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There was a ring at the hall and a servant came in. Gordon hoped that it was not a patient. He was dressed for a party, where he hoped to meet Hetty; not a grand affair, but a few friends in Gilbert Lawrence's luxurious chambers. Bruce looked at the card in his hand.She passed up the steps with a face white but smiling, a queer lingering smile that boded ill to some one.
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THREE:"At six o'clock a captain separated the men from the women and children. The women were placed behind a line of infantry. The men had to stand alongside a wall; those in the first row were ordered to sit on their haunches, the others to remain standing behind them. A platoon took a stand straight opposite the group. The women prayed in vain for mercy for their husbands, their sons, and their brothers; the officer gave the order to fire. He had not made the slightest investigation, pronounced no sentence of any sort. FORE:On earth there is nothing great but man,Cores are employed mainly for what may be termed the displacement of metal in moulds. There is no clear line of distinction between cores and moulds, as founding is now conducted; cores may be of green sand, and made to surround the exterior of a piece, as well as to make perforations or to form recesses within it. The term 'core,' in its technical sense, means dried moulds, as distinguished from green sand. Wheels or other castings are said to be cast in cores when the moulds are made in pieces and dried. Supporting and venting cores, and their expansion, are conditions to which especial attention [95] is called. When a core is surrounded with hot metal, it gives off, because of moisture and the burning of the 'wash,' a large amount of gas which must have free means of escape. In the arrangement of cores, therefore, attention must be had to some means of venting, which is generally attained by allowing them to project through the sides of the mould and communicate with the air outside.

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THREE:291 FORE:"A rope," Lawrence replied. "Can't you guess what that rope is for?""Now, look here, sister, I am a cousin of S?ur...."

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THREE:Shell get therethey see the life preserver! he cried, looking past the tilting wing as they executed a split-S to turn to head back the quickest possible way.
  • THREE:Without Chrysippus I should not have been.233

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    FORE:

    Nulla facilisi. Aean nec eros.…

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  • THREE:To follow this matter further. It will be found in such machines as are directed mainly to augmenting force or increasing the amount of power that may be applied in any operation, such as sawing wood or stone, the effect produced when compared to hand labour is nearly as the difference in the amount of power applied; and the saving that such machines effect is generally in the same proportion. A machine that can expend ten horse-power in performing a certain kind of work, will save ten times as much as a machine directed to the same purpose expending but one horse-power; this of course applies to machines for the performance of the coarser kinds of work, and employed to supplant mere physical effort. In other machines of application, such as are directed mainly to guidance, or speed of action, such as sewing machines, dove-tailing machines, gear-cutting machines, and so on, there is no relation whatever between the increased [59] effect that may be produced and the amount of power expended.

    by Daniel Nyari View on Dribbble

    FORE:Bruce caught his breath sharply. He had scarcely time to consider what it all meant when the light flared up again, and the fair woman returned with a kettle and basin and a tin of mustard.

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  • THREE:Leona smiled with contempt as she surveyed the slim figure before her. She was always proud of her strength. She bared her beautiful white arm and showed the strong sinews and muscles under the skin."I was detained," the Countess gasped. "After all, what are a few minutes?"

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THREE:
THU 14 May, 2015
FORE:"Numbers?" Prout snapped. "Which part of them?"

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THU 14 May, 2015
FORE:A similar vein of thought runs through the moral and religious philosophy of Lucretius. If we look on him as a reformer, we shall say that his object was to free life from the delusions with which it had been disfigured by ignorance and passion. If we look on him as an artist, we shall say that he instinctively sought to represent life in the pure and perfect beauty of its naked form. If we look on him as a poet, we shall say that he exhibits all the objects of false belief no longer in the independence of their fancied reality, but in their place among other vital phenomena, and in due subordination112 to the human consciousness whose power, even when it is bound by them, they reveal. But while the first alternative leaves him in the position of a mere imitator or expositor who brings home no lessons that Epicurus had not already enforced with far greater success, the other two, and above all the last, restore him to the position of an original genius, who, instead of deriving his intuitions from the Epicurean system, adopts just so much of that system as is necessary to give them coherence and shape. It may, no doubt, be urged, that were life reduced to the simple expression, the state of almost vegetative repose, demanded by Lucretius, denuded of love, of ambition, of artistic luxury, of that aspiration towards belief in and union with some central soul of things, which all religions, more or less distinctly embody, its value for imaginative purposes would be destroyed; and that the deepest lesson taught by his poem would not be how to enjoy existence with the greatest intensity, but how to abandon it with the least regret. Now it is just here that the wonderful power of poetry comes in, and does for once, under the form of a general exposition, what it has to do again and again under the easier conditions of individual presentation. For poetry is essentially tragic, and almost always excites the activity of our imagination, not by giving it the assured possession of realities, but by the strain resulting from their actual or their expected eclipse. If Homer and the Attic tragedians show us what is life, and what are the goods of life, it is not through experience of the things themselves, but through the form of the void and the outline of the shadow which their removal or obscuration has produced. So also in the universal tragedy of the Roman poet, where the actors are not persons, but ideas. Every belief is felt with more poignant intensity at the moment of its overthrow, and the world of illusion is compensated for intellectual extinction by imaginative persistence as a conscious creation, a memory, or a dream. There is no mythological picture so splendidly painted as those in which Lucretius has shown us Mavors113 pillowed on the lap of Venus, or led before us the Idaean mother in her triumphal car. No redeemer, credited with supernatural powers, has ever enjoyed such an apotheosis as that bestowed by his worshipper on the apostle of unbelief. Nowhere have the terrible and mysterious suggestions of mortality been marshalled with such effect as in the argument showing that death no more admits of experience than of escape. What love-inspired poet has ever followed the storm and stress of passion with such tenderness of sympathy or such audacity of disclosure, as he to whom its objects were disrobed of their divinity, for whom its fancied satisfaction was but the kindling to insaner effort of a fatally unquenchable desire? Instead of being compelled to teach a truth he would not learn, Lucretius was enabled by the spirit of his own incomparable art to seize and fix for ever, in bold reversal of light and shade, those visions on which the killing light of truth had long before him already dawned."Yes. You have come to look into Countess Lalage's affairs."

