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Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.

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The Princess de Chimay, once Mme. Tallien, was also received by her with gratitude and friendship; she never forgot that she had saved the life of Mme. de Valence, and in fact put an end to the Terror. [135]The daughter of the Vicomtesse de Noailles was married to the Marquis de V��rac. Of the sons, Alexis, between whom and Pauline there was an [264] especially deep affection, and whose principles entirely agreed, refused to accept any employment under the government of Buonaparte. In consequence of the part he took in favour of the Pope he was imprisoned, and only released by the influence of his brother Alfred, an ardent soldier in the Imperial army, who, after distinguishing himself and winning the favour of the Emperor, was killed in the Russian campaign.

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