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Capital letter TThe Count and Countess were kind, excellent people, who had just brought with them a poor old emigrant priest, and another younger one, whom they had picked up on the road after he had escaped from the massacre of the bridge of Beauvoisin. They had only a carriage with two places, but they had put the old man between them and the young one behind the carriage, and had taken the greatest care of them.
Slider 1 ONE:But Louis XVIII. in his Memoirs says:M. de Sillery, M. Ducrest, and the Duc de Chartres went with them to the frontier of Belgium; and they arrived safely at Tournay, where they were followed by Lord Edward Fitzgerald, who was eager to marry Pamela. And now, as before, he was the successful rival of Sheridan, whom [435] she threw over for his sake. They were married at Tournay and departed to England, where she was received with great kindness by his family.

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Slider 2 ONE:In the fearful tragedy of the French Revolution, as in many earlier dramas in the history of that nation, one can hardly fail to be struck by the extreme youth of many, perhaps most, of the leading characters, good or bad. And the hero and heroine of this act in the revolutionary drama were young, and both remarkable for their beauty.CHAPTER II

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Slider 3 ONE:But in a few days there were articles about them in the German papers; letters from Berne to the authorities of Zug reproached them for receiving the son and daughter of the infamous galit; the people of Zug disliked the attention so generally drawn upon them, the chief magistrate became uneasy, and as politely as he could asked them to go away.

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ONE:At this time, however, everything even in these prisons had become much worse, [104] the restrictions were severe, the number executed far greater, the [325] gaolers more brutal, and the perils and horrors of those awful dwellings more unheard of.With calmness they received the order to go to the Conciergerie, which was, they knew, their death sentence. When they were sent for, the Duchess, who was reading the Imitation of Christ, hastily wrote on a scrap of paper, My children, courage and prayer, put it in the place where she left off, and gave the book to the Duchesse dOrlans to give to her daughters if her life were spared. As she said their names, for once her calmness gave way. The book was wet with her tears, which left their mark upon it always.

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THREE:

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THREE:The Duc de Chartres came and joined them at Tournay, where Mademoiselle dOrlans was taken dangerously ill with a bilious fever. She recovered slowly, but in January, 1793, letters from France brought the news of the execution of Louis XVI., of the infamous part played by Philippe-galit, and of the imminent danger of M. de Sillery.

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THREE:On the other hand, any one who had been faithful and loyal to her parents, now met with their reward.

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THREE:The Countess was extremely pretty, attractive, and amiable. One day while she was sitting for her portrait, Mme. Le Brun had occasion to send for Mme. Charot, her nursery-governess, who came in looking so pleased that she asked what had happened.

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ONE:Grassini had sung at her London parties, and comparing these two great singers and actressesboth young, beautiful, and celebratedMme. Le Brun found that although the voice of Catalani was in its beauty and compass one of the most extraordinary ever known, Grassini had more expression.

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THREE:In the evening Catherine II. died and Paul arrived. Lisette hardly dared leave the Princess Dolgoroukis, to go home, as every one was saying there would be a revolution against Paul. The streets were filled with people, but there was no [138] disorder. The crowds reassembled next day before the palace of Catherine, calling her their mother, with cries and tears.

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ONE:In the latter part of the summer of 1792 she was in Paris, which, in spite of her revolutionary professions, was no safe abode even for her, certainly not for her husband. The slightest sympathy shown to an emigr, a priest, a royalist, or any one marked as a prey by the bloodthirsty monsters who were rapidly showing themselves in their true colours, might be the death-warrant of whoever dared to show it. So would any word or gesture of disapproval of the crimes these miscreants were ordering and perpetrating. Their spies were everywhere, and the least accusation, very often only caused by a private grudge, was enough to bring a person, and perhaps their whole family, to prison and the scaffold. In the early days of the Terror, the well-known actor Talma, hearing an acquaintance named Alexandre, a member of his own profession, giving vent in a benign voice to the most atrocious language of the Terrorists, indignantly reproached him.Conspicuous amongst these was Barras, who, though his hands were deeply dyed in the blood of the Terror, belonged to one of the noblest families in Provence.

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THREE:In the Luxembourg, between six and seven in the evening, a prisoner whose room was at the top of the palace came down and said that he heard the tocsin. In breathless silence all listened, and recognised that fearful sound. Drums were beating, the noise and tumult grew louder and nearer, but whether it meant life or death to them they could not tell; only the discouraged and anxious demeanour of the officials gave them hope. In spite of the opposition of the gaolers several of them rushed up the stairs and got out on the roof to see what was going on. In the rue Tournon they saw an immense crowd with a carriage in the midst, which by the clamour around it they knew must contain some important person. It stopped before the Luxembourg, the name of Robespierre was spoken; it was sent on with him to the Maison Commune.