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THU 14 May, 2015
FORE:

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THREE:The men stopped their horses, dismounted, and returned the fire from behind their animals. This went on for about a quarter of an hour. Every one was alarmed by this shooting; other soldiers came racing in from the station, and others ran to and fro near that building crying, "A surprise attack!" Some, thinking that the attack came from the advancing Belgians, rushed to the place where the fighting took place, others misunderstood the cry, believed that the citizens assaulted them, and began to shoot at these, and at the houses.The town was full of soldiers, and I had great trouble to find lodgings. "Tout est pris par les Allemands" ("Everything is taken by the Germans") was the answer I got everywhere, with the result111 that I was still hunting for a bedroom after six o'clock, although nobody was then allowed in the streets. I was stopped at every turn, and after explaining my case got a hint to hurry up.

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"You'll have to knock them up," said Balmayne, between his teeth. "It will take time and it will be dangerous. But there's nothing else for it that I can see. Say you have had a spill out of a cab or something of that kind. When you have bustled them off upstairs again I'll sneak into the house. I could do with a cigarette and a brandy and soda quite as much as you can."CHAPTER XXVII. A GLASS OF WINE."On Sunday, August 23rd, at half-past six in the morning, the soldiers of the 108th regiment of the line drove the worshippers out of the Premonstratensian Church, separated the men from the women, and shot about fifty of the former164 through the head. Between seven and nine o'clock there were house-to-house looting and burning by the soldiers, who chased the inhabitants into the street. Those who tried to escape were shot off-hand.Prout's expression was that of a man who by no means shared this opinion, but he said nothing on that head.A Hellene, and an aristocrat as well. Or, using the word in its most comprehensive sense, we may say that he was an aristocrat all round, a believer in inherent superiorities of race, sex, birth, breeding, and age. Everywhere we find him restlessly searching after the wisest, purest, best, until at last, passing beyond the limits of existence itself, words fail him to describe the absolute ineffable only good, not being and not knowledge, but creating and inspiring both. Thus it came to pass that his hopes of effecting a thorough reform did not lie in an appeal to the masses, but in the selection and198 seclusion from evil influences of a few intelligent youths. Here we may detect a remarkable divergence between him and his master. Socrates, himself a man of the people, did not like to hear the Athenians abused. If they went wrong, it was, he said, the fault of their leaders.126 But according to Plato, it was from the people themselves that corruption originally proceeded, it was they who instilled false lessons into the most intelligent minds, teaching them from their very infancy to prefer show to substance, success to merit, and pleasure to virtue; making the study of popular caprice the sure road to power, and poisoning the very sources of morality by circulating blasphemous stories about the godsstories which represented them as weak, sensual, capricious beings, setting an example of iniquity themselves, and quite willing to pardon it in men on condition of going shares in the spoil. The poets had a great deal to do with the manufacture of these discreditable myths; and towards poets as a class Plato entertained feelings of mingled admiration and contempt. As an artist, he was powerfully attracted by the beauty of their works; as a theologian, he believed them to be the channels of divine inspiration, and sometimes also the guardians of a sacred tradition; but as a critic, he was shocked at their incapacity to explain the meaning of their own works, especially when it was coupled with ridiculous pretensions to omniscience; and he regarded the imitative character of their productions as illustrating, in a particularly flagrant manner, that substitution of appearance for reality which, according to his philosophy, was the deepest source of error and evil.We passed a dead field-officer who still laid hold of a piece of a flag. When I read that sort of thing in a book, I thought: "how pretty and romantic," but never believed that this would actually happen in war-time. I saw the reality now, and, deeply touched, bared my head, saluting that dead hero. From papers we found on him we saw that his name was Van Gesthel; like most Belgians, he had been killed by shell.
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