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CHAPTER LXIII. A FINAL VERDICT.

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But the enthusiasm for science, however noble in itself, would not alone have sufficed to mould the Epicurean philosophy into a true work of art. The De Rerum Natura is the greatest of all didactic poems, because it is something more than didactic. Far more truly than any of its Latin successors, it may claim comparison with the epic and dramatic masterpieces of Greece and Christian Europe; and that too not by virtue of any detached passages, however splendid, but by virtue of its composition as a whole. The explanation of this extraordinary success is to be sought in the circumstance that the central interest whence Lucretius works out in all directions is vital rather than merely scientific. The true heroine of his epic is not Nature but universal lifehuman life in the first instance, then the life of all the lower animals, and even of plants as well. Not only does he bring before us every stage of mans existence from its first to its last hour106 with a comprehensiveness, a fidelity, and a daring unparalleled in literature; but he exhibits with equal power of portrayal the towered elephants carrying confusion into the ranks of war, or girdling their own native India with a rampart of ivory tusks; the horse with an eagerness for the race that outruns even the impulse of his own swift limbs, or fiercely neighing with distended nostrils on the battlefield; the dog snuffing an imaginary scent, or barking at strange faces in his dreams; the cow sorrowing after her lost heifer; the placid and laborious ox; the flock of pasturing sheep seen far off, like a white spot on some green hill; the tremulous kids and sportive lambs; the new-fledged birds filling all the grove with their fresh songs; the dove with her neck-feathers shifting from ruby-red to sky-blue and emerald-green; the rookery clamouring for wind or rain; the sea birds screaming over the salt waves in search of prey; the snake sloughing its skin; the scaly fishes cleaving their way through the yielding stream; the bee winging its flight from flower to flower; the gnat whose light touch on our faces passes unperceived; the grass refreshed with dew; the trees bursting into sudden life from the young earth, or growing, flourishing, and covering themselves with fruit, dependent, like animals, on heat and moisture for their increase, and glad like them:all these helping to illustrate with unequalled variety, movement, and picturesqueness the central idea which Lucretius carries always in his mind.His signal, relayed through Dick and Sandy to Jeff, shifted the gently banked curve into a straighter line and swiftly the lines of the oncoming craft, miles away, became clear.I wonder whos in it? Dick mused as Jeff cut the gun and went into a glide, the better to get a look at the oncoming craft low over the seashore.
/ FORE:It is possible, we think, to trace a similar evolution in the history of the Attic drama. The tragedies of Aeschylus resemble the old Ionian philosophy in this, that they are filled with material imagery, and that they deal with remote interests, remote times, and remote places. Sophocles withdraws his action into the subjective sphere, and simultaneously works out a pervading contrast between the illusions by which men are either lulled to false security or racked with needless anguish, and the terrible or consolatory reality to which they finally awaken. We have also, in his well-known irony, in the unconscious self-betrayal of his characters, that subtle evanescent allusiveness to a hidden truth, that gleaming of reality through appearance which constitutes, first the dialectic, then the mythical illustration, and finally the physics of Plato. In Aeschylus also we have the spectacle of sudden and violent vicissitudes, the abasement of insolent prosperity, and the punishment of long successful crime; only with him the characters which attract most interest are not the blind victims, but the accomplices or the confidants of destinythe great figures of a Prometheus, a Darius, an Eteocles, a Clytemnestra, and a Cassandra, who are raised above the common level to an eminence where the secrets of past and future are unfolded to their gaze. Far otherwise with Sophocles. The leading actors in his most characteristic works, Oedipus, Electra, Dejanira, Ajax, and Philoctetes, are surrounded by forces which they can neither control nor understand; moving in a world of illusion, if they help to work out their own destinies it is unconsciously, or even in direct opposition to their own designs.208 Hence in Aeschylus we have something324 like that superb self-confidence which distinguishes a Parmenides and a Heracleitus; in Sophocles that confession of human ignorance which the Athenian philosophers made on their own behalf, or strove to extract from others. Euripides introduces us to another mode of thought, more akin to that which characterises Aristotle. For, although there is abundance of mystery in his tragedies, it has not the profound religious significance of the Sophoclean irony; he uses it rather for romantic and sentimental purposes, for the construction of an intricate plot, or for the creation of pathetic situations. His whole power is thrown into the immediate and detailed representation of living passion, and of the surroundings in which it is displayed, without going far back into its historical antecedents like Aeschylus, or, like Sophocles, into the divine purposes which underlie it. On the other hand, as a Greek writer could not be other than philosophical, he uses particular incidents as an occasion for wide generalisations and dialectical discussions; these, and not the idea of justice or of destiny, being the pedestal on which his figures are set. And it may be noticed as another curious coincidence that, like Aristotle again, he is disposed to criticise his predecessors, or at least one of them, Aeschylus, with some degree of asperity.

