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THREE:The sort of people who frequented the salon of Mme. Tallien had no such ideas. They were a miscellaneous horde collected from the most opposite sources, many of whom were strangers to each other or disliked and feared each other, and who went there for different reasons. When Tallien became less powerful her salon became less and less full; when men ceased to be in love with her they left off going there.��Then I will be guilty too.��

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THREE:The Vernet [32] were staunch Royalists, and watched with horror and dread only too well justified the breaking out of the Revolution.But time and circumstances were obliterating crimes and injuries by the side of which her faults were as nothing. Though it is satisfactory to think that numbers of the Revolutionists received the punishment due to their deeds, there were others who for some reason or other managed not only to escape but to prosper; and with Fouch�� in a place of power and authority, what, might one ask, had become of all ideas of justice and retribution?

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THREE:It was a time never to be forgotten by Pauline; through all the troubled, stormy years of her after life, the peaceful, holy recollections of that solemn intercourse remained deeply impressed upon her.

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THREE:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.

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