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ONE:The matter was evidently very serious. The three constables consulted together in an undertone, and then went off after desiring that I would forthwith telegraph to Sealkote and bring the reply to the police office.

ONE:Another temple��carved and pierced, and loaded and overloaded with ornament. In the crypt was a bas-relief representing the ceremony of marriage: the procession, the couple in front of the altar, the relations sitting round, all alike in the same crouching attitude, like toys set out by a little child. Then the model of a very famous temple elsewhere in India: columns, gateways, statues of the gods, all reproduced with microscopic exactitude down to the minutest details; and surrounding this tiny model a bas-relief of the most bewildering perspective��a plan of Satrunji with its fifty-two principal temples, its trees and sacred tanks; and as a pendant to this representation, a circular carving giving a bird's-eye view of the crowd, the same little doll-like figures[Pg 79] repeated again and again, coming to worship with arms and legs spread out, grovelling, as if they were swimming.

ONE:Down in the streets the houses looked ghostly blue in the moonlight, the cross roads, lighted with the warmer glow of a few lamps in red paper shades, alternating with the black darkness, in which it was just possible to discern cows and goats lying on the ground.

ONE:In the shops the salesmen, to weigh their merchandise, had a strange collection of curious weights��dumps, rings, balls of copper, iron, or lead, stamped or inlaid with symbols and flowers; fragments of spoons to make up too light a weight, even pieces of wood; and they used them all with perfect readiness and never made a mistake."I shall pay as much as I can myself, and by-and-by my son will earn money, and we shall pay between us."

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ONE:An old man who sold us some shells, had, in the days of prosperity, made a little fortune by charming the sharks with spells and signs that kept them away from the boats, and from the naked and defenceless pearl-fishers as they plunged into the deep to seek the precious shells.

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THREE:In the coppersmiths' street was a booth that seemed to be a school of art, where little fellows of seven or eight were engraving platters and pots with the decision of practised craftsmen.The bridegroom sits awaiting his guests, in his garden all decorated with arches and arbours, and[Pg 14] starred with white lanterns. An orchestra is playing, hidden in a shrubbery.

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THREE:In front of these stolid-looking sepoys, their black heads and hands conspicuous in their yellow uniforms, are drilled to beat of drum, marking every step and movement.

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ONE:We saw the Jasmine tower from a corner of the garden in the glow of sunset. With its gilt cupola blazing in the low beams, its amber-hued walls as transparent as melting wax, and its pierced screen-work, it looked so diaphanous, so fragile, that it might be carried away by the evening breeze. And beyond the pavilion, above the ramparts carved with huge elephants, lies the old Hindoo palace, deserted by Jehangir for his house of pale marbles��an endless palace, a labyrinth of red buildings loaded to the top with an agglomeration of ornament supporting flat roofs. And pagodas that have lost their doors, a work of destruction begun by Aurungzeeb. One court is still intact, overhung by seventy-two balconies, where the zenana could look on at the dancing of bayad��res. Perfect, too, is the queen's private apartment, with two walls between which an army kept guard by day and by night.We landed at Ramnagar, a marble palace looking like a fortified town, its massive walls rising[Pg 174] from the river and crowned by balconies and fairy kiosks��a lacework of stone against the brilliant sky.

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