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/ FORE:"Paste!" Maitrank cried, with a yell that rang through the building. "Paste, as I am a sinner. Deluded and fooled again. Rich as I am I would sacrifice every penny to be even with that woman."X.

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/ FORE:I believe it is! agreed Jeff. Why dont you three take a look. Yonders a hangar and the roll-door is lifted a little. Maybe youd spot that there Mister Spook and clear up the mystery while I work.

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/ FORE:We have now concluded our survey of the first great mental antithesis, that between reason on the one hand, and sense and opinion on the other. The next antithesis, that between reason and passion, will occupy us a much shorter time. With it we pass from theory to practice, from metaphysics and logic to moral philosophy. But, as we saw in the preceding chapter, Aristotle is not a practical genius; for him the supreme interest of life is still the acquisition of knowledge. Theorising activity corresponds to the celestial world, in which there can be neither opposition nor excess; while passion corresponds to the sublunary sphere, where order is only preserved by the balancing of antithetical forces; and the moderating influence of reason, to the control exercised by the higher over the lower system.

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THREE:Lawrence rose and took his leave. He dropped in at the nearest telephone call office and late as it was rang up Isidore. The latter was waiting.
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THREE:But even taken in its mildest form, there were difficulties about Greek idealism which still remained unsolved. They may be summed up in one word, the necessity of subordinating all personal and passionate feelings to a higher law, whatever the dictates of that law may be. Of such self-suppression few men were less capable than Cicero. Whether virtue meant the extirpation or merely the moderation of desire and emotion, it was equally impossible to one of whom Macaulay has said, with not more severity than truth, that his whole soul was under the dominion of a girlish vanity and a craven fear.278 Such weak and well-intentioned natures174 almost always take refuge from their sorrows and self-reproaches in religion; and probably the religious sentiment was more highly developed in Cicero than in any other thinker of the age. Here also a parallel with Socrates naturally suggests itself. The relation between the two amounts to more than a mere analogy; for not only was the intellectual condition of old Athens repeating itself in Rome, but the religious opinions of all cultivated Romans who still retained their belief in a providential God, were, to an even greater extent than their ethics, derived through Stoicism from the great founder of rational theology. Cicero, like Socrates, views God under the threefold aspect of a creator, a providence, and an informing spirit:identical in his nature with the soul of man, and having man for his peculiar care. With regard to the evidence of his existence, the teleological argument derived from the structure of organised beings is common to both; the argument from universal belief, doubtless a powerful motive with Socrates, is more distinctly put forward by Cicero; and while both regard the heavenly luminaries as manifest embodiments of the divine essence, Cicero is led by the traditions of Plato, Aristotle, and the Stoics, to present the regularity of their movements as the most convincing revelation of a superhuman intelligence, and to identify the outermost starry sphere with the highest God of all.279 Intimately associated with this view is his belief in the immortality of the soul, which he supposes will return after death to the eternal and unchangeable sphere whence it originally proceeded.280 But his familiarity with the sceptical arguments of Carneades prevented Cicero from putting forward his theological beliefs with the same confidence as Socrates; while, at the same time, it enabled him to take up a much more decided attitude of hostility towards the popular superstitions from which he was anxious, so far as possible, to purify true175 religion.281 To sum up: Cicero, like Kant, seems to have been chiefly impressed by two phenomena, the starry heavens without and the moral law within; each in its own way giving him the idea of unchanging and everlasting continuance, and both testifying to the existence of a power by which all things are regulated for the best. But the materialism of his age naturally prevented him from regarding the external order as a mere reflex or lower manifestation of the inward law by which all spirits feel themselves to be members of the same intelligible community.
/ FORE:Zeller, while taking a much wider view than Hegel, still assumes that Platos reforms, so far as they were suggested by experience, were simply an adaptation of Dorian practices.148 He certainly succeeds in showing that private property, marriage, education, individual liberty, and personal morality were subjected, at least in Sparta, to many restrictions resembling those imposed in the Platonic state. And Plato himself, by treating the Spartan system as the first form of degeneration from his own ideal, seems to indicate that this of all existing polities made the nearest approach to it. The declarations of the Timaeus149 are, however, much more distinct; and according to them it was in the caste-divisions of Egypt that he found the nearest parallel to his own scheme of social reorganisation. There, too, the priests, or wise men came first, and after them the warriors, while the different branches of industry were separated from one another by rigid demarcations. He may also have been struck by that free admission of women to employments elsewhere filled exclusively by men, which so surprised Herodotus, from his inability to discern its real causethe more advanced differentiation of Egyptian as compared with Greek society.150

