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Many such undoubtedly there were; the laws [9] were terribly oppressive, the privileges of the favoured classes outrageously unjust; while as for public opinion, Barbier himself remarks that the public is a fool, and must always be unworthy of the consideration of any man.

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TWO:A peu prs, Sire, and he pointed to a heap of enormous cases in the courtyard, which in about an hour he had arranged in the gallery in perfect order, much to the delight of the Emperor, who burst into a fit of laughter when he saw them.

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TWO:One of her first portraits was that of the Polish Countess Potocka who came with the Count, and directly he had gone away said to Mme. Le Brun: That is my third husband, but I think I am going to take the first back again; he suits me better, though he is a drunkard.
THREE:Venice was crowded with foreigners, amongst whom was one of the English princes; and Lisettes friend, the Princesse Joseph de Monaco, whom she saw for the last time, she also being on her way to France, where she met her death.

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THREE:Pauline remained at Paris with her husband, and in February they lost their younger child, Clotilde. The morning after she died, Pauline, who had been up with her all night, was told that Rosalie, who was living at the h?tel de Noailles, had just given birth to her first child.Yes. What do you want of me?

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THREE:THE theatre was a passion with Mme. Le Brun, and all the more interesting to her from her friendships with some of the chief actors and actresses, and her acquaintance with most of them, from the great geniuses such as Talma, Mlle. Mars, and Mlle. Clairon to the dbutantes like Mlle. Rancourt, whose career she watched with sympathetic interest. For Mme. Dugazon, sister of Mme. Vestris and aunt of the famous dancer Vestris, she had an unmixed admiration; she was a gifted artist and a Royalist heart and soul. One evening when Mme. Dugazon was playing a soubrette, in which part came a duet with a valet, who sang:I am German, a composer of music, I see no harm in all that.

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TWO:The Duc de Chartres wrote to his father saying that he never wished to return to France, and wanted to get leave from the Convention to expatriate himself, but the Duke replied that there was no sense in it, and forbade him to write.

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[231][371]Mme. Le Brun painted the portraits and went to the parties of the chief Roman families, but did not form many intimate friendships amongst them, for most of her spare time was spent with the unfortunate refugees from France, of whom there were numbers in Rome during the years she lived there. Many of them were her friends who had, like herself, managed to escape. Amongst these were the Duke and Duchess de Fitz-James and their son, also the Polignac family, with whom Mme. Le Brun refrained out of prudence from being too much seen, lest reports should reach France that she was plotting with them against [97] the Revolution. For although she was out of the clutches of the Radicals and Revolutionists her relations were still within their reach, and might be made to suffer for her.Mme. Le Brun painted the portrait first of Madame Adla?de, then of Madame Victoire.Mme. de Boufflers, Mme. de Sabran, and their families, on the other hand, were always assiduous in their attentions to her, and would refuse other invitations to go to her.
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