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TWO:That is a curious dress of yours, Monsieur, he replied, looking round the ball room:

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THREE:IN after life Mme. Le Brun used to say that her girlhood had not been like that of other young girls. And indeed it was not. By the time she was fifteen she was already not only a celebrated portrait painter, but very much sought after in society. A portrait of her mother, which she painted when she was not yet fifteen, excited so much admiration that the Duchesse de Chartres, who had often looked at her with interest from the gardens of the Palais Royal, opposite which she lived, sent for her to paint her portrait, and was so delighted with the pretty, gentle girl whose talents were so extraordinary that she spoke of her to all her friends.In all her life she never lost the recollection of the enchantment of that day, and many years later, in her altered surroundings, would say to her children, Ah! that day was the fte de ma jeunesse!
FORE:Balls were not then the crushes they afterwards became. The company was not nearly so numerous; there was plenty of room for those who were not [54] dancing to see and hear what was going on. Mme. Le Brun, however, never cared for dancing, but preferred the houses where music, acting, or conversation were the amusements. One of her favourite salons was that of the charg daffaires of Saxony, M. de Rivire, whose daughter had married her brother Louis Vige. He and her sister-in-law were constantly at her house. Mme. Vige acted very well, was a good musician, and extremely pretty. Louis Vige was also a good amateur actor; no bad or indifferent acting would have been tolerated in the charades and private theatricals in which Talma, Larive, and Le Kain also took part.

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FORE:[317]They went by lanes and cross-roads which were so bad that the carriage broke down, and they had to wait for an hour and a half in a tavern full of volunteers, who cast sinister glances at them, asked many questions, but finally allowed them to go on. It was very cold, night was approaching, the roads got worse and worse, and at last they had to get out and walk.

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FORE:Another time a certain M. de Comminges, who had been with him at the cole militaire, in reply to his question

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FORE:The days were as happy as the evenings, for they were spent in her fathers studio, where he allowed her to paint heads in pastel and to draw all day long with his crayons.With reluctance she left Florence, but after all her supreme desire was Rome, and when at length in the distance across the plain over which they were travelling, the dome of St. Peters rose before them, she could hardly believe she was not dreaming, and that Rome lay there. Through the Porta del Popolo, across the piazza, down the Corso, and up to the entrance of the French Academy they drove, and the long journey was finished.

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FORE:THE last of the four French heroines whose histories are here to be related, differed in her early surroundings and circumstances from the three preceding ones. She was neither the daughter of a powerful noble like the Marquise de Montagu, nor did she belong to the finance or the bourgeoisie like Mme. Le Brun and Mme. Tallien. Her father was noble but poor, her childhood was spent, not in a great capital but in the country, and as she was born nearly ten years before the first and six-and-twenty years before the last of the other three, she saw much more than they did of the old France before it was swept away by the Revolution.

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THREE:Mme. Le Brun was present, having been expressly invited to the box of some friends who wanted to surprise her, and was deeply gratified and touched when all the audience rose and turned towards her with enthusiastic applause. FORE:Lisette was in despair when she saw it, but fortunately some friends of her mothers came one Sunday to dine there with them, and were so shocked that they used often to fetch her away and take her out with them on long excursions to all the parks, chateaux, and delightful places in the neighbourhood.
THREE:Capital letter T
FORE:kissed the ring, and handed it round to be kissed by all the rest, who little supposed that it was a portrait of the unfortunate Louis XVII. Lead Designer

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FORE:She posed as a victim, talked of jealousy, slander, ingratitude, &c., and went on with her intimacy with the Duc de Chartres, who was at that time engaged in the most abominable intrigues and secret attacks upon the Royal Family, especially the Queen; and whether rightly or wrongly, Mme. de Genlis was supposed to be mixed up with them.The truth was that this famous supper, which did take place, cost about fifteen francs, and consisted of a chicken and a dish of eels, both dressed after Greek recipes, taken from the Voyages dAnacharsis, which Louis Vige had been reading to his sister; two dishes of vegetables, a cake made of honey and little currants, and some old Cyprus wine, which was a present to her. Serior Analyst

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FORE:Your youth, mes amis; and above all your na?vet. Laws are like sauces: you should never see them made. Lead Developer

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MM. les magistrats, connaissant de rputation les chemises de lcrivain, rpondent avec une gravit toute municipale:It was, perhaps, worst of all at Marly, beautiful Marly, so soon to be utterly swept away; for there such was the relaxation of etiquette that any decently-dressed person might enter the salon and join in the play, with the permission of the ladies of high rank to whom they gave part of their winnings. People came there in crowds, and on one occasion the Comte de Tavannes, coming up with a look of consternation to the Comte de Provence, whisperedThey passed their time in all the amusements of the vie de chateau in those days.Still, there was at first much to attract her. The friends who had survived were delighted to have her again amongst them. Many of her foreign friends arrived in Paris; she began again to give suppers which were as popular as ever. She even gave a ball at which the celebrated dancers, M. de Trnis, Mme. Hamelin, and Mme. Demidoff, excited general admiration. She also gave private theatricals in her large gallery.
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