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/ FORE:5. The lubrication of surfaces working under air pressure, such as the pistons and valves of engines.

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/ FORE:Shaping machines are generally provided with adjustable vices, devices for planing circular forms, and other details which cannot be so conveniently employed with planing machines. Another feature of shaping machines is a positive range of the cutting stroke produced by crank motion, which permits tools to be stopped with precision at any point; this admits of planing [136] slots, keyways, and such work as cannot well be performed upon common planing machines.

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/ FORE:To avoid imperfection in the running spindles of lathes, or any lateral movement which might exist in the running bearings, there have been many attempts to construct lathes with still centres at both ends for the more accurate kinds of work. Such an arrangement would produce a true cylindrical rotation, but must at the same time involve mechanical complication to outweigh the object gained. It has besides been proved by practice that good fitting and good material for the bearings and spindles of lathes will insure all the accuracy which ordinary work demands."It was draped or some way disguised in black. A woman sat by the driver, with a cloud of lace over her head. I could just catch a glimpse of a brass rail where the drapery was disturbed."

March 23rd, 2015 5 Comments

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March 23rd, 2014 5 Comments

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March 25rd, 2014 5 Comments

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With Aristotle propositions assumed a new importance. He looked on them as mediating, not only between concepts, but also between conception and reasoning. Still, neither as a psychologist nor as a logician did he appreciate them at their real value. A very brief consideration is given to judgment in his work on the soul, and we are left in doubt whether it is a function of Nous alone or of Nous combined with some other faculty. Setting aside the treatise on Interpretation, which is probably spurious, and, at any rate, throws no new light on the subject, we may gather from his logical writings half a dozen different suggestions towards a classification of propositions, based partly on their form and partly on their import. In all we find an evident tendency to apply, here also, his grand fundamental distinction between the sphere of uniformity and the sphere of change and opposition. All propositions are either universal or particular; either positive or negative; either necessary or actual or contingent; either reciprocating or not reciprocating; either essential or accidental; either answering to the first question in the categories, or to one of the other nine.273 But nowhere is any attempt made to combine and systematise these various points of view. Mendicant prophets go to rich mens doors and persuade them that they have a power committed to them of making atonement for their sins or those of their fathers by sacrifices or charms.... And they produce a host of books ... according to which they perform their ritual, and persuade not only individuals but whole cities, that expiations and atonements for sin may be made by sacrifices and amusements which fill a vacant hour,155 and are equally at79 the service of the living and the dead; the latter sort they call mysteries, and they redeem us from the pains of hell, but if we neglect them no one knows what awaits us.156
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