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We left Rawal Pindi in a tonga. The night was black, the carriage had no lamps; but now and again, at the sound of the driver's horn, dark masses��baggage camels, scarcely distinguishable in the gloom��made way for us to go past at a gallop.More and yet more palaces; remains of marble porticoes and columns, walls covered with tiles glittering in the blazing sunshine like topaz and emerald; and over all the peace of dust and death, the only moving thing those vultures, in shades of dull grey almost indistinguishable from the colour of the stones.

ONE:The natives, to keep their money safe��it is always in coin, never in paper, which is not much trusted in these parts��either bury it or have it wrought into trinkets, worn by the women and children. Quite little ones of five or six, and perfectly naked, have round their neck sometimes three or four strings of gold pieces, or pierced silver rods as thick as a finger��and then one evening the child does not come home, and in some dark corner the poor little body is found bleeding, the jewels gone.

ONE:

ONE:A fortified wall encloses Lashkar, the residence of the Maharajah of Gwalior; the bridges, which form part of the enclosure crossing the river that flows through the estate, have thick bars filling up the arches.

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TWO:After an hour's passage we reached the island, which is thickly planted with fine large trees.

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THREE:In the bazaar a light, glossy cheetah was being led round for an airing. The beast had on a sort of hood of silk stuck with peacock's feathers, which its keeper pulled down over its eyes when it saw a prey on which it was eager to spring; and with its eyes thus blinded, it would lick the hand that gave it an anna with a hot tongue as rough as a rasp.

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THREE:DEHRA DOON

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THREE:In one vast hall were ancient weapons, swords and pistols, enriched with precious stones; suits of armour damascened with gold, guns with silver stocks set with pearls, and a whole battery of field-pieces to be carried on camels' backs and spit out[Pg 237] tiny balls��enormously, absurdly long, still perched on their saddle-shaped carriages. And in a window bay two toy cannon made of gold and silver, with which Dhuleep Singh used to play as a child before he lost his realm.

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THREE:A station on the road��the delightful days at Bunnoo left far behind.A tall wide gate beyond the bridge opens into the ferocious fortress of Hyderabad.

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THREE:[Pg 224]

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THREE:

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TWO:A smart affair altogether is this carriage! two very high wheels, no springs, a tiny cotton awning[Pg 269] supported on four sticks lacquered red, and sheltering the seat which has three ropes by way of a back to it. Portmanteaus and nosebags are hung all round, and even a kettle swings from the near shaft, adding the clatter of its cymbal to the Indian symphony of creaking wheels, the cracking whips, the driver's cries of "Cello, cello," and Abibulla's repeated "Djaldi," all intended to hurry the horse's pace.

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THREE:High on a hill, one with the rock, are built the temples, up to which is a flight of steps hewn in the stone itself. At every stage, or nearly, are little shrines with images of Ganesa, the elephant-headed god, or of Ananta, the sacred serpent, decked with flowers, the mindi flower, which has[Pg 108] a strong scent of pepper. In some places the whole temple, as vast as a cathedral, is hewn out of the hillside; the columns in elaborate and intricate patterns, the niches and altars wrought with inconceivable toil and patience, not a scrap added or stuck on. In the dim distance is a huge red statue of Siva, wreathed with flowers.

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THREE:Close to the monumental trophy of Khoutab is a temple with columns innumerable, and all different, overloaded with carvings incised and in relief, with large capitals; beams meet and cross under the roof, also carved in the ponderous stone, and the whole forms a cloister round a court; while in the centre, amid Moslem tombs, an iron pillar stands, eight metres high, a pillar of which there are seven metres sunk in the ground��a colossal casting placed here in 317, when half the civilized world was as yet ignorant of the art of working in metal. An inscription records that "King Dhava, a worshipper of Vishnu, set up this pillar to commemorate his victory over the Belikas of Sindhu."

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THREE:

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TWO:BOMBAY

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