THREE:During this reign architecture was in a state of transition, or, rather, revolution, running through the Palladian, the Roman, the Greek, and into the Gothic, with a rapidity which denoted the unsettled ideas on the subject. At the commencement of the reign James Paine and John Carr were the prevailing architects. Worksop Manor, since pulled down, and Keddlestone, in Derbyshire, were the work of Paine; but Robert Adam, an advocate for a Roman style, completed Keddlestone. Carr built Harewood House, and others of a like character, chiefly remarkable for Grecian porticos attached to buildings of no style whatever. The Woods, of Bath, employed a spurious Grecian style in the Crescent in that city, Queen's Square, the Pounds, etc., which, however, acquired a certain splendour by their extent and tout ensemble. To these succeeded Robert Taylor, the architect of the Bank of England and other public buildings, in a manner half Italian, half Roman. Sir William Chambers, of more purely Italian taste, has left us Somerset House as a noble specimen of his talent. Robert and James Adam erected numerous works in the semi-Roman semi-Italian style, as Caenwood House, at Highgate, Portland Place, and the screen at the Admiralty. In Portland Place Robert Adam set the example of giving the space necessary for a great metropolis. James Wyatt, who succeeded Chambers as Surveyor-General in 1800, destined to leave extensive traces of his art, commenced his career by the erection of the Pantheon, London, in the classical style, and then took up the Gothic style, which had begun to have its admirers, and in which James Essex had already distinguished himself by his restoration of the lantern of Ely Cathedral, and in other works at Cambridge. Wyatt was employed to restore some[200] of the principal colleges at Oxford, and to do the same work for the cathedral of Salisbury and Windsor Castle. In these he showed that he had penetrated to a certain extent into the principles of that order of architecture, but was far from having completely mastered them. A greater failure was his erection of Fonthill Abbey, for Beckford, the author of "Vathek," where he made a medley of half an abbey, half a castle, with a huge central church tower, so little based on the knowledge of the Gothic architects that in a few years the tower fell. Wyatt, however, was a man of enterprising genius. Co-temporary with Wyatt, George Dance made a much less happy attempt in Gothic in the front of Guildhall, London; but he built Newgate and St. Luke's Hospital in a very appropriate style. One of the most elegant erections at this period was the Italian Opera House, by a foreigner, Novosielsky, in 1789. Nor must we omit here the publication of John Gwynn's "London and Westminster Improved," in 1766, by which he led the way to the extensive opening up of narrow streets, and throwing out of fresh bridges, areas, and thoroughfares, which have been since realised, or which are still in progress.The great struggles going on through the reign of George III. were not so much for the advancement of religion, as to obtain release from the impositions and restrictions on both liberty of conscience and political liberty by the Church of England, and its ally, the State. With the exception of the reign of Queen Anne, no reign since the Revolution has taken so high a tone of Toryism as that of George III. We have had to detail the evidences of that fact; and it is equally true that, with Toryism in the State, Toryismor what is called High Churchismprevailed coincidently in the Establishment. True, the[159] Indemnity Acts, the suppression of Convocation, the spread of Dissent, and especially of Methodism, had in some degree clipped the talons of the hierarchy, but these very things made it more tenacious of its still existing powers. At the very opening of the reign the Church was alarmed by a proposal by one of its own members to abolish subscription to the Thirty-Nine Articles. This question had been a matter of controversy from the time of Bishop Burnet's "Exposition" of these Articles; but in 1766 a very able work appeared, entitled "The Confessional; or, a Full and Free Inquiry into the Right, Utility, Edification, and Success of Establishing Systematic Confessions of Faith and Doctrine in Protestant Churches." This was traced to the hand of Archdeacon Blackburne, of Richmond in Yorkshire. It produced much excitement and discussion amongst the clergy of the Establishment, as well as amongst Dissenters, who were entirely shut out of one of the national universities by these subscriptions, and their education at the other hampered and impeded. An association was formed amongst the established clergy, favourable to Blackburne's views, and in 1771, at its request, he drew up "Proposals for Application to Parliament for Relief in the Matter of Subscription." The association, from its place of meeting called the "The 'Feathers' Tavern Association," determined to address Parliament on the subject, and drew up a petition, which was presented to the House of Commons, in February, 1772, by Sir William Meredith. It was signed by two hundred clergymen, and fifty other individuals, chiefly lawyers and physicians. A keen debate ensued, but the motion for taking the subject into consideration was negatived by two hundred and seventeen against seventy-one. Sir William Meredith, notwithstanding, again introduced the subject in February of the following year, only to be defeated by a majority of one hundred and fifty-nine against sixty-seven; and a third attempt, the year after, was met by such an overwhelming number of "Noes" that he declined to divide the House. In all these debates, Burke, who now was grown excessively Conservative, supported subscription with all his power.
FORE:France ceded Canada, Nova Scotia, and Cape Breton, stipulating for the free exercise of their religion by the inhabitants of Canada, and for their leaving the country if they preferred it, carrying away their effects, if done within eighteen months. Nova Scotia and Cape Breton were given up unconditionally. The boundaries of Louisiana were more clearly defined. The French retained the right to fish on part of the coast of Newfoundland and in the Gulf of St. Lawrence and to retain the two little islets of St. Pierre and Miquelon, as places of shelter for their fishermen, on condition that no batteries should be raised on them, nor more than fifty soldiers keep guard there. Their fishermen were not to approach within fifteen miles of Cape Breton.
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THREE:At this period, both the grand old styles of architecture, the Gothic for ecclesiastical buildings, and the Tudor and Elizabethan for palaces and mansions, had, for a time, run their course. A classical or Italian fashion had come in, and the picturesque churches and halls of our ancestors were deemed barbarous. Inigo Jones had introduced the semi-classical style, and now Sir Christopher Wren and Vanbrugh arose to render it predominant. Wren had the most extraordinary opportunity for distinguishing himself. The fire of London had swept away a capital, and to him was assigned the task of restoring it. Wren (b. 1632; d. 1723) was descended from a clerical family. In 1651 he was appointed to the chair of astronomy at Gresham College; three years afterwards to that of the Savilian professor at Oxford. In 1661 he was appointed by Charles II. to assist Sir John Denham, the surveyor-general, and in 1663 he was commissioned to examine the old cathedral of St. Paul, with a view to its restoration in keeping with the Corinthian colonnade which Inigo Jones had, with a strange blindness to unity, tagged on to a Gothic church. The old church was found to be so thoroughly dilapidated, that Wren recommended its entire removal and the erection of another. This created a terrible outcry amongst the clergy and citizens, who regarded the old fabric as a model of beauty.
