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The liaisons of Mme. Tallien had nothing doubtful about them.Les vers que lamour me dictait
  • ONE:IN 1779 Mme. Le Brun painted for the first time the portrait of the Queen, then in the splendour of her youth and beauty. TWO:Mme. de Genlis was received with affection by her old pupils, and had a pension from them during the rest of her life.Besides her delight in wandering through these galleries where she would stand before her favourite pictures, never tired of studying them, absorbed in their beauty, she copied heads from Rubens, Rembrandt, Vandyke, Greuze, and others, and although she was only fourteen years old, the portraits she painted were not only becoming known, but were the principal support of the family, besides paying for the school expenses, books, and clothes of her brother.

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  • ONE:She met her daughters in a mountain village near Clermont, and the deep, fervent joy of their restoration to each other out of the shadow of death was increased by finding that the priest had just ventured to reopen the village church, where on the next day, Sunday, they again attended mass in that secluded place, and where Virginie, the younger girl, made her first Communion. And she had seen Rosalie, for Mme. de Grammont heard of her sisters release, and resolved to join her. Having very little money, and travelling by public conveyances being still unsafe, taking her diamonds she rode a mule with her three children in paniers, and her husband walking by her side. Thus they journeyed by steep mountain paths, or country lanes, but always by the most secluded ways possible. When they reached Paris, Adrienne was gone, but they resumed their primitive travelling, followed her to Auvergne, and came up with her at the little town of Brionde.[260] TWO:

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  • ONE: TWO:

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  • ONE:The following story is an example of the kind. TWO:The Princess de Chimay, once Mme. Tallien, was also received by her with gratitude and friendship; she never forgot that she had saved the life of Mme. de Valence, and in fact put an end to the Terror. [135]She grew tired of Versailles, and returned to Paris, where the First Consul gave her an apartment at the Arsenal and a pension.

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  • ONE:[273]Another of her fellow-prisoners, equally fascinated by her and able to render her more practical service, was M. de Montrond, a witty, light-hearted sceptic, a friend of Talleyrand. TWO:Have as much prudence as I will have courage, but calm your head.

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THREE:She would not have her portrait done, saying that she was very sorry to refuse her aunts, but as she had renounced the world she could not have her picture taken. She had cut her hair short and her dress was very simple. The King looked nearly as pale and thin.Adieu, citoyenne, said Tallien, resuming his official manner. My aide-de-camp will go at once to the revolutionary tribunal, while I myself explain to the Comit the error of which you are the victim.
THREE:

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THREE:The Comtesse de Noailles was a most unfortunate choice to have made for the post in question; for although a woman of the highest character, religious, charitable, and honourable, she was so stiff, precise, [187] and absolutely the slave of every detail of court etiquette that she only tormented and estranged the young girl, who was ready to be conciliated, and whom she might have influenced and helped. The Dauphine, however, an impetuous, thoughtless girl of fifteen, accustomed to the freedom of her own family life at the court of Vienna, hated and ridiculed the absurd restrictions of the French Court, called the Countess Madame lEtiquette, and took her own way.For the same reason he had, at the beginning of his career, married Josphine, Vicomtesse de Beauharnais; it was true, as he afterwards declared that he loved her better than he ever loved any woman; but all the same he had decided that his wife must be of good blood, good manners, and good society; and although Josphine was by no means a grande dame, she was in a much better position than himself; and her childrens name, her social connections, her well-bred son and daughter, the charming manners and savoir faire of all three were then and for long afterwards both useful and agreeable to him.

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THREE:The last time Mme. Le Brun saw the Queen was at the last ball given at Versailles, which took place in the theatre, and at which she looked on from one of the boxes. She observed with indignation the rudeness of some of the young Radical nobles; they refused to dance when requested to do so by the Queen, whose agitation and uneasiness were only too apparent. The demeanour of the populace was becoming every day more ferocious and alarming; the drives and streets were scarcely safe for any but the lower classes. At a concert given by Mme. Le Brun, most of the guests came in with looks of consternation. They had been driving earlier in the day to Longchamps, and as they passed the barrire de ltoile, a furious mob had surrounded and insulted everybody who passed in carriages. Villainous looking faces pressed close to them, horrible figures climbed on to the steps of the carriages, crying out, with infamous threats and brutal language, that next year they should be in the carriages and the owners behind them.It was a time never to be forgotten by Pauline; through all the troubled, stormy years of her after life, the peaceful, holy recollections of that solemn intercourse remained deeply impressed upon her.

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THREE:At last a letter came to say that Adrienne was free. She had been the last to be released from Plessis after the death of Robespierre had, to a great extent, stopped the slaughter and opened the prisons. Her captivity had lasted from October, 1793, till February, 1795; and now, very soon after her letter, Adrienne arrived with her two young daughters at Altona.

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FORE:
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FORE:She could receive her friends as she pleased; her literary reputation stood very high; the Duchesse de Chartres was still infatuated about her; while the Duke
FORE:In former years, before the marriage of the Queen, [113] Mme. Le Brun had seen her, as a very young girl, at the court of her grandfather, Louis XV., when she was so fat that she was called le gros Madame. She was now pale and thin, whether from the austerities of devotion she now practised, or from her grief at the misfortunes of her family and anxiety for her sister, Madame Elizabeth, and her eldest brother, the King of France.
FORE:Likewise girls at fourteen or fifteen and even younger, who, with us, wear their hair down their backs, their petticoats half way up to their knees, and spend their time in lessons and play, were wives, mothers, court beauties, and distinguished members of society at the French Court of those days.
FORE:The King associated all his grandchildren with Mme. Du Barry just as he had his daughters with the Duchesse de Chateauroux and her sisters de Nesle, [188] and affairs went on at court much in the usual way until, in 1774, he caught the small-pox in one of his intrigues and died, leaving a troubled and dangerous inheritance to the weak, helpless, vacillating lad, who had neither brains to direct, energy to act, or strength to rule.
FORE:Returning home one day after dinner with Diderot, dAlembert, Helvetius, and others of their set, he seemed to be so out of spirits that his wife asked if anything were the matter.
FORE:
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In the fearful tragedy of the French Revolution, as in many earlier dramas in the history of that nation, one can hardly fail to be struck by the extreme youth of many, perhaps most, of the leading characters, good or bad. And the hero and heroine of this act in the revolutionary drama were young, and both remarkable for their beauty.CHAPTER III MADAME VIGE LE BRUN CHAPTER I
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