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ONE:"While we were looking at the audience there came half a dozen raps behind the curtain, as if two pieces of wood had been knocked together; and a moment after the rapping had stopped, the curtain was drawn aside. It was a common sort of curtain, and did not open in the middle like some of ours, or roll up like others; it was pulled aside as if it ran on a wire, and when it was out of sight we saw the stage set to represent a garden with lots of flower-pots and bushes. The stage was very small compared with an American one, and not more than ten or twelve feet deep; but it was set quite well, though not so elaborately as we would arrange it. The orchestra was in a couple of little boxes over the stage, one on each side, and each box contained six persons, three singers and three guitar-players. This is the regulation orchestra and chorus, so they say, in all the Japanese theatres, but it is sometimes differently made up. If a theatre is small and poor, it may have only two performers in each box, and sometimes one box may be empty, but this is not often.Suddenly it struck this unfortunate clergyman that his words might conceivedly bear a disastrous interpretation to his adorer. Anything was better than to let such an interpretation become coherent: he felt that Alice had been encouraged to be on the point of proposing to him. Without a moment��s delay (since every moment was precious so long as Alice did not take possession of it) he switched off violently on to religious topics. Just now they had seemed dangerous to him, at this awful moment they presented the appearance of an Ark of Refuge.