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On the very edge of the Jumna, where russet fields break the monotony of its white sandy banks, is the private state-room, the residence of the sovereigns of Delhi, built of translucent milky[Pg 217] marble, warmed by the reflection of gold inlaid on the columns and merged with the stone that is turned to amber.
ONE: TWO:

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ONE:

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THREE:CAWNPORESome more small boys, a little way off, were doing embroidery, mingling gold thread and coloured silks in patterns on shawls. They were extremely fair, with long-shaped black eyes under their bright-hued pointed caps, and their dresses were gay and pretty, mingling with the glistening shades of silks and gold. And they were all chattering, laughing, and twittering as they worked, hardly needing the master's supervision.

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THREE:

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THREE:From Lahore hither is an almost uninterrupted series of encampmentsEnglish and native regiments established in huts in the open fields far from every town, close only to the railway line. At one station a detachment of Indian guards were drawn up, and Abibulla declared from the number of men that they must be expecting a general at least; but nothing was discharged from the train but some cases of rupees, checked off by two English officers, and then carried to the barracks under the escort of sepoys.

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THREE:All the architectural details are effaced; parasites and creepers have overgrown the old-world carvings.In the middle of the town, which consists entirely of small houses carved from top to bottom, are two massive towers, joined by the remains of the thick wall that formerly enclosed the immensity of the sultan's palace and its outbuildings. The towers now serve as prisons; the stone lattice which screened the private rooms has been replaced by iron bars, the last traces of ornamentation covered up with fresh plaster. Behind the wall the ancient garden, kept green of old by legions of gardeners, is a mere desert of dust; a mausoleum in the middle, transformed into a court of justice, displays all the perfection of Indian art in two pointed windows carved and pierced in imitation of twining and interlaced branches; marvels of delicacy and grace left intact through centuries of vandalism.

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THREE:The barge was screened by a crimson awning and rowed by four men in red. The water, a broad sheet of silky sheen, seemed motionless, and in the distance, under a soft, powdery haze, Benares showed like a mass of dim gold, the two slender minarets of Aurungzeeb's mosque towering above the town.

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THREE:As soon as the last customer's beard was trimmed, the barber took down the cage and carried the bird to another spot whence we could hear its scream.

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ONE:But for once he was mistaken.

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Gauze and muslin dresses moved gracefully about against the background of bamboos and roses. Light footsteps scarcely bent the grass; the ripple of talk, with its sprinkling of Indian words, was sweet and musical. Fireflies whirled above the plants making little tendrils of light; there was dreaminess in the airan anticipation of fairyland to which the music seemed the prelude.So at last the door was opened.All round the sanctuary, in niches under a square cloister, are three hundred and fifty alabaster Buddhas, all alike, with the same jewel in their forehead, and on their shoulders and round their bodies[Pg 61] gold bands set with imitation gems and cut glass. An old woman, who had come thither at daybreak, had prayed to each of these Buddhas; to each she had offered up the same brief petition, she had struck the three bells on her way, and she was now in the sanctuary, calling out a prayer while beating a gong that hangs from the arch. Meanwhile other worshippers were murmuring their invocations prostrate before the jewelled Buddha.
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