TWO:Ordinarily cool-headed, he had to be told only once or twice, and reminded almost never that jerky manipulation of the controls was not good practice or helpful to their evolutions. Easy movements, continual alertness and a cool head stood him in good stead.
TWO:Brewster hesitated for a moment, then walked out,[Pg 194] a little unsteadily. They blew out the candle and took down the gray blanket. "A stone can have broken that pane, and I cut my hand on a bottle," said Landor.In the storm-cleared atmosphere the troops could be seen until they turned into the gap, and shortly thereafter they reappeared, coming back at a trot.
TWO:Felipa had discarded, long since, the short skirt and moccasins of her girlhood, and had displayed no inconsiderable aptitude in the matter of fashions; but she was given to looseness of draperies and a carelessness of attire in her own home that the picturesqueness of her beauty alone only saved from slatternliness. There was one manifestation of ill taste which she did not give, however, one common enough with the wives of most of the officers. She was never to be found running about the post, or sitting upon the porches, with her husband's cape around her shoulders and his forage-cap over her eyes. Her instinct for the becoming was unfailing. This was a satisfaction to Landor. But it was a secret grievance that she was most contented when in her riding habit, tearing foolhardily over the country.
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- 簡易?小型貫流ボイラ?貫流ボイラ向けに開発した純正ボイラ薬品。
TWO:Another and profounder characteristic of Plato, as distinguished from Aristotle, is his thorough-going opposition of reality to appearance; his distrust of sensuous perception, imagination, and opinion; his continual appeal to a hidden world of absolute truth and justice. We find this profounder principle also grasped and applied to poetical purposes in our Elizabethan literature, not only by Spenser, but by a still greater masterShakespeare. It is by no means unlikely that Shakespeare may have looked into a translation of the Dialogues; at any rate, the intellectual atmosphere he breathed was so saturated with their spirit that he could easily absorb enough of it to inspire him with the theory of existence which alone gives consistency to his dramatic work from first to last. For the essence of his comedies is that they represent the ordinary world of sensible experience as a scene of bewilderment and delusion, where there is nothing fixed, nothing satisfying, nothing true; as something which, because of its very unreality, is best represented by the drama,371 but a drama that is not without mysterious intimations of a reality behind the veil. In them we have the34
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