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FORE:So the argument had waged since the telling of Tom Driver's story. Gregg's chief difficulty was to get Allingham to see that there really might be something in this theory of a world in which merely trivial things had become permanent, whilst the cosmos itself, the hitherto unchanging outer environment of man's existence, might have opened up in many new directions. Man might have tired of waiting for a so long heralded eternity, and made one out of his own material tools. The Clockwork man, now crystallised in Gregg's mind as an unforgetable figure, seemed to him to stand for a sort of rigidity of personal being as opposed to the fickleness of mere[Pg 110] flesh and blood; but the world in which he lived probably had widely different laws, if indeed it had humanly comprehensible laws at all."It is a multiform world," replied the Clockwork man (he had managed to fold his arms now, and apart from a certain stiffness his attitude was fairly normal). "Now, your world has a certain definite shape. That is what puzzles me so. There is one of everything. One sky, and one floor. Everything is fixed and stable. At least, so it appears to[Pg 145] me. And then you have objects placed about in certain positions, trees, houses, lamp-postsand they never alter their positions. It reminds me of the scenery they used in the old theatres. Now, in my world everything is constantly moving, and there is not one of everything, but always there are a great many of each thing. The universe has no definite shape at all. The sky does not look, like yours does, simply a sort of inverted bowl. It is a shapeless void. But what strikes me so forcibly about your world is that everything appears to be leading somewhere, and you expect always to come to the end of things. But in my world everything goes on for ever."
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FORE:
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FORE:Well, if that isnt a rude speech! But perhaps youre tired, Thomas, with all this grandeur. For me, I never felt fresher in my life: it comes quite natural to me.
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FORE:His conduct and appearance during the service had aroused her interest, for he wore a richly coloured stole and a very short surplice, had bowed{8} in the direction of the east window as he walked up the chancel, and had made a very deep obeisance somewhere in the middle of the Creed, when everybody else stood upright. Somehow there was a different atmosphere about him from that which surrounded the grim and austere Dr Inglis, something in the pale face and in a rapt expression which she easily read into his eyes, that made her mentally call him priest-like rather than clergyman-like. Like most young women in whom the destiny of old-maid is unrolling itself, Alice had a strong potentiality for furtive romance, and while the pains of hell were being enunciated to her inattentive ears, her short-sighted eyes were fixed on Mr Silverdale, and she began to think of Lord Tennysons poem of Galahad who was unmarried too.... She was so far lost in this that the rustle of the uprising congregation at the end of the sermon, reached her belatedly, and she rose in a considerable hurry, filling up the gap in this tall barrier of Keelings. She and her mother were not less than five feet ten in height, Johns inches had already outsoared them both, while her father and Hugh, each a full six feet of solid stuff, completed the substantial row. By one of Natures unkindest plans the sons were handsome, the daughter plain, but all had the self-reliant quality of size about them. A hymn followed, while the offertory, which Mr Keeling helped to collect in serge-lined open mahogany plates, was in progress,{9} and the blessing, pronounced by Mr Silverdale, who made an odd movement in the air with his right hand, brought the service to a close.
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FORE:BELFRY IN COURT-YARD OF TEMPLE, SHOWING THE STYLE OF A JAPANESE ROOF. BELFRY IN COURT-YARD OF TEMPLE, SHOWING THE STYLE OF A JAPANESE ROOF.She smiled: there was no doubt about that.
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