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Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.

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She brought, of course, many letters of introduction, of which the first she availed herself was to the Countess von Thoum, at whose soir��es she met all the most important personages in Vienna, and also many French emigr��s amongst whom, to her great joy, was her old friend the Comte de Vaudreuil.And as to Mme. de Genlis, it appears more than probable that if she had followed the advice of Mme. de Custine, as she promised to do, and remained [393] at the h?tel de Puisieux she would still have been a great literary and social success and also a better and happier woman.

ONE:The Emperor desired her to paint the portrait of the Empress, whom she represented standing in full court dress, with a crown of diamonds. Lisette used to declare that she was like a woman out of the Gospel, and that she was the only woman she knew whom no calumny ever attacked. One day she brought her two youngest sons to the sitting, the Grand Dukes Nicolas and Michael, then children. Of the Grand Duke Nicolas, afterwards Emperor, Mme. Le Brun declared that she had never seen a more beautiful child, and that she could paint from memory his face, which had all the characteristic beauty of Greece.

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日本化学機械製造は、国内外に豊富な実績を持つプラントエンジニアリングとものづくりのプロフェッショナル集団です。
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