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A great crowd round the bungalow and along the road, and a mass of sepoys and police, made Abibulla remark:
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  • ONE: TWO:This cell is as dark as a cellar, barbarously squalid. But to all our questions the moollah who was our guide only replied:
  • ONE:High in the air, in the first mausoleum, at the head and foot of the white marble cenotaph, covered with letters that look like creepers, are tablets bearing inscriptions which record the life of the hero; and above the sarcophagus rises an almost impossibly light and airy structurea canopy of white marble supported on columns as slender as flower-stems.PALITANA TWO:Men were carrying mud in enormous turtle-shells that they used for baskets.
  • ONE: TWO:The man was dressed in blue and silver, his belt studded with four-anna pieces; hanging to his girdle was a whole array of small knives, sheaths, and boxes. With his sleeves turned up to his elbows, he fairly amazed me, conjuring away into the air eight rupees that filled his hand, and finding them again one by one in our pockets, bags, or plaids. He turned everything topsy-turvy, swaggered as if he were the master, and then went off, with his broad smile, to amuse other travellers.From Kusshalgar we were travelling in a tonga once more. The landscape was all of steep hills without vegetation; stretches of sand, hills of claylilac or rosy brick-earth scorched in the sun, green or brown earth where there had been recent landslips, baked by the summer heat to every shade of red. There was one hill higher than the rest, of a velvety rose-colour with very gentle undulations, and then a river-bed full of snowy-white sand, which was salt.
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TWO:HARDWARThis morning, at Peshawur, down come the police on my houseboatthree of themand their leader explains matters. Abibulla interprets.
FORE:On the very edge of the Jumna, where russet fields break the monotony of its white sandy banks, is the private state-room, the residence of the sovereigns of Delhi, built of translucent milky[Pg 217] marble, warmed by the reflection of gold inlaid on the columns and merged with the stone that is turned to amber.
  • THREE:Out of doors, meanwhile, one funeral procession almost trod on the heels of the last; at the latest gleam of day, and out towards the west, above the Field of Burning, a broad red cloud filled all one quarter of the sky.

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  • THREE:The jugglers being gone, a boy, to gain alms, opened a round basket he was carrying, and up rose a serpent, its hood raised in anger, and hissing with its tongue out.

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  • THREE:And then we came away from this hospital, where no sister of charity, no woman even, had brought some little consolation or the kindliness of a smile to these dying creatures, whose wandering or frantic black eyes haunted me.In the street of native shops the possible purchaser is attacked by storm, every voice yelps out prices. The dealers scrambled into my carriage with a whole catalogue of bargains poured out in a mixed lingo, and with such overpowering insistence that I had to fly. An electric tram-car, provided with a loud bell that rings without ceasing, runs through the suburbs, a dirty swarming quarter[Pg 140] where the streets are alive with naked children, fowls and pigs wallowing in heaps of filth and the mud made by watering the road.

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  • THREE:The whole mausoleum, the terrace on which it stands, the four minarets as tall as light-towers, are all in dead white marble, the whiteness of milk and opal, glistening with nacreous tints in the brilliant sunshine under a sky pale with heat and dust.

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FORE:At the entrance into one of the chapels is the trunk of an Akshai bar or b? tree, a kind of fig such as the Buddhists place in front of their sanctuaries. The tree is living in the subterranean[Pg 185] vault, and after thrusting its head through the heavy layer of stones forming the roof of the temple, it spreads its branches under the light of day. Endless absurd legends have grown up about the mystery of this tree, which is said to be no less than twenty centuries old; and my guide, who talks aloud in the presence of the idols he despises, being a Mohammedan, bows reverently to the tree and murmurs, "That is sacred; God has touched it."

