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ONE:In another hut was a woman, brought hither yesterday with her husband, who had died that morning. She had an exquisite, long, pale face and blue-black hair. On her arms were many[Pg 35] bangles, and gold earrings glittered in her ears. For a moment she opened her large gazelle-like eyes, and then with a very sad little sigh turned to the wall, making her trinkets rattle. She was still dressed in her blue choli. A striped coverlet had been thrown over her; by her bed she had a whole set of burnished copper pans and canisters. Charmingly pretty, and not yet exhausted by the disease, which only declared itself yesterday, she was sleeping quietly, more like a being in a storybook than a plague-stricken creature, who must infallibly die on the morrow under the incapable treatment of the Hindoo "bone-setter.""But rice is very good, and it is very dear, and some of them have been ill for three weeks."

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ONE:Near one pagoda, where the highly venerated footprints of Adishwara are preserved, a tree��a gran tree��was cut down to the root, and, as the legend tells, grew again in a single night as large as it now is; and it would grow again if it were again felled, to screen with its shade the holy spot touched by the god."Ah, your Kali, then?"

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FORE:A giant rock and natural fortress command the plain, towering above the garden-land. Two roads, hewn in the stone, lead by easy ascents to the top. All along the rock wall bas-reliefs are carved, warriors riding on elephants, and Kalis in graceful attitudes. There are openings to the green depths of reservoirs, small temples, arcades sheltering idols bowered in fresh flowers. Arches in the Ja?n style of architecture span the road, and at the summit, beyond the inevitable drawbridge, stands Mandir, the palace of King Pal, a dazzling structure of yellow stone, looking as if it had grown on the hill-rock that it crowns with beauty. Towers carrying domed lanterns spring skywards above the massive walls. The decoration is playfully light, carvings alternating with inlaid tiles; and all round the lordly and solemn edifice wheels a procession of blue ducks on a yellow ground in earthenware.

Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Vestibulum tortor quam, feugiat vitae.

FORE:One mosque alone, a marvel of workmanship, its stones pierced with a thousand patterns, remains intact amid the Indian dwellings built, all round the sacred spot, of the remains of ancient magnificence, of which, ere long, nothing will be left standing.

Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Vestibulum tortor quam, feugiat vitae.

FORE:At night the sound of a remote tom-tom attracted me to a large square shaded by giant trees. In a very tiny hut made of matting, a misshapen statue of Kali, bedizened with a diadem, a belt, nanparas, and bangles made of beads and gold tinsel, stood over a prostrate image in clay of Siva, lying on his back. In front of this divinity, under an awning stretched beneath the boughs of a banyan tree, two nautch-girls in transparent sarees were dancing a very smooth sliding step to the accompaniment of two bagpipes and some drums. The Hindoo spectators sat in a circle on the ground��a white mass[Pg 142] dimly lighted by a few lanterns��and sang to the music a soft, monotonous chant.

Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Vestibulum tortor quam, feugiat vitae.

FORE:The country was nowhere deserted. Labourers in the rice-fields were transplanting the young seedlings or watering the taller growth that waved in delicate transparent verdure. Or again, there were the watchers perched on their platforms in the middle of the fields; fishermen pushing little nets before them, fastened to triangular frames, or grubbing in the mud in search of shell-fish��small freshwater mussels, which they carried away in clay jars of Etruscan form. A motley crowd, with animated and graceful gesticulations; the women red or white figures in fluttering sarees, with flowers in their hair, and a few glittering bangles on their arms; the children quite naked, with bead necklaces and queer charms of lead or wood in their ears or their nose; the men slender and active, wearing light-coloured turbans made of yards on yards of twisted muslin, their brown skin hidden only by the langouti or loin-cloth.

Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Vestibulum tortor quam, feugiat vitae.

FORE:

Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Vestibulum tortor quam, feugiat vitae.

FORE:

Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Vestibulum tortor quam, feugiat vitae.

TWO:Abibulla delivered a long harangue through the closed door; at last a wicket was opened, framing an eye. I was invited to approach, and then, after examination, the wicket in the polished door was abruptly closed![Pg 201]

Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac
turpis egestas. Vestibulum tortor quam, feugiat vitae.

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TWO:

Pellentesque habitant morbi tristique senectus et netus et
malesuada fames ac turpis egestas.

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TWO:One boy, who being very tall looked even more emaciated than the rest, dragged an enormous leg swollen with elephantiasis, which had not diminished with the reduction of the rest of his body.They were all flying from the plague, which was spreading, and emptying the bazaars and workshops. The Exchange being closed, trade was at a standstill, and the poor creatures who were spared by the pestilence were in danger of dying of hunger.

Pellentesque habitant morbi tristique senectus et netus et
malesuada fames ac turpis egestas.

