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Pilgrims crowd the courts and the temples. All, when they speak, hold a hand or a corner of their[Pg 76] robe before their lips to avoid swallowing the tiniest insect, which would avert the favour of the gods. They bring offerings of rice or gram in little bags of faded silk, pale pink, or green, and gold thread; the poorest have bags of red and white beads.Another mausoleum is of lace-like carving in marble, the roof painted with Persian ornament; and the whole thing is uninjured, as fresh as if it had been wrought yesterday, under the broad shade of theobromas and cedars that have grown up among the ruins.
Slider 1 ONE:A salesman of whom I had bought several things, wishing to do me a civility, called a tom-tom player, who was to escort me home rapping on his ass's[Pg 215] skin; and when I declined very positively, the poor man murmured with a piteous, crushed look:

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Slider 2 ONE:And then night, the real night, transparently blue and luminous with stars, appeared above the last cloud that vanished with the last clap of thunder. Unspeakable freshness and peace reigned over nature, and in the limpid air the mountain-chains, the giant Himalayas, extended to infinity in tones of amethyst and sapphire. Nearer to us, lights sparkled out in the innumerable huts built even to the verge of the eternal snows, on every spot of arable ground or half-starved grass land.

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Slider 3 ONE:And to and fro on the ramparts, the sentry, in an uniform of the same hue as the sun-baked bricks, paced his beat, invisible but for a needle of light on his fixed bayonet; till when crossing a patch of light he was seen like an apparition, lost again in the shadow of the wall.

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TWO:

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THREE:The old woman's bones and ashes were cast into the Ganges, her husband still vacantly looking on, as all that was left of his life's companion floated for a few moments, and then was swallowed up in an eddy.

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THREE:Then, on the right, endless pools and rivers; naked men were ploughing in the liquid mud and splashed all over by the oxen drawing a light wooden plough, their bronze bodies caked ere long with a carapace of dry, grey mud.

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THREE:At the end of a quarter of an hour the princes drove off through a great cloud of white dust sparkling in the sun, and raised by the carriages and the escort of armed sowars.

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THREE:An interpreter translated to the accused the questions put by the judge, who understood the replies, though he was not allowed to speak excepting in English.

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TWO:A man in the fort always struck out the hours on a gong, very slowly, in the heat of the day. Twelve at noon was interminableone, two, three were so feeble as to be scarcely audible. And then when it was cooler and the tom-toms could be heard in the distance, the strokes had a queer dislocated rhythm, and sometimes even a stroke too many, smothered in a hurried roll.

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THREE:At night, in the crowded station, a guard of honour was waiting, composed of sepoys. There was shouting among the crowd, a fanatical turmoil, a storm of orders, and heavy blows. Some great[Pg 93] magnate got out of the train, surrounded by secretaries and officers. The soldiers, bearing torches, attended him to his carriage; they remounted their horses, following the vehicle, in which a light dress was visible. Very fast, and with a great clatter, they rode away into the silent night fragrant with rich scents; they were lost under the trees to reappear in the distance on a height, the torches galloping still and the smoke hanging in a ruddy cloud above the bright steel and the white cruppers. Then, at a turn in the road, they all vanished.

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THREE:Broad streets crossing each other at right angles; houses, palaces, archways flanked by towers, and colonnades, all alike covered with pink-washed plaster decorated with white. And all the buildings have the hasty, temporary appearance of a town run up for an exhibition to last only a few months.But at Byculla, in Grant Road, the street of gambling-houses, there was a glare of lights; gaudy lanterns were displayed at the windows where spangles and tinsel trinkets glittered. And then, between two brightly illuminated houses where every window was wide open, there was the dark gap of a closed house, in front of it a pan of sulphur burning. The green and purple flame flickered grimly on the faces of the passers-by, making their dhotis look like shrouds wrapping spectres.

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THREE:Inland from Colombo it is pure enchantment to travel among the rich and tangled vegetation of every shade of green that grows by the margins of the pools, the rivers, and the rice-fields. At first, skirting the shallows, where men, standing to their waists in water, were fishing with large nets which[Pg 126] they managed but clumsily, the flat banks are overgrown with anthuriums, their broad leaves of dark velvet or of light gauze splashed with rose and white, mirrored in the channels that form a network to irrigate the rice-swamps. Then ferns, bamboos, and feathery reeds in every varying shade of gold; creepers clinging to the trunks of coco trees or ph?nix-palms bear bunches of pink or yellow blossoms between the palm-leaves, invading everything with their luxuriance, and forming a gaudy undergrowth below the tall treesa light but impenetrable thicket where the sun casts warm purple shadows.

