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THREE:We have also to note that Plotinus arrives at his Absolute by a method apparently very different from that pursued by either of his teachers. Plato��s primal beauty is, on the face of it, an abstraction and generalisation from all the scattered and imperfect manifestations of beauty to be met with in our objective experience. And Aristotle is led to his conception of an eternal immaterial thought by two lines of analysis, both starting from the phenomena of external Nature. The problem of his Physics is to account for the perpetuity of motion. The problem of his Metaphysics is to explain the transformation of potential into actual existence. Plotinus, on the other hand, is always bidding us look within. What we admire in the objective world is but a reflex of ourselves. Mind is the sole reality; and to grasp this reality under its highest form, we must become like it. Thus the more we isolate our own personality and self-identity from the other interests and experiences of life, the more nearly do we approach to consciousness of and coalescence with the supreme identity wherein all things have their source.Still more impressive, if we consider the writings of Plotinus on their personal side, and as a revelation of their author��s mind, is the high and sustained purity, the absolute detachment and disinterestedness by which they are characterised throughout. No trace of angry passion, no dallying with images of evil, interferes to mar their exalted spirituality from first to last. While the western world was passing through a period of horror and degradation such as had never been known before, the philosopher took refuge in an ideal sphere, and looked down on it all with no more disturbance to his serenity than if he had been the spectator of a mimic performance on the stage.504 This, indeed, is one of340 the reasons why the Enneads are so much less interesting, from a literary point of view, than the works of the Roman Stoics. It is not only that we fail to find in them any allusions even of the faintest kind to contemporary events or to contemporary life and manners, such as abound in Seneca and Epict��tus, but there is not the slightest reference to the existence of such a thing as the Roman empire at all. One or two political illustrations occur, but they are drawn from old Greek city life, and were probably suggested by Plato or Aristotle.505 But this tremendous blank is so perfectly in keeping with the whole spirit of Neo-Platonism as to heighten instead of lowering its aesthetic effect. In studying the philosophy of the preceding centuries, to whatever school it may belong, we have the image of death always before our eyes; and to fortify us against its terrors, we are continually called upon to remember the vanity of life. This is the protest of thought against the world, just as in Lucian and Sextus we hear the protest of the world against thought. At last the whole bitter strife comes to an end, the vision of sense passes away,