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The keynote of the whole poem is struck in its opening lines. When Venus is addressed as Natures sole guide and ruler, this, from the poets own point of view, is not true of Nature as a whole, but it is eminently true of life, whether we identify Venus with the passion through which living things are continually regenerated, or with the pleasure which is their perpetual motive and their only good. And it is equally appropriate, equally characteristic of a consummate artist, that the interest of the work should culminate in a description of107 this same passion, no longer as the source of life, but as its last outcome and full flower, yet also, when pushed to excess, the illusion by which it is most utterly disappointed and undone; and that the whole should conclude with a description of death, not as exemplified in any individual tragedy, but in such havoc as was wrought by the famous plague at Athens on man and beast alike. Again, it is by the orderly sequence of vital phenomena that Lucretius proves his first great principle, the everlasting duration and changelessness of matter. If something can come out of nothing, he asks us, why is the production of all living things attached to certain conditions of place and season and parentage, according to their several kinds? Or if a decrease in the total sum of existence be possible, whence comes the inexhaustible supply of materials needed for the continual regeneration, growth, and nourishment of animal life? It is because our senses cannot detect the particles of matter by whose withdrawal visible objects gradually waste away that the existence of extremely minute atoms is assumed; and, so far, there is also a reference to inorganic bodies; but the porosity of matter is proved by the interstitial absorption of food and the searching penetration of cold; while the necessity of a vacuum is established by the ability of fish to move through the opposing stream. The generic differences supposed to exist among the atoms are inferred from the distinctions separating not only one animal species from another, but each individual from all others of the same species. The deflection of the atoms from the line of perpendicular descent is established by the existence of human free-will. So also, the analysis which distinguishes three determinate elements in the composition of the soul finds its justification in the diverse characters of animalsthe fierceness of the lion, the placidity of the ox, and the timorousness of the deerqualities arising from the preponderance of a fiery, an a?rial, and a windy ingredient in the animating principle of each respectively. Finally, by another organic108 illustration, the atoms in general are spoken of as semina rerumseeds of things.

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"The name of your witness?" she demanded, hoarsely.
ONE:Suddenly the silence was broken by a laugh. It was the croaking kind of laugh that could only have proceeded from the lips of an old man. But there was pleasure in it. It came strangely after the note of tragedy that had dominated the evening. A door opened somewhere, and the laugh came once more.At the Place des Tilleuls fifty men were taken from the crowd at random, escorted to the Meuse, and shot. In the meantime other soldiers went on wrecking, firing, and looting. TWO:"Very well," he said, "then I shall wash my hands of the whole business. Fool, do you want to stand in the dock? And there are other dupes with not a tithe of the wit and brains of Maitrank. The gems!"Once more, there was a cause of intellectual degeneration at work in the ancient world, which for us has almost ceased to exist. This was the flood of barbarism which enveloped and corrupted, long before it overwhelmed, the Hellenised civilisation of Rome. But if the danger of such an inundation is for ever removed, are we equally secure against the contagion of that intellectual miasma which broods over the multitudinous barbarian populations among whom we in turn are settling as conquerors and colonists? Anyone choosing to264 maintain the negative might point to the example of a famous naturalist who, besides contributing largely to the advancement of his own special science, is also distinguished for high general culture, but whom long residence in the East Indies has fitted to be the dupe of impostures which it is a disgrace even for men and women of fashion to accept. Experience, however, teaches us that, so far at least, there is little danger to be dreaded from this quarter. Instead of being prone to superstition, Anglo-Indian society is described as prevailingly sceptical or even agnostic; and, in fact, the study of theology in its lowest forms is apt to start a train of reflection not entirely conducive to veneration for its more modern developments. For the rest, European enlightenment seems likely to spread faster and farther among the conquered, than Oriental darkness among the conquering race.
ONE:Gast he murmured. GastIt struck me always that as soon as something took place anywhere which might lead to disorder, the method adopted was as follows: first a fusillade in order to scare the inhabitants, secondly looting of numberless bottles of wine, and finally cruel, inhuman murders, the ransacking and the wrecking.

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THREE:Mr. Everdail? Even Dick, questioning as he repeated the name, was a little doubtful. Why, I thought Mr. Everdail was in

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THREE:191Evidently this kind of thing had happened before, and this was the fee usually paid. Bruce slipped the money in his pocket, feeling that he had earned it. The guide picked up a Bradshaw from the table and indicated Dover therein. Two strapped portmanteaus were on the floor.

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THREE:"Nothing the matter, I hope?" he asked.

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ONE:The foregoing record of my experiences in Louvain will make it sufficiently clear to the unprejudiced reader that the destruction and wholesale murders were nothing but wanton crimes committed by the German troops stationed there, crimes which it is impossible to justify on any ground.

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THREE:It had come at last. Bruce braced himself for the ordeal. Just for the moment there was a terrible temptation to hold his tongue. The story of his visit to the corner house was known to those only who would not dare to speak. Once he told the truth he realized that he was putting a noose around his neck.

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THREE:"You needn't say any more," Prout said crisply. "That's the man. You changed the gold for the victim of the Corner House tragedy. Got the numbers?"

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THREE:"How much is it, madame?"