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THREE:Before daybreak, in the doubtful light of waning night, dim masses are visiblegrey and purple mountainsmountains shaped like temples, of which two indeed seem to be crowned with low squat towers as if unfinished.

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THREE:In front of a statue of Kali with a hundred arms, surrounded by rough votive offerings carved in wood, most of them representing legs, a man was pouring out rice, and a whole flight of grey leilasbirds like magpiesalmost settled on his hands: birds of the temple, so familiar that one even allowed me to catch it, and did not fly away at once when I set it at liberty. There are rows of black Buddhas, white Buddhas, Sivas painted redterriblestraddling in fighting attitudes; pilgrims without end bow and pray in front of each idol.Above the road lie dark cliffs; a rose-coloured waterfall of melted snow tumbled mixing with the claypink with lilac depths, and the foam iridescent in the sunbeams. The ruins of a large temple of green stone carved with myriads of fine lines stood in solitude at the edge of a wood, and the background was the mountain-range, the Himalayas, lost in the sky and bathed in blue light. Only a portico remains standinga massive, enduring frame for the infinite distance of snow-capped giants. The stones have lost their hue; they are darkly streaked by the rains and a growth of grey and purple mosses, and russet or white lichens have eaten into the surface.

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TWO:In the heart of an extensive park, where wide lawns are planted with gigantic baobabs and clumps of bamboo and tamarind, stands an important-looking building, hideously modern in a mixture of heterogeneous styles and materials, of a crude yellow colour, and much too new. There is no attempt at unity of effect. A central dome crowns the edifice and a square tower rises by the side of it. Some portions, like pavilions, low and small, carry ornaments disproportioned to their size; while others, containing vast halls, have minute windows pierced[Pg 52] in their walls, hardly larger than loopholes, but framed in elaborate sculpture and lost in the great mass of stone. Arcades of light and slender columns, connected by lace-like pierced work of alarming fragility, enclose little courts full of tree-ferns and waving palms spreading over large pools of water. The walls are covered with niches, balconies, pilasters, and balustrades carved in the Indian style, the same subjects constantly repeated.

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TWO:In the third-class carriages, where the compartments are divided by wooden lattice, among the bundles, the copper jars, and the trunks painted in the gaudiest colours, sit women in showy saree and decked in all their jewels; children in little silk[Pg 59] coats braided with tinsel, and open over their little bare bodies; men with no garment whatever but a loin-cloth or dhouti. There is endless chatter, a perpetual bickering for places, the bewilderment of those who lose themselves, shouts from one end of the station to the other, and in the foreground of the hubbub the incessant cries of the water and sweetmeat sellers.

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TWO:As we approached the Afghan frontier, camp followed camp, clustering round the railway stations that lie closer together on the line. In the morning and towards evening there was a constant hum round the train, of bagpipes, bugles, and drums, and the red or grey ranks were to be seen of soldiers at drill.On our way back to the hotel, in a park through which we had to pass, we suddenly heard overhead a shrill outcry proceeding from a banyan tree to which a number of vampires had hung themselves up. Clinging together side by side, like black rags, and hardly visible in the thick foliage, the creatures formed a sort of living bunch, creeping, swaying, and all uttering the same harsh, monotonous, incessant cry.

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TWO:The road goes on. Trees cast their shade on the flagstone pavement, but between the houses and through open windows the sandy plain may be seen, the endless whiteness lost in a horizon of dust.Tazulmulook on his way meets a blind man, whom he restores to sight by the help of the magical flower; the man relates the story of the cure to the four brothers, who quickly follow up Tazulmulook and presently overtake him. After a short conflict they rob him of the talisman and fly. The young prince is in despair, but as he wrings his hands he rubs Bakaoli's ring and the dragon instantly appears. Tazulmulook commands him forthwith to build a palace in front of that of King Zainulmulook.

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TWO:Bakaoli bewails her lover's departure, for which no one, not even her mother, can comfort her.

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In the atmosphere floated a pale blue smoke, rising from a heap of weeds that some children were burning, a weird sort of incense, acrid and aromatic, fading against the too-blue sky.Near the sepoys' tents long lines of mules picketed by their feet stood by the guns; and further on baggage-camels, lying down, were hardly distinguishable from the russet grass and the scorched ochre sand.
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