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Amongst the prose writers of this period a lady stands prominent, Lady Mary Wortley Montagu (b. 1690; d. 1762), the daughter of the Duke of Kingston, and mother of Lady Bute, the wife of the Earl of Bute, the celebrated Minister of George III. Lady Mary derives her chief fame from her Letters, which were not published till after her death. They are as remarkable for their wit, brilliancy, and clear, thorough sense, as any of the writings of the age. In these we have a most graphic picture of life in the East, as she had lived some years at Constantinople with her husband. She thence conferred one of the greatest boons on her country, by the introduction of inoculation for the smallpox. Lady Mary translated the "Enchiridion of Epictetus," and wrote many verses, including satirical ones, called "Town Eclogues;" but her fame must always rest upon her clear and sparkling letters. She was celebrated for her wit and beauty, and was a leading figure in the fashionable as well as the literary world. Pope and she were long great friends, but quarrelled irreconcilably.

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Whilst this glorious news came from the West, from the East arrived tidings equally stirring. In India Colonel Coote, afterwards famous as Sir Eyre Coote, defeated the French under Lally, and made himself master of all Arcot. General Ford defeated the Marquis de Conflans, and took Masulipatam, and afterwards defeated a detachment of Dutch, which had landed from Java to aid our enemies in Bengal. Ford completely routed them, and took the seven ships which had brought them over, and which lay in the Hooghly.We have seen how, in accordance with this view, each principle is perfected by looking back on its source.491 Thus330 the activity of the world-soul, so far as it is exercised for the benefit of what comes after and falls beneath her, is an anomaly only to be accounted for by her inferior place in the system of graduated descent; or else by the utter impotence of Matter, which is incapable of raising itself into Form by a spontaneous act of reflection, and can only passively receive the images transmitted to it from above, without being able to retain even these for any time. Nay, here also, what looks like creative energy admits of being assimilated more or less closely to an exercise of idealising thought. It is really for her own sake that the Soul fills what lies beyond her with life and light, not, like Platos Soul, from pure disinterested joy in the communication and diffusion of good. It is because she recoils with horror from darkness and nonentity that she shapes the formless substance into a residence for herself, on the model of the imperial palace whence she came. Thus the functions of sensation, nutrition, and reproduction are to be regarded as so many modes of contemplation. In the first, the Soul dwells on the material images which already exist; in the second and third, she strives to perpetuate and multiply them still further. And the danger is that she may become so enthralled by her own creation as to forget the divine original after which it is formed.492 Should she yield to the snare, successive transmigrations will sink her lower and lower into the depths of animalism and material darkness. To avoid this degradation, to energise with the better part of our nature, is to be good. And with the distinction between good and evil, we pass from the metaphysical to the ethical portion of the system.
ONE:Painting, like architecture, was at a very low ebb during this period, with one or two brilliant exceptions. Foreign artists were in demand, and there was no native talent, except that of Thornhill and Hogarth, which could claim to be unjustly overlooked in that preference. Sir Peter Lely was still living, but Sir Godfrey Kneller, another foreigner, was already taking his place. Kneller was a German, born at Lübeck, and educated under the best Flemish masters of the day. As he had chosen portrait-painting as his department, he hastened over to England after a visit to Rome and Venice, as the most profitable field for his practice, and being introduced to Charles II. by the Duke of Monmouth, he became at once the fashion. Kneller had talents of the highest order, and, had not his passion for money-making been still greater, he would have taken rank with the great masters; but, having painted a few truly fine pictures, he relied on them to secure his fame, and commenced an actual manufacture of portraits for the accumulation of money. Like Rubens, he sketched out the main figure, and painted the head and face, leaving his pupils to fill in all the rest. He worked with wonderful rapidity, and had figures often prepared beforehand, on which he fitted heads as they were commissioned. Sir John Medina, a Fleming, was the chief manufacturer of ready-made figures and postures for him, the rest filled in the draperies and backgrounds. Kneller had a bold, free, and vigorous hand, painting with wonderful rapidity, and much of the grace of Vandyck, but only a few of his works show what he was capable of. The beauties of the Court of William and Mary, which may be seen side by side with those of the Court of Charles II. by Lely at Hampton Court, are far inferior to Lely's.

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THREE:"You don't love her, for that matter, either," Mrs. Campbell reminded him. But she advised the inevitable,to wait and let it work itself out.Sandy looked.

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TWO:Whilst the rebellion was raging in Scotland there had been an attempt to change the ministry, and to place at the helm Lord Granville. That nobleman had so engrossed the favour of the king, that Pelham and his brother, Newcastle, found their measures greatly obstructed by Granville's influence, and suspected that they would soon be called on to give place to him. They determined, therefore, to bring matters to a crisis, confident that Granville would never be able to secure a majority in either House against them. To furnish a reason for their tendering their resignation, they demanded the place which they had promised to Pitt.

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Nothing else explained its employment.Atley, she said, excited and nervous. Look here! The man almost raced around the library table, bending close to where her finger touched the dark green showing through the adhesive gum.We have here, indeed, something comparable not only to the scepticism of the New Academy, but also to the Aristotelian criticism of Platos metaphysics; and, at first sight, it might seem as if the Peripatetic philosophy was destined once more to regain the position taken from it by the resuscitation of its ancient foe. But Locke was not inclined to substitute one form of scholasticism for another. By applying the analytical method of Atomism to knowledge itself, he created a weapon equally fatal to the two competing systems. Under his dissection, the concrete individual substance of the one vanished no less completely than the universal ideas of the other. Nothing remained but a bundle of qualities held together by a subjective bond.The box was laid in the buckboard, and covered with the flag once more. Then the mules started, with a rattle of traces and of the wheels, and the tramp of feet began again. The drums thrummed regularly and slowly, the heart beats of the service, and the fifes took up the dead march in a weird, shrill Banshee wail. They went down the line, the commandant with the surgeon and the officers first, and after them the buckboard, with its bright-draped burden. Then Landor's horse, covered with black cloths, the empty[Pg 284] saddle upon its back. It nosed at the pockets of the man who led it. It had been taught to find sugar in pockets. And then the troops, the cavalry with the yellow plumes of their helmets drooping, and the infantry with the spikes glinting, marching with eyes cast down and muskets reversed. A gap, then the soldiers' urchins from the laundress row, in for anything that might be doing."He's got Bill right under his thumb," she sneered at her weak spouse.
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