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TWO years after her marriage the Duchesse dAyen had a son who, to her great grief, lived only a few months, and whose death was followed by the birth of Louise, called Mlle. de Noailles, Adrienne Mlle. dAyen, Thrse Mlle. dEpernon, Pauline Mlle. de Maintenon, and Rosalie Mlle. de Montclar.

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Perpetually proclaiming her religious principles [xi] and loyalty to the throne, she was suspected of being concerned in the disgraceful libels and attacks upon the Queen, was on terms of friendship with some of the worst of the revolutionists, rejoiced in the earliest outbreaks of the beginning of the Revolution, and while she educated the Orlans children with a pompous parade of virtue and strictness, was generally and probably rightly looked upon as the mistress of their father.If a play was popular at Versailles it was sure to be hissed at Paris; a disgraced minister was the idol of the mob; the only liveries not insulted were those of Orlans.
ONE:Capital letter TI have to go there as a judge to hear all the rubbish and gossip you can imagine for forty-eight hours.

THREE:The Vicomte de Noailles was also proscribed, and fled to England, whence he kept writing to his wife to join him; but she would not leave her mother and grandmother.
FORE:[377]

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3 | 14 Nov.

FORE:Dtestables flatteurs, prsent le plus funeste,

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1 | 13 Oct.

TWO:As Mme. Le Brun had not many servants, he had found nobody to announce him, but entered without the least shyness, and walking up to M. de Rivarol, said that he wanted to speak to him about a pamphlet of his, now being printed at the establishment in which he was employed. There was a passage in it which they could not read or did not understand, and M. de Rivarols servant having told him where his master was to be found, he had come after him.
THREE:MARIE DE VICHY-CHAMBRON, MARQUISE DU DEFFAND
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THREE:She always kept this drawing, her foretaste of the brilliant success that began so early and never forsook her.
THREE:[370]At last the day arrived; the Duchess was to start at ten oclock. Pauline persuaded her to stay till twelve and breakfast with her. She forced herself to be calm, but all the morning her eyes followed her mother about as she came and went and helped her pack, listening to every sound of her voice, gazing as if to impress her face upon her memory, for she had been seized with a presentiment that she should see her no more. She pretended to eat, but could touch nothing, and then, thankful that her mother did not know of the long separation before them, went down to the carriage with her arm in hers. She held up her child for a last kiss, and then stood watching the carriage as it bore her mother out of her sight for ever in this world.

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THREE:

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TWO:The first meeting of Trzia with the man who was to play the most important part in her life took place in the studio of Mme. Le Brun, to be painted by whom was then the height of fashion. Mme. Le Brun, enraptured with her beauty and dissatisfied with her own representation of it, was a long time altering and retouching, and every day saw some new improvement to make.Nobody could feel sure when they got up in the morning that they would go safely to bed at night; the slightest offence given to the Emperor meant imprisonment or Siberia, and his orders were so preposterous that it was difficult not to offend him.

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THREE:The beautiful and notorious Mlle. Duth was often to be seen, amongst others, attended by an Englishman who was not so scrupulous about appearances, and whom Mme. Le Brun saw again with the same person eighteen years afterwards at a theatre in London.
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TWO:And yet there was one: a young, pale, sickly-looking Italian, who lived in a third-rate inn, wore a shabby uniform, and frequented the parties of Barras and the rest. He was not a conspicuous figure nor a particularly honoured guest; his military career had been apparently ruined by the spite of his enemies; he seemed to have no money, no connections, and no prospects. But in a few years all of themall France and nearly all Europewere at his feet, for it was Napoleon Buonaparte.Capital letter A

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TWO:[333]

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TWO:

ONE:PALAIS DU LUXEMBOURG

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ONE:Only a royalist would say that!

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ONE:Joseph Vernet had a little son of whose talent for drawing he was very proud; and one day at a party where his friends joked him on his infatuation, he sent for the child, gave him a pencil and paper, and told him to draw.Eh! you are at home then!

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ONE:Another time she made a charcoal sketch of two heads on the door of a summer-house by the sea, lent to her by Sir William Hamilton. Years afterwards to her astonishment she saw them in England. He had cut them out of the door and sold them to Lord Warwick!After her proceedings at the Bastille and the Cordeliers, and considering her connection with the revolutionary party, Mme. de Genlis (or Sillery, as she was also called) need not have expressed the surprise and indignation she did at the arrival of a body of police to search her house for arms, reported to be stored there. They were sent by La Fayette, who had done even more mischief than she had; but for some reason they did not like each other. The touchy, conceited Republican poet, Marie Joseph Chnier, who ranted against religion, royalty, and everything and everybody superior to himself, began to make love to Mme. de Genlis, and when she objected to his impertinent familiarity, said furiously: You are right; I am [418] neither a grand seigneur nor a duke!which specimen of the manners of her party disgusted her extremely. In her Mmoires she relates of this worthy that he was accused of having participated in the condemnation of his brother Andr, also a poet, executed under the Terror. This was, however, almost certainly untrue, but it was said that he could have saved him if he had made use of the influence he possessed with the Terrorists, but that he either feared or did not care to do so. The celebrated actress, Mlle. Dumesnil, then old and infirm, received one day a visit from him, during which he tormented her to recite something for him. She was ill in bed, but nevertheless he went on begging that she would recite only one line that he might say he had heard her, when, turning towards him with a violent effort she said

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THREE:The errors of her youth she abandoned and regretted, and her latter years had by no means the dark and gloomy character that she had pictured to herself, when she left the Palais Royal and fled from France and the Revolution, in whose opening acts she had rejoiced with Philippe-galit.
THREE:

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She was so talked about with the Duc de Chartres that the Queen would not receive her at her balls, [119] for Marie Antoinette was trying to bring some reform into the licence prevalent at court, where there was no end to the scandalous incidents that kept happening.Mon cher, here is what you wanted; the music is all right, I have just tried it on my flute. I am sorry not to be able to get you some more; I shall not be alive to-morrow. [107]
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