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The first personal encounter of Mme. de Genlis with the Revolution was one afternoon in 1790. She had driven with Mademoiselle dOrlans, the Comte de Beaujolais, Henriette de Sercey, and Pamela, to a village about twelve miles from Paris, where, unluckily, a fair was going on and a great many people collected together. They took it into their heads that the party were the Queen, Madame Royale, and the Dauphin trying to escape, and, surrounding them with anger, forced them to get out of the carriage and refused to believe their explanations.Go and fetch the police! go quick! They are murdering some one. I heard cries, groans, and chains! Run, if you want to save him from these wretches!
  • THREE:Early in 1789 she was dining at La Malmaison, which then belonged to the Comte de Moley, a rabid Radical; he and the Abb de Sieys and several others were present, and so fierce and violent was their talk that even the Abb de Sieys said after dinnerPlauzat was a stately and comfortable, besides being a picturesque abode, with its immense hall hung with crimson damask and family portraits, out of which opened Paulines great bedroom, the walls of which were covered with blue and white tapestry worked by M. de Montagus grandmother, Laure de Fitzjames, grand-daughter of James II. of England.

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  • THREE:It was Mme. Jouberthon, afterwards the wife of Lucien Buonaparte.

    But this denouncing pleasure and praising

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THREE:However, there was no help for it. The marriage was shortly acknowledged, and Lisette, whose mind was full of her painting, did not allow her spirits to be depressed; more especially as M. Le Brun, although he gambled and ran after other women, was not disagreeable or ill-tempered like her step-father, from whose odious presence she was now set free. Her husband spent all the money she made, and even persuaded her to take pupils, but she did not much mind. She never cared about money, and she made great friends with her pupils, many of whom were older than herself. They put up a swing, fastened to the beams in the roof of the studio, with which they amused themselves at intervals during the lesson.
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THREE:Louis Vige was neither in principles nor tastes at all in sympathy with the new philosophic party; on the contrary, he looked with disapproval and uneasiness upon the future, from which they were so eagerly expecting their millenium.

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THREE:Mme. du Deffand then occupied one in another [366] part of the building, but at that time they had no acquaintance with her. The philosophers and the atheistic set had never at any time in her life the least attraction for Flicit, who held their irreligious opinions in abhorrence.I suppose he who writes so eloquently in LAmi des Citoyens is also the friend of the citoyennes? If you are my friend, for the sake of the citoyenne, Lameth, [98] do not make me appear before that odious tribunal, on which you do not sit.

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THREE:Indeed, many houses had been illuminated, such [145] was the terror he had inspired and the cruelty of his actions.

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THREE:In former years, before the marriage of the Queen, [113] Mme. Le Brun had seen her, as a very young girl, at the court of her grandfather, Louis XV., when she was so fat that she was called le gros Madame. She was now pale and thin, whether from the austerities of devotion she now practised, or from her grief at the misfortunes of her family and anxiety for her sister, Madame Elizabeth, and her eldest brother, the King of France.

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THREE:Return to FranceThe inheritance of the Duchesse dAyenLoss of the Noailles propertyInherits the Castle of FontenayDeath of Mme. de la FayetteProsperous life at FontenayConclusion.Jaime mon ma?tre tendrement,

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FORE:One Sunday in October, 1796, Lisette went, after mass, to the palace to present the portrait she had just finished of the Grand Duchess Elizabeth.

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FORE:Votre nom? [23]When she had painted the head and sketched out the arms and figure, Mme. Le Brun was obliged to go to Paris. She intended to come back to finish her work, but she found the murder of Foulon and Berthier had just taken place, and the state of [77] affairs was so alarming that her one object was to get out of France. The portrait fell into the hands of Count Louis de Narbonne, who restored it to her on her returnwhen she finished it.

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  • At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi occaecati cupiditate similique sunt.

    FORE:Capital letter Tas she sang these words she laid her hand upon [61] her heart and, turning to the Queens box, bowed profoundly. As this was in the beginning of the Revolution, there were many who wished to revenge themselves in consequence, and tried to force her to sing one of the horrible revolutionary songs which were then to be heard constantly upon the stage. She refused indignantly, and left the theatre. Her husband, Dugazon, the comic actor, on the contrary, played an atrocious part during the Revolution. Although he had been loaded with benefits by the royal family, especially the Comte dArtois, he was one of those who pursued them to Varennes. Mme. Le Brun was told by an eye-witness that he had seen this wretch at the door of the Kings carriage with a gun upon his shoulder.

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    FORE:[130]

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    FORE:Each of the princesses had her own household, and when mere children they gave balls and received the ambassadors. It was the custom that in the absence of the King, Queen, and Dauphin, the watchword should be given to the sentinel by the eldest princess present. On one occasion when this was Madame Adla?de, her governess, then the Duchesse de Tallard, complained to Cardinal Fleury that it was not proper for the princess, being a young girl, to whisper in a mans ear. The Cardinal spoke to the King, who decided that although Madame Adla?de must still give the consigne, she [171] should first ask her governess the name of which saint she was to say.

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    FORE:As to her writings, then so much in vogue, they were mostly works intended either to explain, assist, or illustrate the system of education which was the hobby of her life and which, if one may judge by Adle et Thodore, one of the most important of her tales, can only be called preposterous.I suppose he who writes so eloquently in LAmi des Citoyens is also the friend of the citoyennes? If you are my friend, for the sake of the citoyenne, Lameth, [98] do not make me appear before that odious tribunal, on which you do not sit.

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But I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great explorer of the truth, the master-builder of human happiness.Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit.account of the system.

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Je jouais du violon.Speaking of Pulchrie in her journal, Mme. de [410] Genlis, it may be remarked, does not venture to lavish upon her the unstinted praises which she pours upon her sister; but remarks that when she left her care and entered society on her marriage, she had the most excellent ideas and sentiments, the purest mind, and the highest principles possible.Overcome with emotion at first they looked at each other in silence; then, in a voice broken with sobs, Pauline asked, Did you see them?Catalani, then young and beautiful, was one of her new friends, and used to sing at her parties. She painted her portrait, and kept it as a pendant to the one she had done of Grassini in London.
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