions. It so happened that his friend��s three accusers had been respectively a poet, a statesman, and a rhetor; thus aptly typifying to the philosopher��s lively imagination the triad of charlatans in whom public opinion found its appropriate representatives and spokesmen. Yet Plato ought consistently to have held that the condemnation of Socrates was, equally with the persecution of Pericles, a satire on the teaching which, after at least thirty years�� exercise, had left its auditors more corrupt than it found them. In like manner the ostracism of Aristeides might be set against similar202 sentences passed on less puritanical statesmen. For the purpose of the argument it would have been sufficient to show that in existing circumstances the office of public adviser was both thankless and dangerous. We must always remember that when Plato is speaking of past times he is profoundly influenced by aristocratic traditions, and also that under a retrospective disguise he is really attacking contemporary abuses. And if, even then, his denunciations seem excessive, their justification may be found in that continued decay of public virtue which, not long afterwards, brought about the final catastrophe of Athenian independence.

THREE:I spent three hours in the small room with my silent companions. At last I was called, and appeared once more before the casual court-martial. FORE:Herr Kronin paused, overcome by deep distress. His eyes behind the big glasses looked appealingly at Bruce.