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Every one crowded to the studio of Mme. Le Brun on Sundays to see the portraits of the Grand Duchesses. Zuboff, seeing the crowd of [136] carriages which, after leaving the palace, stopped before her house, remarked to the Empress
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  • FORE:Like many other persons, Mme. de Genlis, though she chose to act in a way that she must have known to be suspicious, even if there had been no real harm in it, made a great outcry when the remarks were made, and conclusions drawn that might have naturally been expected.
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FORE:Mme. du Deffand then occupied one in another [366] part of the building, but at that time they had no acquaintance with her. The philosophers and the atheistic set had never at any time in her life the least attraction for Flicit, who held their irreligious opinions in abhorrence.
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The great picture of Marie Antoinette and her three children, which under Napoleon had been hidden away in a corner at Versailles, was taken out and exhibited at the Salon, where every one crowded to look at it. Again she painted the portraits of the royal family, contrasting the simple, gracious politeness of the Duchesse de Berri, of whom she did two portraits, with the vulgar, pretentious airs of Caroline Murat.In the huge medi?val palace the Infanta, sister of Marie Antoinette, held her court, and to her Mme. Le Brun was presented by M. de Flavigny.The Duchesse de Fleury, who had attached herself with such enthusiastic affection to Mme. Le Brun, was scarcely sixteen, although in mind, character, and experience she was far older than her years.As the fatal car passed through the streets, for the third time his relentless enemy stood before him, and as a slight delay stopped the car close to him, he called out
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