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In the town is the tomb of the Ranee Sipri: walls of lace, balconies of brocade carved in stone. Opposite this mausoleum are an open mosque and two minarets as slim as sapling pines, wrought with arabesques as fine as carved ivory. There are lamps carved in relief on the walls, each hung by chains under-cut in stone with Chinese elaboration; and this lamp is everywhere repeatedon the mosque, on the tomb, and on the base of the minarets. The building, which has the faintly russet tone of old parchment, when seen in the glow of sunset takes a hue of ruby gold that is almost diaphanous, as filmy as embroidered gauze.
ONE:

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TWO:As we reached Bunnoo green cornfields extended as far as the eye could see, under mulberry trees just unfolding their leaves. Numberless channels of water irrigated the land; the bed of the Kurrum[Pg 275] alone, quite white, was flecked here and there with blue pools, and was presently lost in the rosy distance of the hills on the Afghan frontier.[Pg 94]

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ONE:At sunset, when the glow fired the stones to a semblance of transparent, burning light, at the top of one of the flights of steps rising from the river to the town, and in front of a gate with large brass nails, glittering like sparks, the figure appeared of a holy beggar in yellow rags, with a copper jar blazing with reflected light; he was set in a halo of gold, and looked like the vision of some pagan god. He stood motionless for a[Pg 172] long time, and then, as the last sunbeam went out, he vanished beyond the fire-studded gate, while all the scene faded into rosy lilac, rapidly dying into blue night.The rajah's sleeping-room has at one end a dais ascended by three steps; here the sovereign's bed used to be spread; and here, now, the judges of the Supreme Court have their seats. In the middle of the room was a confused array of benches and tables, and against the walls, also washed with yellow, hung a series of portraits of bewigged worthies.

We believe ideas come from everyone, everywhere. In fact, at BlackTie, everyone within our agency walls is a designer in their own right. And there are a few principles we believe—and we believe everyone should believe—about our design craft. These truths drive us, motivate us, and ultimately help us redefine the power of design. We’re big believers in doing right by our neighbors. After all, we grew up in the Twin Cities and we believe this place has much to offer. So we do what we can to support the community we love.

Over the past four years, we’ve provided more than $1 million in combined cash and pro bono support to Way to Grow, an early childhood education and nonprofit organization. Other community giving involvement throughout our agency history includes pro bono work for more than 13 organizations, direct giving, a scholarship program through the Minneapolis College of Art & Design, board memberships, and ongoing participation in the Keystone Club, which gives five percent of our company’s earnings back to the community each year.

ONE:The old palace of the kings is now yellow-ochre, coated with plaster and lime-wash over the splendid antique marble walls.

To achieve real change, we have to expand boundaries. Because the Wild West of what-could-be is unexplored but rife with opportunity.



TWO:

Employees and consumers. Two halves of a brand’s entirety, the whole of a brand’s audience. Sometimes these two halves have very different viewpoints, creating a weak spot in the brand story. Weakness tarnishes credibility. Brands that aren’t credible aren’t viable.

We squash weakness by designing the whole brand story. It’s crafted around the truism held by employees and consumers to create an experience that connects from the inside out.

By being true to the brand we represent, we elevate the audiences’ relationship to it. Like becomes love becomes a passion. Passion becomes advocacy. And we see the brand blossom from within, creating a whole story the audience embraces. That’s when the brand can truly flex its muscles.

TWO:While all this is going forward in the jungle, Bakaoli, disguised as an astrologer, comes to the king, to whom she promises the coming of the miraculous flower, and even while she is speaking the return of the four princes is announced.He, with his four sons, goes to pay a call on Tazulmulook, whom he does not recognize in his palace, when suddenly Dilbar arrives to claim her prisoners. The fifth son then relates to the king the deeds of his elder brothers, and in proof of his words points to the mark each of them bears on his neck. The king anathematizes the princes, and sends them to prison, but loads Tazulmulook with honours and affection.