THREE:The roof, upheld by a double row of stone blocks set on end, and somewhat atilt, weighs on the building, which is already giving way; and the next monsoon will destroy this marvel of the Ja?n to spare the trouble of military constructors��the builders of barracks.A plain of dried mud, dull grey, with scarcely a tinge of yellow in places; all round the horizon softly undulating hills which looked transparent, here a tender blue, there delicately pink, in flower-like hues. One of them, rising above all the eastern chain, might be a fortress, its towers alone left standing amid the general wreck. To the west the highest summits were lost in the blue of the sky, identically the same, but that the peaks were faintly outlined with a delicate line of snow.

THREE:

THREE:A roofless mausoleum is that of the Sultan[Pg 221] Altamsh, who desired to sleep for ever with no vault over his tomb but that of the heavens; a vast hall, its walls wrought with inscriptions in Persian, Hindostanee, and Arabic, built of brick-red granite and yellow marble softened to pale orange in the golden sunshine. Here and there traces may be seen of wall-paintings, green and blue, but quite faded, and now merely a darker shadow round the incised ornament. Hibiscus shrubs mingle their branches over the tomb and drop large blood-red blossoms on the stone sarcophagus. Further on is another mausoleum, in such good preservation that it has been utilized as a bungalow for some official.

THREE:Stations for prayer stand all along the road; little open shrines, where footprints are worshipped, stamped on flags of white marble, a large footprint surrounded by a dozen of a child's foot.One temple to Buddha only, on an elongated plan, ends in a vault forming a bulb-shaped cupola supported on massive columns, quite Byzantine in character and wholly unexpected. The dim light, coming in only through a low door and two small windows filled in with pierced carving, enhances the impression of being in some ancient European fane, and the Buddha on the high altar has a look of suffering and emaciation that suggests a work of the fourteenth century.

THREE:Amid hanging swathes of creepers, in a fold of the hill stands another temple, of red stone, very gloomy; and, in its depths, a rigid white Buddha, with purple shadows over his eyes of glittering crystal. And so on to temples innumerable, so much alike that, seeing each for the first time, I fancied that I was retracing my steps; and endless little shrine-like recesses, sheltering each its Buddha, make blots[Pg 43] of shadow on the bright ochre-coloured stone of the cliffs. For centuries, in the rainy season, thousands of pilgrims have come, year after year, to take up their abode in these cells, spending the cold weather in prayer and then going off to beg their living and coming back for the next wet season.

THREE:More temples, each more stupendous than the[Pg 41] last, and more halls hewn in the rifts of the hills, and over them monks' cells perched on little columns, which at such a height look no thicker than threads.

ONE:

Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas.

ONE:In another hut was a woman, brought hither yesterday with her husband, who had died that morning. She had an exquisite, long, pale face and blue-black hair. On her arms were many[Pg 35] bangles, and gold earrings glittered in her ears. For a moment she opened her large gazelle-like eyes, and then with a very sad little sigh turned to the wall, making her trinkets rattle. She was still dressed in her blue choli. A striped coverlet had been thrown over her; by her bed she had a whole set of burnished copper pans and canisters. Charmingly pretty, and not yet exhausted by the disease, which only declared itself yesterday, she was sleeping quietly, more like a being in a storybook than a plague-stricken creature, who must infallibly die on the morrow under the incapable treatment of the Hindoo "bone-setter."

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ONE:The young prince then goes on his way in search of the magical flower. He is about to rest awhile in a cavern, but at the moment when he lies down on a stone it is transformed into a monster made of bladder, which rears itself enraged in the air with a trumpet-cry. By good luck the king's son calls upon the aid of the prophet Suleiman, whom the dragon also reveres, and the pacified monster conveys Tazulmulook to the garden of Bakaoli, and, moreover, gives him a ring which will be a talisman in danger.

One after another I made my salaam to Siva, seated on a peacock; to Ganesa, looking calm and knowing; to Parvati, riding a bull; to Siva again, this time pinning a dragon to the ground with a fork, a writhing reptile with gaping jaws and outspread wings; the same god again, with a child in[Pg 121] his arms; and again, holding his leg like a musket up against his shoulder with one of his four hands, the other three lifting a bull, a sceptre, and a trophy of weapons above his head.On entering the park the cocked turbans of the bodyguard again reminded us of the hats of the French Guards.And to and fro on the ramparts, the sentry, in an uniform of the same hue as the sun-baked bricks, paced his beat, invisible but for a needle of light on his fixed bayonet; till when crossing a patch of light he was seen like an apparition, lost again in the shadow of the wall.The god having been placed in the shrine, which was enormously heavy, and took a hundred men to carry it, the procession set out. First two drums, then some children burning coloured fire and whirling fireworks round above their heads. Three oxen with housings of velvet, richly embroidered in gold, carried tom-tom drummers, and behind them came the priests and the god, hardly visible among the lights and flowers on the shrine. A breath of awe fell on the crowd as the divinity came by; they bowed in adoration with clasped hands and heads bent very low.

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