ONE:It was all so terribly changed, she could hardly believe that this was indeed the Paris of her youth, the ancient capital of a great monarchy, the centre of magnificence, elegance, and refinement. The churches were mostly closed, if not in ruins; the statues of the saints were replaced by those of infidel philosophers; the names of the streets were changed into others, often commemorating some odious individual or theory or deed of the Revolution; as to the convents the very names of Jacobin, Cordeliers, and others were associated with horror and bloodshed. The words palais and h?tel having been forbidden by the Terrorists, maison ci-devant Conti, maison ci-devant Bourbon, &c., were written upon the once splendid dwellings of those who were now murdered, wandering in exile or, like herself, just returning to their ruined homes, with shattered fortunes and sorrowful hearts. Everywhere, on walls and buildings were inscribed [453] the mocking words libert, galit, fraternit, sometimes with the significant addition, ou la mort.
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ONE:But yet she took every opportunity of impressing his virtues upon them, telling them what an excellent father they had, and insidiously winning their affection away from their mother, under the form and pretence of the deepest respect and submission.
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FORE:M. de Sillery (Comte de Genlis) proposed that they should go to his box at the theatre to cheer their spirits. Among the audience was Lord Edward Fitzgerald, who, on seeing Pamela, was struck, as [433] Sheridan had been, with her extraordinary likeness to Mrs. Sheridan, and like him, fell in love with her, and got a friend to present him in their box.
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FORE:It is therefore evident that at the time of which Mme. de Genlis is writing, the middle of May, the Duchess of Orlans was in prison. Also that the Marquis de Sillery, her husband, had not been detained in the Abbaye, as from his letter she had supposed, but was only under supervision till the 7th of April.