TWO:As might be expected, the Parmenidean paradoxes provoked a considerable amount of contradiction and ridicule. The Reids and Beatties of that time drew sundry absurd consequences from the new doctrine, and offered them as a sufficient refutation of its truth. Zeno, a young friend and20 favourite of Parmenides, took up arms in his master��s defence, and sought to prove with brilliant dialectical ability that consequences still more absurd might be deduced from the opposite belief. He originated a series of famous puzzles respecting the infinite divisibility of matter and the possibility of motion, subsequently employed as a disproof of all certainty by the Sophists and Sceptics, and occasionally made to serve as arguments on behalf of agnosticism by writers of our own time. Stated generally, they may be reduced to two. A whole composed of parts and divisible ad infinitum must be either infinitely great or infinitely little; infinitely great if its parts have magnitude, infinitely little if they have not. A moving body can never come to the end of a given line, for it must first traverse half the line, then half the remainder, and so on for ever. Aristotle thought that the difficulty about motion could be solved by taking the infinite divisibility of time into account; and Coleridge, according to his custom, repeated the explanation without acknowledgment. But Zeno would have refused to admit that any infinite series could come to an end, whether it was composed of successive or of co-existent parts. So long as the abstractions of our understanding are treated as separate entities, these and similar puzzles will continue to exercise the ingenuity of metaphysicians. Our present business, however, is not to solve Zeno��s difficulties, but to show how they illustrate a leading characteristic of Greek thought, its tendency to perpetual analysis, a tendency not limited to the philosophy of the Greeks, but pervading the whole of their literature and even of their art. Homer carefully distinguishes the successive steps of every action, and leads up to every catastrophe by a series of finely graduated transitions. Like Zeno, again, he pursues a system of dichotomy, passing rapidly over the first half of his subject, and relaxes the speed of his narrative by going into ever-closer detail until the consummation is reached. Such a poem as the ��Achilleis�� of modern critics21 would have been perfectly intolerable to a Greek, from the too rapid and uniform march of its action. Herodotus proceeds after a precisely similar fashion, advancing from a broad and free treatment of history to elaborate minuteness of detail. So, too, a Greek temple divides itself into parts so distinct, yet so closely connected, that the eye, after separating, as easily recombines them into a whole. The evolution of Greek music tells the same tale of progressive subdivision, which is also illustrated by the passage from long speeches to single lines, and from these again to half lines in the dialogue of a Greek drama. No other people could have created mathematical demonstration, for no other would have had skill and patience enough to discover the successive identities interposed between and connecting the sides of an equation. The dialectic of Socrates and Plato, the somewhat wearisome distinctions of Aristotle, and, last of all, the fine-spun series of triads inserted by Proclus between the superessential One and the fleeting world of sense,��were all products of the same fundamental tendency, alternately most fruitful and most barren in its results. It may be objected that Zeno, so far from obeying this tendency, followed a diametrically opposite principle, that of absolutely unbroken continuity. True; but the ��Eleatic Palamedes�� fought his adversaries with a weapon wrested out of their own hands; rejecting analysis as a law of real existence, he continued to employ it as a logical artifice with greater subtlety than had ever yet been displayed in pure speculation.18The explanation of this anomaly is, we believe, to be found in the fact that Catholicism did, to a great extent, actually spring from a continuation of those widely different tendencies which Epicurus confounded in a common assault. It had an intellectual basis in the Platonic and Stoic philosophies, and a popular basis in the revival of those manifold superstitions which, underlying the brilliant civilisations of Greece and Rome, were always ready to break out with renewed violence when their restraining pressure was removed. The revival of which we speak was powerfully aided from without. The same movement that was carrying Hellenic culture into Asia was bringing Oriental delusions by a sort of back current into the Western world. Nor was this all. The relaxation of all political bonds, together with the indifference of the educated classes, besides allowing a rank undergrowth of popular beliefs to spring up unchecked, surrendered the regulation of those beliefs into the hands of a78 profession which it had hitherto been the policy of every ancient republic to keep under rigid restraint��the accredited or informal ministers of religion.154 Now, the chief characteristic of a priestly order has always and everywhere been insatiable avarice. When forbidden to acquire wealth in their individual capacity, they grasp at it all the more eagerly in their corporate capacity. And, as the Epicureans probably perceived, there is no engine which they can use so effectually for the gratification of this passion as the belief in a future life. What they have to tell about this is often described by themselves and their supporters as a message of joy to the weary and afflicted. But under their treatment it is very far from being a consolatory belief. Dark shades and lurid lights predominate considerably in their pictures of the world beyond the grave; and here, as we shall presently show, they are aided by an irresistible instinct of human nature. On this subject, also, they can speak with unlimited confidence; for, while their other statements about the supernatural are liable to be contradicted by experience, the abode of souls is a bourne from which no traveller returns to disprove the accuracy of their statements.