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THREE:Fragonard, the Proven?al, had more depth and dramatic feeling, the passion of the south and the love of nature in his work gave a stronger, truer, more impressive tone to his pictures; but Boucher, the favourite painter of Louis XV., the Marquise de Pompadour, and the court would seem from his pictures to have looked upon everything in life as if it were a scene in a carnival or f��te. His goddesses and saints, even the holy Virgin herself, were painted from models from the theatre, and looked as if they were; his gardens, roses, silks, satins, nymphs, fountains, and garlands were the supreme fashion; every one wanted him to paint their portrait; he had more commissions than he could execute, and his head was turned by the flattery lavished upon him.A man full of good qualities, brave, disinterested, honourable, a good husband, father, and friend, full of enthusiastic plans and aspirations for the regeneration of society and the improvement of everybody, La Fayette was a failure. He did more harm than good, for, like many other would-be popular leaders, he had gifts and capacity enough to excite and arouse the passions of the populace, but not to guide or control them.