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I SHE WANTED TO LAUGH
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ONE:THE WIND RISING. THE WIND RISING.
ONE:The party remained three days at Canton. They rose early every morning, and went on excursions through and around the city, and it is fair to say that they did not have a single idle moment. Each of the boys made careful notes of what he saw and heard, and by the end of their stay both had enough to fill a small volume. They returned to Hong-kong on the fourth day, and on the morning after their return they sat down to write the story of their adventures. But before they began writing the projected letter a discussion arose between them, which was about like this:While they were discussing him, he returned suddenly and said:
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TWO:

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THREE:For an Oriental city Tokio has remarkably wide streets, and some of them are laid out with all the care of Western engineering. In the course of their morning ride the party came to Sakuradu Avenue, which Fred recognized from a drawing by a native artist, who had taken pains to preserve the architecture of the buildings on each side with complete fidelity. The foundations of the houses were of irregular stones cut in the form of lozenges, but not with mathematical accuracy. The boys had already noticed this form of hewing stone in the walls of the castles, where some very large blocks were piled. They were reported to have been brought from distant parts of the empire, and the cost of their transportation must have been very great. Few of the houses were of more than two stories, and the great majority were of only one. Along Sakuradu Avenue they were of two stories, and had long and low windows with paper screens, so that it was impossible for a person in the street to see what was going on inside. The eaves projected far over the upright sides, and thus formed a shelter that was very acceptable in the heat of summer, while in rainy weather it had many advantages. These yashikis were formerly the property of Daimios, but are now occupied by the Foreign Office and the War Department. Inside the enclosure there are many shade-trees, and they make a cooling contrast to the plain walls of the buildings. The Japanese rarely paint the interior or the exterior of their buildings. Nearly everything is finished in the natural color of the wood, and very pretty the wood is too. It is something like oak in appearance, but a trifle darker, and is[Pg 120] susceptible of a high polish. It admits of a great variety of uses, and is very easily wrought. It is known as keyaki-wood; and, in spite of the immense quantity that is annually used, it is cheap and abundant.
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THREE:Wonderful eyes she had; deep blue, as I have said, in color; black, in spirit; never so wonderful as when having sparkled black they quieted to blue again. Always then there came the slightest of contractions at the outer corners of the delicate lids, that gave a fourfold expression of thought, passion, tenderness and intrepidity. I never saw that silent meaning in but one other pair of eyes; wherever it turned it said--at the same time saying many other things but saying this always plainest--"I see both out and in; I know myself--and thee." Never but in one other pair of eyes? no; and whose were those? Ned Ferry's.

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TWO:"Captain Ferry," retorted Miss Harper, and I echoed the amendment.

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THREE:On and on they went. The Doctor pointed out many places of interest, and told them how the road was built through the wilderness.
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THREE:It is not too much to say that the room was of the nature of a temple, for here a very essential and withdrawn part of himself passed hours of praise and worship. Born in the humblest circumstances, he had, from the days when he slept on a piece of sacking below the counter in his fathers most unprofitable shop, devoted all the push, all the activity of his energies to the grappling of business problems and the pursuit of money-making. To many this becomes by the period of{33} middle age a passion not less incurable than drug drinking, and not less ruinous than that to the nobler appetites of life. But Keeling had never allowed it thus to usurp and swamp him; he always had guarded his secret garden, fencing it impenetrably off from the clatter of the till. Here, though undeveloped and sundered from the rest of his life, grew the rose of romance, namely the sense of beauty in books; here shone for him the light which never was on sea or land, which inspires every artists dream. He was not in any degree creative, he had not the desire any more than the skill to write or to draw when he lost himself in reverie over the printed page or the illustrations in his sumptuous editions. But the sense of wonder and admiration which is the oil in the artists lamp burned steadily for him, and lit with a never-flickering flame the hours he passed among his books. Above all, when he was here he lost completely a certain sense of loneliness which was his constant companion."Wallabaloo," replied the other, eagerly. "WallaOh, hang itHulloa, now we've got itWallabalooNo, we haven'tBang Wallopnine and ninepence"
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THREE:CHAPTER XXV."HUSH!" He ceased. "I swear, Scott Gholson, you must choose your words better when you allude--Lieutenant Helm is the last man in the brigade to be under my protection, but--oh, you're crazy, man, and blind besides. Harry Helm is not in love, but he thinks he is, though with quite another person!"
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THREE:"I suppose that's so," laughed the officer. "I'll tell you how it was. My guard were just about to hang me for saying I thought we had a right to make soldiers of the darkies, when your friend came galloping along, saw the thing, and rushed in and cut the halter with his sword. And when they demanded to know who and what he was, he told them Durand, and that they'd hear it again, for he should report them."It must remain for ever a question for curious speculation as to what action might have been taken by Doctor Allingham and Gregg in conjunction, had they been able to pursue their investigation of the Clockwork man upon a thorough-going scale; for while their discussions were taking place the subject of them escaped from his confinement in the coal cellar.
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