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On Sunday, April 19, 1795, therefore, she left Vienna and went by Prague to Dresden, where she was of course enraptured with the world-famed gallery, and above all with the chef d?uvre of Raffaelle, the Madonna di San Sistothat vision of beauty before which every other seems dim and pale. She spent five days at Berlin, stayed a few [123] days more at the castle of her old friend Prince Henry of Prussia, and arrived at St. Petersburg late in July, very tired and exhausted with the journey in an uncomfortable carriage over roads so bad that she was jolted and flung about from one great stone to another from Riga to St. Petersburg, until her only longing was to be quiet and rest.

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THREE:Besides all these portraits of the Queen, Mme. Le Brun painted the King, all the rest of the royal family except the Comte dArtois; the Duke and Duchess of Orlans, the Princesse de Lamballe, the Duchesse de Polignac, and, in fact, almost everybody.
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TWO:In the family of Noailles there had been six Marshals of France, and at the time of the marriage, the old Marchal de Noailles, grandfather of the Count, was still living. [55] At his death, his son, also Marchal, became of course Duc de Noailles, and his son, the husband of Mlle. dAguesseau, Duc dAyen, by which name it will be most convenient to call him to avoid confusion, from the beginning of this biography.Besides all these portraits of the Queen, Mme. Le Brun painted the King, all the rest of the royal family except the Comte dArtois; the Duke and Duchess of Orlans, the Princesse de Lamballe, the Duchesse de Polignac, and, in fact, almost everybody.
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TWO:The long galleries of pictures and statues, the lovely churches filled with gems of art, the stately palaces and gardens, the cypress-crowned heights of San Miniato, and the whole life there, were enchanting to Lisette. She had been made a member of the Academy at Bologna; she was received with great honour at Florence, where she was asked to present her portrait to the city. She painted it in Rome, and it now hangs in the Sala of the great artists in the Uffizi. In the evening she drove along the banks of the Arnothe fashionable promenade, with the Marchesa Venturi, a Frenchwoman married to an Italian, whose acquaintance she had made. Had it not been for her anxiety about what was going on in France she would have been perfectly happy, for Italy had been the dream of her life, which was now being realised.
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ONE:Of their entry into Paris, he says
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< The grief of the Duchesse de Polignac was aggravated by the recollection of a sinister prophecy which, although at the time it seemed incredible, was apparently being fulfilled in an alarming manner. The circumstances were as follows:Mme. de Boisgeloup, however, received the children with the greatest kindness, her two boys were companions for the young Cabarrus, and as for Trzia, she loved and treated her like a daughter. They lived in the rue dAnjou, and when the following year her father arrived at Paris and bought a h?tel in the place des Victoires she still spent less of her time with him than with her.What nonsense?The chateau, built close to the river, was large, picturesque, and dilapidated, with immense court-yards and crumbling towers; on the opposite bank was the Abbaye de Sept-Fonts, where Flicit and her brother were often taken for a treat, crossing the Loire in a boat and dining in the guest-room of the abbey.
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