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Perhaps you cant, he said, and youd better have your nap. That wont be waste of time. Youre tired with talking, and Im sure I am too.

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Top-side Galah!"What do they use for the burning?"
このページの先頭です
ONE:WHALE BREACHING. WHALE "BREACHING."
ONE:The Doctor sat upon the couch, with his hands limply hanging between his knees. He was conscious of perspiration, but made no attempt to wipe his forehead. His heart was knocking hard against his ribs, and occasionally missing a beat. He noticed this fact also, but it caused him little concern. Now and again he looked swiftly at the Clockwork man and studied his extraordinary method of mastication, the rapid vibratory movement of the jaws, the apparent absence of any kind of voluntary effort.
ここから本文です
TWO:"Neither would I--with mine." The soldier folded his hands in supplication. "Neither would I--though mine, O Lord--is only the--old-fashioned sort--for whose beliefs our fathers--used to kill one another; God have mercy--on them--and us."

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THREE:The Clockwork man shook his head. "We have houses, but they are not full of things like yours are, and we don't live in them. They are simply places where we go when we take ourselves to pieces or overhaul ourselves. They are" his mouth opened very wide, "the nearest approach to fixed objects that we have, and we regard them as jumping-off places for successive excursions into various dimensions. Streets are of course unnecessary, since the only object of a street is to lead from one place to another, and we do that sort of thing in other ways. Again, our houses are[Pg 146] not placed together in the absurd fashion of yours. They are anywhere and everywhere, and nowhere and nowhen. For instance, I live in the day before yesterday and my friend in the day after to-morrow."
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THREE:This also was dreadfully indelicate, but it is not to be wondered at that Mrs Keeling cast a glance into the looking glass, where her reflection looked out like a Naiad amid the water-lilies, even while she reproved her husband for the broadness of his suggestion.Frank and Fred were greatly interested to find the love which the Japanese have for dwarfed plants and for plants in fantastic shapes. The native florists are wonderfully skilful in this kind of work, and some of their accomplishments would seem impossible to American gardeners. For example, they will make representations of mountains, houses, men, women, cats, dogs, boats, carts, ships under full sail, and a hundred other thingsall in plants growing in pots or in the ground. To do this they take a frame of wire or bamboo in the shape of the article they wish to represent, and then compel the plant to grow around it. Day by day the plant is trained, bent a little here and a little there, and in course of time it assumes the desired form and is ready for the market. If an animal is represented, it is made more life-like by the addition of a pair of porcelain eyes; but there is rarely any other part of his figure that is formed of anything else than the living green. Our boys had a merry time among the treasures of the gardener in picking out the animate and inanimate forms that were represented, and both regretted that they could not send home some of the curious things that they found. Frank discovered a model of a house that he knew would please his sister; and he was quite sure that Miss Effie would dance with delight if she could feast her eyes on a figure of a dog, with the short nose for which the dogs of Japan are famous, and with sharp little eyes of porcelain.
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THREE:

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TWO:"Of loving somehow. Oh, don't you understand? I want to care for you, but you're making it impossible. You will jest about the things sacred to me. Your flippant tongue destroys everything. It's as I said just now. I like my friends to be humorous; but my lover must be serious.""But there is danger that you will get tired if we keep on much longer about the sights of Canton, and particularly the shopping part of it. Besides, we want to go out and see what there is in Hong-kong, and perhaps we may run across something new in the Chinese part of the city that we shall want to buy. A good many people say that you can buy Canton goods just as cheaply in Hong-kong as in the city they come from. That may be so; but then it is more satisfactory to get them there and have the pleasure of buying them on the spot.

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THREE:For his part he had known so many of those evenings, when the dinner-party went away precisely at half-past ten, and he was left to hear long comments by his wife on the soup and the{142} beef and the grouse and the pudding and the savoury, and what Dr Inglis said, and what Mrs Fyson thought. He hoped, when he first came back, after seeing Norah fade into the snow-storm, that he was to be regaled with such reminiscences, but hoped rather against hope. No reminiscences came to his aid, and he began to be aware, from the ice-bound conditions, that he must expect something far less jovial and trivial. But he had no accusing conscience, and if she chose to read her evening paper upside down in silence, he could at least read the morning paper the right way up. Then, as he would not give her a lead, make some remark, that is to say, to which she could take exception, she had to begin.
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THREE:"Why, in outward manner, yes; but, Smith, he was raised to be a Catholic priest. I could a heap-sight easier trust him if he'd sometimes show distrust, himself. If he ever does I've never seen it. And yet--Oh, we're the best of friends, and I'm speaking now only as a friend and toe a friend. Oh, if it wa'n't for just one thing, I could admit what Major Harper said of him not ten minutes ago to me; that you never finish talking to Ned Ferry without feeling a little brighter, happier and cleaner than when you began; whereas talking with some men it's just the reverse."
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THREE:"Here I am," the thin voice echoed faintly. The constable wheeled round sharply and became aware of a vague, palpitating mass, hovering in the dark mouth of the archway. It was like some solid body subjected to intense vibration. There was a high-pitched spinning noise.
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THREE:"The orchestra furnishes music by means of the guitar, or 'samisen.' It is played something like our guitar, except that a piece of ivory is used for striking the strings, and is always used in a concert that has any pretence to being properly arranged. There are two or three other instruments, one of them a small drum, which they play upon with the fingers; but it is not so common as the samisen, and I don't think it is so well liked. Then they have flutes, and some of them are very sweet, and harmonize well with the samisen; but the singers do not like them for an accompaniment[Pg 235] unless they have powerful voices. The samisen-players generally sing, and in the theatres the musicians form a part of the chorus. A good deal of the play is explained by the chorus; and if there are any obscure points, the audience is told what they are. I remember seeing the same thing almost exactly, or, at any rate, the same thing in principle, in the performance of "Henry V." at a theatre in New York several years ago, so that this idea of having the play explained by the chorus cannot be claimed as a Japanese invention.
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TWO:Where the tireless sea-birds sweep;

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