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THREE:The old religions of Greece and Italy were essentially oracular. While inculcating the existence of supernatural beings, and prescribing the modes according to which such beings were to be worshipped, they paid most attention to the interpretation of the signs by which either future events in general, or the consequences of particular actions, were supposed to be divinely revealed. Of these intimations, some were given to the whole world, so that he who ran might read, others were reserved for certain favoured localities, and only communicated through the appointed ministers of the god. The Delphic oracle in particular enjoyed an enormous reputation both among Greeks and barbarians for guidance afforded under the latter conditions; and during a considerable period it may even be said to have directed the course of Hellenic civilisation. It was also under this form that supernatural religion suffered most injury from the great intellectual movement which followed the Persian wars. Men who had learned to study the constant sequences of Nature for themselves, and to shape their conduct according to fixed principles of prudence or of justice, either thought it irreverent to trouble the god about questions on which they were competent to form an opinion for themselves, or did not choose to place a well-considered scheme at the mercy of his possibly interested responses. That such a revolution occurred about the middle of the fifth century B.C., seems proved by the great change of tone in reference to this subject which one perceives on passing from Aeschylus to Sophocles. That anyone should question the veracity of an oracle is a supposition which never crosses the mind of the elder dramatist. A knowledge of augury counts among the greatest benefits222 conferred by Prometheus on mankind, and the Titan brings Zeus himself to terms by his acquaintance with the secrets of destiny. Sophocles, on the other hand, evidently has to deal with a sceptical generation, despising prophecies and needing to be warned of the fearful consequences brought about by neglecting their injunctions.PREFACE.

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ONE:CHAPTER VIII. PAUL PROUT.

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FORE:2. The capacity of shafts is governed by their strength and the speed at which they run taken together.I RETURNED from Louvain by military train. This one had had a most adventurous journey before it reached Louvain. It had left Cambrai in North France three days before, always going slowly and making long stops, to spare the seriously wounded at least a little. I estimated that in my train over 2,000 wounded had been loaded in a long, dismal procession of wagons. Most of them had not had their bandages renewed for a fortnight, and were still wearing the first emergency dressing; all came from the neighbourhood of Arras.

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FORE:CHAPTER XX. "UNEASY LIES THE HEAD."

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It was natural that one who united a great intellect to a glowing temperament should turn his thoughts to poetry. Plato wrote a quantity of versesverse-making had become fashionable just thenbut wisely committed them to the flames on making the acquaintance of Socrates. It may well be doubted whether the author of the Phaedrus and the Symposium would ever have attained eminence in metrical composition, even had he lived in an age far more favourable to poetic inspiration than that which came after the flowering time of Attic art. It seems as if Plato, with all his fervour, fancy, and dramatic skill, lacked the most essential quality of a singer; his finest passages are on a level with the highest poetry, and yet they are separated from it by a chasm more easily felt than described. Aristotle, whom we think of as hard and dry and cold, sometimes comes much nearer to the true lyric cry. And, as if to mark out Platos style still more distinctly from every other, it is also deficient in oratorical power. The philosopher evidently thought that he could beat the rhetoricians on their own ground; if the Menexenus be genuine, he tried to do so and failed; and even without its191 testimony we are entitled to say as much on the strength of shorter attempts. We must even take leave to doubt whether dialogue, properly so called, was Platos forte. Where one speaker is placed at such a height above the others as Socrates, or the Eleatic Stranger, or the Athenian in the Laws, there cannot be any real conversation. The other interlocutors are good listeners, and serve to break the monotony of a continuous exposition by their expressions of assent or even by their occasional inability to follow the argument, but give no real help or stimulus. And when allowed to offer an opinion of their own, they, too, lapse into a monologue, addressed, as our silent trains of thought habitually are, to an imaginary auditor whose sympathy and support are necessary but are also secure. Yet if Platos style is neither exactly poetical, nor oratorical, nor conversational, it has affinities with each of these three varieties; it represents the common root from which they spring, and brings us, better than any other species of composition, into immediate contact with the mind of the writer. The Platonic Socrates has eyes like those of a portrait which follow us wherever we turn, and through which we can read his inmost soul, which is no other than the universal reason of humanity in the delighted surprise of its first awakening to self-conscious activity. The poet thinks and feels for us; the orator makes our thoughts and feelings his own, and then restores them to us in a concentrated form, receiving in vapour what he gives back in a flood. Plato removes every obstacle to the free development of our faculties; he teaches us by his own example how to think and to feel for ourselves. If Socrates personified philosophy, Plato has reproduced the personification in artistic form with such masterly effect that its influence has been extended through all ages and over the whole civilised world. This portrait stands as an intermediary between its original and the far-reaching effects indirectly due to his dialectic inspiration, like that universal soul which Plato himself has placed between192 the supreme artificer and the material world, that it might bring the fleeting contents of space and time into harmony with uncreated and everlasting ideas.I now tried to get something to eat in the town at an hotel.Leona stopped for want of breath. Her face was streaming with moisture. The fierce rush of cold air cooled her heated temples.Turning back once more from art and literature to philosophy, is it not abundantly clear that if the Greeks speculated at all, they must at first have speculated according to some such method as that which history proves them to have actually followed? They must have begun by fixing their thoughts, as Thales and his successors did, on the worlds remotest past; they must have sought for a first cause of things, and conceived it, not as any spiritual power, but as a kind of natural ancestor homogeneous with the forms which issued from it, although greater and more comprehensive than they were; in short, as an elemental bodywater, air, fire, or, more vaguely, as an infinite substance. Did not the steady concatenation of cause and effect resemble the unrolling of a heroic genealogy? And did not the reabsorption of every individual existence in a larger whole translate into more general terms that subordination of personal to family and civic glory which is the diapason of Pindars music?"Well, you're not going to have the chance over this now," said Lawrence. "If I had my own way----what a row those newsboys are making!"
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