ONE:In the heart of an extensive park, where wide lawns are planted with gigantic baobabs and clumps of bamboo and tamarind, stands an important-looking building, hideously modern in a mixture of heterogeneous styles and materials, of a crude yellow colour, and much too new. There is no attempt at unity of effect. A central dome crowns the edifice and a square tower rises by the side of it. Some portions, like pavilions, low and small, carry ornaments disproportioned to their size; while others, containing vast halls, have minute windows pierced[Pg 52] in their walls, hardly larger than loopholes, but framed in elaborate sculpture and lost in the great mass of stone. Arcades of light and slender columns, connected by lace-like pierced work of alarming fragility, enclose little courts full of tree-ferns and waving palms spreading over large pools of water. The walls are covered with niches, balconies, pilasters, and balustrades carved in the Indian style, the same subjects constantly repeated.

To develop a deeper and more meaningful connection with consumers, we believe design must invite them to take part in the conversation.

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FORE:The pile of the girl with marigold wreaths and the shroud stained crimson and purple flung her ashes to the winds, reduced to mere atoms of bone and light cinder, and the servants of the place drowned a few still glowing sticks in the river;[Pg 169] the family and friends slowly went up the yellow stone steps and disappeared through a gateway leading into the town.

Mike combines an expert technical knowledge with a real eye for design. Working with clients from a wide range of industries, he fully understands client objectives when working on a project, large or small.


FORE:Women porters came on foot, hidden under bales, nets full of crocks, faggots, and trusses of hay.[Pg 248] Children, and women in sareesfine ladieshad nothing to carry; some were wrapped in yashmacks, shrouding them from head to foot with a little veil of transparent muslin over their eyes.When the last stone was placed, Shah Jehan sent for the architect and went with him to the top of the mausoleum.

Tim is an experienced marcoms practitioner and manages projects from inception to delivery. He understands the synergy between great design and commercial effectiveness which shines through on every project.


FORE:

Be a creative director is a hard task, but Michele loves what she does. Her combination of knowledge and expertise is an important pillar in our agency.


FORE:

Jaye began making websites when animated logos and scrolling text were cool, but has since found a love for simplicity, creating websites that are a pleasure to browse. Monkey Island Fan.

TWO:

Do you want to be one of use? Sure you want, because we are an awesome team!. Here we work hard every day to craft pixel perfect sites.

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ONE:

From the purely practical to the richly philosophical, design is the solution to a host of challenges.



ONE:The Prince of Morvi came before sunrise to take us to the temples of Satrunji. On the way we outstripped carts packed full of women and children in light shimmering muslins. They were all making a pilgrimage to the sacred hill, singing shrill chants in time to the jolting of their springless vehicles,[Pg 70] and broken by oaths and imprecations at the stoppages occasioned by our expedition.


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ONE:

There’s more to design than meets the eye. It’s when it meets the heart that design creates a meaningful, lasting connection with the audience.



ONE:At the top, facing two immense rocks that look like couchant lions, there was another palace; one[Pg 100] wall alone is left standing; on the creamy marble a peacock spreads its tail, carved into very delicate sprays and flowers.Fakirs, holding out their begging-bowls as they squatted round an opening in the ground, showed that it was the entrance to a temple; a few steps down, a long corridor with little niches on each side, and then hall after hall full of grimacing gods, lighted up by our guide's torch, till at last we reached an immense vault where impenetrable darkness filled the angles lost in a labyrinth of arcades converging to some mystery. Here all the Hindoo gods, carved in stone, have been crowded together, with their horrible contortions, their stolid beatitude, their affected grace; and in their midst is a huge idol, hacked with a great cut by Aurungzeeb, the Moslem emperor, at the time of his conquest. Suddenly all about us was a crowd of Brahmins, appearing from what dark corners we could not discover. They looked nasty and half asleep, and vanished at once with a murmur of whispered speech that hung about the galleries in an echo.



FORE:
Published Aug 30.
TWO:An old man who sold us some shells, had, in the days of prosperity, made a little fortune by charming the sharks with spells and signs that kept them away from the boats, and from the naked and defenceless pearl-fishers as they plunged into the deep to seek the precious shells.

Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.

In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.

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FORE:
Published Aug 28.
TWO:The forest round Kandy is glorious, an exuberance, a crush of trees growing as thick as they can stand, the dense tangle of boughs and leaves outgrown by some enormous ficus, or tall terminalia, whose sharp, angular roots have pushed through the soil while its trunk, twisting in a spiral, has made its way to a prodigious height, ending a thick dome of foliage. This, again, is overgrown by delicate creepers decking the green mass with their flowers. Spreading banyans, with a hundred stems thrown out like branches and ending in roots, form colonnades of a rosy grey hue like granite, and might seem to be the vestiges of some colossal church with a dark vault above, scarcely pierced here and there by a gleam of blue light from the sky beyond. Among these giants of the forest dwells a[Pg 131] whole nation of bending ferns as pliant as feathers, of clinging plants hanging in dainty curtains of flowers from tree to tree. Sometimes between the screen of flowers a bit of road comes into view, deep in impalpable brick-red dust, of the same tint as the fruits that hang in branches from the trees.

Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.

In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.

Read More




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In the town is the tomb of the Ranee Sipri: walls of lace, balconies of brocade carved in stone. Opposite this mausoleum are an open mosque and two minarets as slim as sapling pines, wrought with arabesques as fine as carved ivory. There are lamps carved in relief on the walls, each hung by chains under-cut in stone with Chinese elaboration; and this lamp is everywhere repeatedon the mosque, on the tomb, and on the base of the minarets. The building, which has the faintly russet tone of old parchment, when seen in the glow of sunset takes a hue of ruby gold that is almost diaphanous, as filmy as embroidered gauze.

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In the town is the tomb of the Ranee Sipri: walls of lace, balconies of brocade carved in stone. Opposite this mausoleum are an open mosque and two minarets as slim as sapling pines, wrought with arabesques as fine as carved ivory. There are lamps carved in relief on the walls, each hung by chains under-cut in stone with Chinese elaboration; and this lamp is everywhere repeatedon the mosque, on the tomb, and on the base of the minarets. The building, which has the faintly russet tone of old parchment, when seen in the glow of sunset takes a hue of ruby gold that is almost diaphanous, as filmy as embroidered gauze.


THREE:

Some Address 987, NY
+34 9884 4893
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agency@blacktie.co
@blacktie_co
BlackTie Agency

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FORE:We reached the top of the hill, the sacred enclosure of the Ja?n temples. A stoppage again and a fresh dispute. The priests would not admit within the temples our soldiers, who wore shoes,[Pg 72] belts, and gun-straps made of the skins of dead beasts. The sowars wanted to go on, declaring that they would take no orders from "such men, priests with dyed beards, dressed in red flannel, with their turbans undone and heated with rage."
"I shall pay as much as I can myself, and by-and-by my son will earn money, and we shall pay between us."As I was leaving, the fakir rose amid the cries of all the people, who clamoured for his blessing. He[Pg 246] silenced them by a sign, then laying one hand on my shoulder, after looking at my medalOne of these mausoleums served us for a bungalow. The distance was visible from the window openings, which were fringed with cuscus blinds[Pg 39] that would be pulled down at night: the spreading dark plain, broken by gleaming pools, and dotted with the lamps in the temples to Vishnu, of which the cones were visible in silhouette, cutting the clear horizon.DEHRA DOONFrom the parapet of one of the bastions the Ganges may be seen in the distance, of a sickly turquoise-blue, shrouded in the haze of dust which hangs over everything and cuts off the horizon almost close in front of us, and the tributary Jumna, translucent and green. At the confluence of the rivers stands a native village of straw and bamboo huts, swept away every season by the rains. This is Triveni, containing 50,000 souls, which enjoys a great reputation for sanctity, and attracts almost as many pilgrims from every part of India as does Benares. The people come to wash away their sins in the Saravasti, the mystical river that comes down from heaven and mingles its waters at this spot with those of the sacred Ganges and the Jumna. The faithful who bathe at Triveni observe an additional ceremony and cut their hair; each hair, as it floats down stream in the sacred waters, effaces a sin, and obtains its forgiveness. In front of the barracks, a relic of past magnificence, there stands alone on a porphyry pedestal, in the middle of a broad plot[Pg 184] trampled by soldiers on parade, an Asoka column carved with inscriptions to the top, and decorated half-way up with a sort of capital.And once more in a barge on the Ganges. The atmosphere seemed faintly iridescent, like mother-of-pearl, the silence serenely lulled by the distant sound of a flute. The palaces and temples, reflected in the still water, looked in the distance like forts crowned with turrets of gold, and their little windows like loopholes. The broad stairs of the quays, where the priests' umbrellas glitter, assumed a spacious, unfamiliar dignity, the red colour shading paler towards the bottom, where it was washed off by the lapping Ganges, looking as though a fairy hanging of gauze were spread under the wavelets in honour of the Apsaras and the divinities of the river.
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