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But the woods, the meadows, the Seine, and the general beauty of the landscape delighted Mme. Le Brun, who, after all her wanderings, began to have a longing for rest, became more and more attached to her home as the years passed, and spent more and more of her time there.This foretaste of the Revolution Mme. de Genlis did not like at all, and she began to think she would rather not be in France now that the plans and friends so lately her admiration were succeeding so well.

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TWO:The Duc dAyen got a lettre de cachet from the King to stop him, but it was too late. Letters were [191] sent by the family to say that Adrienne was very ill, and by this he was so far influenced that he set out on his journey homewards, but finding from other letters he received that she was in no danger at all, he turned back again.

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THREE:They found a farm, settled themselves in it, and after a time M. de Montagu was added to the household, [250] for he came to see his wife, and their joy at meeting so touched Mme. de Tess, that she said he had better stay altogether.

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THREE:In 1786 Mme. Le Brun received an invitation to paint the portrait of Mme. Du Barry, the once lovely and all powerful favourite of Louis XV. With great curiosity she went down to the chateau of Louveciennes, given to his mistress by the late King, where she still lived in luxury but almost in solitude, for of the courtiers and acquaintances who [74] had crowded round her in the days of her prosperity scarcely any remembered her now.

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THREE:Filled with alarm and sorrow, she hurried to the Princess Dolgorouki, where Count Cobentzel brought them constant news from the palace, where desperate but fruitless efforts were being made to revive the Empress.

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THREE:

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THREE:To this she looked forward with some trepidation, being dreadfully afraid of Mme. de Puisieux, who at first did not like her, and was extremely stiff. She drove down to Versailles in her carriage alone with her, Mme. de Puisieux saying very little, but criticising the way she did her hair. They slept at Versailles, in the splendid apartment of the Marchal dEtre, who was very kind and pleasant to Flicit, and with whom she felt more at home. The next day she was obliged to spend such an enormous time at her toilette that by the time they started she was nearly tired out. Her hair was dressed three times over; everything was [376] the object of some tiresome fuss, to which policy obliged her to submit in silence.

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THREE:ButAvec largent de son fatras

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TWO:Oui, Sire, quand ils sont polis.

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THREE:Well, I am . I was head-gardener at the chateau in the old time, and now, Messieurs, if you will honour me by coming to my house and accepting some refreshment, I will show you something that will surprise you.

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THREE:Capital letter WWhether this dastardly trick was done out of mere spite and envy, or only in order to save the reputation of the guilty woman at the expense of the innocent one, Mme. Le Brun never knew, and of course had no more communication with the person in question.

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THREE:Monsieur, I have just been hearing so much nonsense about this portrait, that really I dont know whether I have been working like an artist or a sign-painter.Catalani, then young and beautiful, was one of her new friends, and used to sing at her parties. She painted her portrait, and kept it as a pendant to the one she had done of Grassini in London.

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TWO:

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Dominus salvum fac regem. [85]The state and power of some of these abbesses, and the comfortable, cheerful security of their lives at that time made the position much sought after. It was a splendid provision for the daughters of great houses, and a happy life enough if they did not wish to marry. The following anecdote is given by Mme. de Crquy, and, although it happened rather earlier in the eighteenth century, perhaps forty or fifty years before the time now in question, it is so characteristic of the state of things that still prevailed that it may not be out of place to give it.His Utopian government and state of society would have been all very well if they had been attainable, but he had no knowledge or comprehension of the instruments and materials of which they were to be composed, no insight into character, no correctness of judgment, no decision or promptitude in emergencies, and what he did or helped to do was that most dangerous of proceedings, to set in motion a force he could not control.These things are impossible. I shall never believe they meditate such atrocities.
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