FORE:So far Aristotle gives us a purely superficial and sensational view of the drama. Yet he could not help seeing that there was a moral element in tragedy, and he was anxious to show, as against Plato, that it exercised an improving effect on the audience. The result is his famous theory of the Catharsis, so long misunderstood, and not certainly understood even now. The object of Tragedy, he tells us, is to purify (or purge away) pity and terror by means of those emotions themselves. The Poetics seems originally to have contained an explanation of this mysterious utterance, now lost, and critics have endeavoured to supply the gap by writing eighty treatises on the subject. The result has been at least to show what Aristotle did not mean. The popular version of his dictum, which is that tragedy purges the passions by pity and terror, is clearly inconsistent with the wording of the original text. Pity and terror are both the object and the instrument of purification. Nor yet does he mean, as was once supposed,306 that each of these emotions is to counterbalance and moderate the other; for this would imply that they are opposed to one another, whereas in the Rhetoric he speaks of them as being akin; while a parallel passage in the Politics188 shows him to have believed that the passions are susceptible of homoeopathic treatment. Violent enthusiasm, he tells us, is to be soothed and carried off by a strain of exciting, impassioned music. But whence come the pity and terror which are to be dealt with by tragic poetry? Not, apparently, from the piece itself, for to inoculate the patient with a new disease, merely for the sake of curing it, could do him no imaginable good. To judge from the passage in the Politics already referred to, he believes that pity and terror are always present in the minds of all, to a certain extent; and the theory apparently is, that tragedy brings them to the surface, and enables them to be thrown off with an accompaniment of pleasurable feeling. Now, of course, we have a constant capacity for experiencing every passion to which human nature is liable; but to say that in the absence of its appropriate external stimulus we are ever perceptibly and painfully affected by any passion, is to assert what is not true of any sane mind. And, even were it so, were we constantly haunted by vague presentiments of evil to ourselves or others, it is anything but clear that fictitious representations of calamity would be the appropriate means for enabling us to get rid of them. Zeller explains that it is the insight into universal laws controlling our destiny, the association of misfortune with a divine justice, which, according to Aristotle, produces the purifying effect;189 but this would be the purgation of pity and terror, not by themselves, but by the intellectual framework in which they are set, the concatenation of events, the workings of character, or the reference of everything to an eternal cause. The truth is that Aristotles explanation of the moral effect produced by tragedy is307 irrational, because his whole conception of tragedy is mistaken. The emotions excited by its highest forms are not terror and pity, but admiration and love, which, in their ideal exercise, are too holy for purification, too high for restriction, and too delightful for relief.CHAPTER VII. THE SYSTEMATIC PHILOSOPHY OF ARISTOTLE.
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged.
More Info
FORE:Another principle in planing machines which deserves notice is the manner of driving carriages or platens; this is usually performed by means of spur wheels and a rack. A rack movement is smooth enough, and effective enough so far as a mechanical connection between the driving gearing and a platen, but there is a difficulty met with from the torsion and elasticity of cross-shafts and a train of reducing gearing. In all other machines for metal cutting, it has been a studied object to have the supports for both the tools and the material as rigid as possible; but in the common type of planing machines, such as have rack and pinion movement, there is a controversion of this principle, inasmuch as a train of wheels and several cross-shafts constitute a very effective spring between the driving power and the point of cutting, a matter that is easily proved by planing across the teeth of a rack, or the threads of a screw, on a machine arranged with spur wheels and the ordinary reducing gearing. It is true the inertia of a platen is interposed and in a measure overcomes this elasticity, but in no degree that amounts to a remedy."My poor boy," she whispered. "My poor boy! But it is not going to last. The truth is bound to come out before long. And then it will be like one of those queer bank panics--only weather the storm, and you will be more sought after than ever."
How cool is this theme?
Need a nice good-looking site?
Is this theme retina ready?
Which version of Font Awesome uses?
Free support is integrated?
