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ONE:THE Duke of Orlans died 1785, and Mme. de Montesson, having been forbidden by Louis XVI. to put her household into mourning or assume the position of a Duchess Dowager of Orlans, retired for a few weeks into a convent and then returned to her usual life, having inherited a great fortune from the late Duke. TWO:The wanderings and perils of Pauline were now at an end. From henceforth her home was with her husband and four children in the old chateau of Fontenay, which they repaired and put in order. It was a fortress built in the reign of Charles VI., and afterwards inhabited and decorated by the Duc dEpernon. The great tower of the castle still bore his name, and the blue and gold ceiling of his bedroom still remained. It had an immense park and lakes, and a great avenue of chestnut-trees led up to the chateau. The Abb Cartier, cur of Fontenay, was a man after her own heart. He had known her mother, for he came very young to the parish, which he loved with all his heart, and which he had only once left, on the approach of a revolutionary mob. Leaving the presbytre with all his own things at their mercy, he hid the cross and all the [263] properties of the church, and as to the statues of the saints which he could not remove, he painted them all over, turning them into National Guards with swords by their sides. He was only persuaded by his people to escape when already the drums of the approaching ruffians were heard in the village, in which they quickly appeared, and rushed into the church. But they found it empty, except for the statues, with which, in their republican garb, they dared not meddle, so they turned their fury upon the presbytre, and when the good Abb returned he found the church uninjured, but all the contents of his house stolen or destroyed. As far as possible, M. and Mme. de Montagu led the simple patriarchal life they preferred at Fontenay, where they were adored by the people, to whom they devoted their time, money, and attention. Under the trees before the castle stone benches were placed for the peasants who came on Sunday evenings to sit about and dance, and the young people with whom the old chateau was always filled joined eagerly in their festivities.THE last of the four French heroines whose histories are here to be related, differed in her early surroundings and circumstances from the three preceding ones. She was neither the daughter of a powerful noble like the Marquise de Montagu, nor did she belong to the finance or the bourgeoisie like Mme. Le Brun and Mme. Tallien. Her father was noble but poor, her childhood was spent, not in a great capital but in the country, and as she was born nearly ten years before the first and six-and-twenty years before the last of the other three, she saw much more than they did of the old France before it was swept away by the Revolution.

We each try to keep our photo shoots loose and relaxed and geared toward you all having fun together as a family.

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THREE:
we are proffasional in photography
  • I remember thinking, as a child, it was taking forever to grow up. I counted each milestone – teen years, learner’s permit, license and finally, adulthood.

  • I finally grew up. I met my husband, and we had our own children. And now, as a parent, I can’t believe how fast time is going.

It’s too fast, and while I want to remember every minute of it, I’m often surprised when my husband reminds me of something I’ve already forgotten.

FORE:The people had had enough; they were tired of blood and murder. Even before Thermidor they had begun to murmur as the cars of victims passed through the streets; a reaction had begun.In those days, as Mme. Le Brun remarks in one of her letters, people had both time and inclination to amuse themselves, and the love of music was just then so strong and so general that the disputes between the rival schools of Glück and Piccini sometimes even amounted to quarrels. She herself was a Glückist, but the Queen and many others preferred the Italian music to the German.

It’s too fast, and while I want to remember every minute of it,

THREE:The aide-de-camp returned, saying that he had executed the order, but adding FORE:
Special Event Photgraphy

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Familly Photgraphy

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Wedding Photgraphy

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THREE:The King associated all his grandchildren with Mme. Du Barry just as he had his daughters with the Duchesse de Chateauroux and her sisters de Nesle, [188] and affairs went on at court much in the usual way until, in 1774, he caught the small-pox in one of his intrigues and died, leaving a troubled and dangerous inheritance to the weak, helpless, vacillating lad, who had neither brains to direct, energy to act, or strength to rule. FORE:In many ways it is probable that no one was more capable of giving a first-rate education than Mme. de Genlis, who had herself so much knowledge and experience, such superior talents and genuine love of art, books and study. She was also careful and strict in the religious education of her pupils, and perfectly free from any of the atheistic opinions of the day.
THREE:In fact she had given her whole heart to her work. She thought and dreamed of nothing but painting, her career as an artist was her life, and her affection for her mother, her brother, and her friends sufficed for her domestic happiness; she wanted neither love intrigues nor even marriage to disturb the state of things she found so entirely satisfactory. FORE:When the Bastille was destroyed, and the officers who were accused of nothing but defending the post entrusted to them were murdered, that prison [324] contained seven prisoners, of whom one was detained by the request of his family, four were forgers, one was an idiot, the other unknown. [102]
  • “Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco.”