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THREE:After her death the Marquis, who had no intention of either breaking his oath or foregoing his [316] vengeance, shut up his chateau and went to Paris, though it was in the height of the Terror; for he had heard that his enemy was there, and was resolved to find him. He was a cousin of the young Marquise, the Chevalier de , who had in the early days of their marriage stayed a good deal at the chateau of the Marquis de , and had requited the unsuspicious trust and hospitality of his host by making love to his wife. Then, influenced by the remorse and entreaties of the Marquise, he had gone to Paris, and not been heard of for some time, but was believed to be living there in concealment.

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THREE:The Abbess might receive in her apartment and at dinner whatever guests she chose, men or women, but no men might go to the cloisters or any other part of the abbey. She had a carriage, horses, and servants of her own, and might go out when and where she pleased, taking with her any nuns she chose. She often drove to see different farms, &c., belonging to the abbey, and to visit sick people.

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THREE:Lise, or Lisette, as she was generally called, was a delicate child, and her parents, who were devotedly fond of her and very anxious about her, frequently came and took her home for a few days, greatly to her delight. With them and her brother Louis, their only child besides herself, she was perfectly happy. Louis was three years younger, and did not possess her genius for painting, but the brother and sister were always deeply attached to one another.She had only to choose amongst the great personages who wanted their portraits painted; and she spent the time when she was not working in wandering amid the scenes to visit which had been the dream of her life. Ruins of temples, baths, acqueducts, tombs, and monuments of the vanished Empire, gorgeous churches and palaces of the Renaissance, huge never-ending galleries of statues and pictures, the glories of Greek and of medi?val art; Phidias and Praxiteles, Raffaelle, Michael Angelo, and Leonardo; the picturesque beauty of Rome, as it was then, the delicious gardens, since swept away by the greedy vandalism of their owners; the mighty Colosseum; the solemn desolate Campagna; all filled her mind and imagination and distracted her thoughts from France and the horrors going on there. At Rome in those days there certainly seemed to be everything that could be wished for to make life a paradise upon earth. Besides the natural beauty, the historical and arch?ological interest, and the treasures of art, the magnificence of the ecclesiastical functions, church services, stately processions, and entrancing music were a perpetual delight to her. There is no city in the world, she wrote to a [96] friend, in which one could pass ones time so deliciously as in Rome, even if one were deprived of all the resources of good society.

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ONE:Mme. Le Brun painted a remarkable portrait of Mlle. Fries, the great bankers daughter, as Sappho, she being an excellent musician. Also of the Baron and Baroness Strogonoff with whom she became very intimate.The Princess remarking on this extravagance, he said in a low voice

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TWO:Madame, do you know what it costs to wish for once in ones life to see the sun rise? Read that and tell me what you think of the poetry of our friends.No, Sire.

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TWO:The Abbess was always of a noble family, the one at that time being Mme. de Sabran, and although no proofs were exacted, the nuns nearly all belonged to families of good blood.It appeared after a time that the post in the household of the Comtesse de Provence was not attainable, and in the first disappointment of this refusal, Mme. de Montesson told her niece that she had only to ask and she would receive an appointment at the Palais Royal.

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ONE:Philippe-galit had wearied Robespierre with his petitions to be released, and that worthy remarked to Fouquier-TinvilleM. de Saint-Aubin, meanwhile, whose affairs, which grew worse and worse, were probably not improved by his mismanagement nor by the residence of his wife and daughter in Paris, stayed in Burgundy, coming every now and then to see them. Mlle. de Mars had left them, to the great grief of Flicit, who was now fourteen, and whom the Baron de Zurlauben, Colonel of the Swiss Guards, was most anxious to marry; but, as he was eighty years old, she declined his offer, and also another of a young widower who was only six-and-twenty, extremely handsome and agreeable, and had a large fortune.

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It was said that a locksmith, who was executed on the same day, would not get into the same cart with him, fearing that he might be thought the accomplice of such a man.[82]If religious processions, and splendid carriages with six or eight horses preceded by piqueurs, were no longer to be seen in the streets, neither were mobs of drunken, howling, bloodthirsty ruffians, who would have been made short work of by the great First Consul who so firmly held the reins which had dropped from the feeble hands of Louis XVI.
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