  • "Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore vitae dicta sunt explicabo."

  • "On the other hand, we denounce with righteous indignation and dislike men who are so beguiled and demoralized by the charms of pleasure of the moment, so blinded by desire."

  • "These cases are perfectly simple and easy to distinguish. In a free hour, when our power of choice is untrammelled and when nothing prevents our being able to do what we like best."

THREE:She was herself most anxious to get out of France, but in spite of her representations the journey kept being put off on various excuses until the autumn, when one day M. de Valence, who had also a post in the Palais Royal, told her that the Duke was going to England that night, which he did, leaving her a note saying he would be back in a month.There was by this time a perfect rage to be painted by Mme. Le Brun. At a performance at the Vaudeville, called La Runion des Arts, Painting was represented by an actress made up into an exact copy of Mme. Le Brun, painting the portrait of the Queen. FORE:
THREE:IN 1779 Mme. Le Brun painted for the first time the portrait of the Queen, then in the splendour of her youth and beauty.It was the only safeguard he could have found, as his rank and well-known opinions would have otherwise marked him for destruction. FORE:It had been remarked that at the moment of the birth of this most unfortunate of princes, the crown which was an ornament on the Queens bed fell to the ground, which superstitious persons looked upon as a bad omen.
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THREE:An amusing anecdote is related by Mme. de Bassanville [76] concerning the marriage of a certain Mlle. de Mirepoix, who belonged to that family, but apparently to a younger and poorer branch of it. FORE:He was then living in the Luxembourg, and having made all preparations, he went to bed as usual and drew the curtains; the valet-de-chambre, who always slept in a bed rolled into his room, went away to undress. When he was gone, the Comte de Provence got up, passed into his dressing-room, where his devoted friend and confidant, M. dAvaray, awaited him and helped him to dress. Passing out by a small door that was not guarded, they got into a carriage waiting for them in the courtyard of the Luxembourg and drove away.The ancien rgimeClose of the reign of Louis XIV.The Regent OrlansThe court of Louis XV.The philosophersThe artistsM. Vige.
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THREE: FORE:
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THREE:She lived opposite the palace, and could see the Empress open a window and throw food to flocks of crows that always came for it; and in the evenings when the salons were lighted up she could watch her playing hide-and-seek and other games with her grandchildren and some of the court.

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She met her daughters in a mountain village near Clermont, and the deep, fervent joy of their restoration to each other out of the shadow of death was increased by finding that the priest had just ventured to reopen the village church, where on the next day, Sunday, they again attended mass in that secluded place, and where Virginie, the younger girl, made her first Communion. And she had seen Rosalie, for Mme. de Grammont heard of her sisters release, and resolved to join her. Having very little money, and travelling by public conveyances being still unsafe, taking her diamonds she rode a mule with her three children in paniers, and her husband walking by her side. Thus they journeyed by steep mountain paths, or country lanes, but always by the most secluded ways possible. When they reached Paris, Adrienne was gone, but they resumed their primitive travelling, followed her to Auvergne, and came up with her at the little town of Brionde.But nobody was afraid of Louis XVI., and when he did command he was by no means sure of obedience. He had ascended the throne with the most excellent intentions, abolished all sorts of abuses, and wanted to be the father of his people. But a father who cannot be respected is very likely not to be loved, and a ruler who cannot inspire fear cannot inspire respect either, and is not so fit to be a leader as one who possesses fewer virtues and more strength and courage.VOLUMES of denunciation, torrents of execration have been and are still poured forth against the Bastille, the tyranny and cruelty it represented, the vast number and terrible fate of the prisoners confined there and the arbitrary, irresponsible power of which it was the instrument.
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