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FORE:One of these halls, almost at the top of the mount, accommodated a school. The elder pupils sat on stools by the master's side; the little ones and the girls, in groups of five or six, squatted on mats in the corners; and all the little people were very quiet in the atmosphere of sandal-wood and flowers brought as offerings, read gravely out of big religious books, and listened to the Brahmin as, in a deep, resonant voice, he chanted a sort of strongly-marked melody. There was scarcely an ornament on the light-coloured walls, pierced with deep windows showing foliage without; and among the dead whiteness of the mats and the schoolchildren's draperies there was but one bright light,[Pg 109] the bell over the pulpit, surmounted by the sacred bull in bronze, of precious workmanship.The last train gone, all round the station there was quite a camp of luckless natives lying on the ground, wrapped in white cotton, and sleeping under the stars, so as to be nearer to-morrow to the train[Pg 20] which, perhaps, might carry them away from the plague-stricken city.
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FORE:Here in southern India the women wear hardly any trinkets, and their garb consists of sarongs and sarees, so thin that their shape is visible through the light stuff. In their hair, which is knotted low on the neck, they stick flowers, and occasionally light trailing sprays fall down on the throat. They all have gold studs screwed into the two upper front teeth; hideous are these two red-gold teeth among the others, sound and white under young lips!
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FORE:In the heart of an extensive park, where wide lawns are planted with gigantic baobabs and clumps of bamboo and tamarind, stands an important-looking building, hideously modern in a mixture of heterogeneous styles and materials, of a crude yellow colour, and much too new. There is no attempt at unity of effect. A central dome crowns the edifice and a square tower rises by the side of it. Some portions, like pavilions, low and small, carry ornaments disproportioned to their size; while others, containing vast halls, have minute windows pierced[Pg 52] in their walls, hardly larger than loopholes, but framed in elaborate sculpture and lost in the great mass of stone. Arcades of light and slender columns, connected by lace-like pierced work of alarming fragility, enclose little courts full of tree-ferns and waving palms spreading over large pools of water. The walls are covered with niches, balconies, pilasters, and balustrades carved in the Indian style, the same subjects constantly repeated.Under the white dome a wooden ceiling, gilt in the hollows of the carving, has taken the place of an earlier ceiling of massive silver, worth seventy lacs of rupees, which was carried off by the conquerors after some long-ago seizure of the city. Inside, by way of walls, are carvings in marble of twisted lilies, inconceivably graceful and light. And then, at one of the entrances, those marble lattices, once gilt and now bereft of their gold, look just like topaz in the midday sun. After that magic splendour of gold and marbles fused to topaz and amber, the rest of the palacethe sleeping-rooms, the couches inlaid with mosaic flowers, the pierced stone balconies overlooking the Jumnaall seemed commonplace and familiar.
    FORE:"Yes. But how much is this?"A town in mourning. In the suburban stations, so crowded but three weeks since, there was nobody, and nobody in the train we travelled by. No coolies for the baggage, no carriages, and the tramcars running down the wide, deserted road carried no passengers. The hotel was closed, all the servants had fled in terror of the plague, which was raging with increased violence. Every shop[Pg 92] had the shutters up; the great market, full of golden fruit and shaded by the flowering trees, was equally empty, and in the bazaar the rare wayfarers hurried by in silence.
THREE:Another mausoleum is of lace-like carving in marble, the roof painted with Persian ornament; and the whole thing is uninjured, as fresh as if it had been wrought yesterday, under the broad shade of theobromas and cedars that have grown up among the ruins.While I was talking to the postmaster the fakir smoked a hookah, burning amber powder and rose-leaves. The air was full of the narcotic fragrance; a piercing perfume that mounted to the brain. Sign Up
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FORE:The air is heavy with indefinable perfume. We are already coasting the Indian shore, but it remains invisible, and gives no sign but by these gusts of warmer air laden with that inscrutable aroma of musk and pepper. A lighthouse to port, which we have for some time taken for a star, vanishes in the light mist that hangs over the coast, and then again there is nothing but the immensity of waters under the clear night, blue with moonlight.
FORE:Next came a long file of carts, conveying cases of goods "made in Manchester," or loaded, in unstable equilibrium, with dry yellow fodder like couch grass, eaten by the horses here; and they struggled along the road which, crossing the limitless plain, appeared to lead nowhere.In front of a statue of Kali with a hundred arms, surrounded by rough votive offerings carved in wood, most of them representing legs, a man was pouring out rice, and a whole flight of grey leilasbirds like magpiesalmost settled on his hands: birds of the temple, so familiar that one even allowed me to catch it, and did not fly away at once when I set it at liberty. There are rows of black Buddhas, white Buddhas, Sivas painted redterriblestraddling in fighting attitudes; pilgrims without end bow and pray in front of each idol.
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FORE:The baboo who has lost caste and been half-civilized in the Anglo-Indian colleges, is always the middleman between the Government and the poor; and he, barefaced and with no pretence of concealment, took twenty per cent. of the wages he was supposed to pay the labourers. And there were none but baboos to superintend the poorhouses and the famine-camps. It is said that during the previous famine some made fortunes of six to eight lacs of rupees (the lac is 10,000).
[Pg 228]Above a large fan-palm the pale fronds of a talipot soar towards the sky, gracefully recurved like enormous ostrich plumes. A fluff, a down, of flowers clings to the stems of the magnificent crest, a delicate pale cloud; and the broad leaves of the tree, which will die when it has blossomed, are already withering and drooping on the crown. Then, in the clearings made by the recent decay of such a giant, falling where it had stood, and crushing the bamboos and ph?nix that grew round its foot, the flowers sprang in myriadsgreat sunflowers, shrubs of poinsettia, with its tufts of red or white bracts at the end of a branch of green[Pg 132] leaves, surrounding a small inconspicuous blossom, and tall, lavender-blue lilies.Under the cool shade of evening, the softening[Pg 44] touch of twilight, all this sculptured magnificence assumes an air of supreme grandeur, and calls up a world of legends and beliefs till the temples seem to recede, fading into the vapour of the blue night.A portico, supporting two stories of an unfinished building, forms the principal entrance; the pilasters are crowned with massive capitals scarcely rough-hewn in the stone. This porch alone gives an impression of repose, from its simplicity of line amid the medley of statues and incongruous ornaments loaded with strong colours, which, diminishing by degrees, are piled up to form each temple, ending almost in a spire against the sky. Vishnu, reclining on the undulating rings[Pg 112] of Ananta Sesha the god of serpents, whose name is the Infinite; idols with human faces riding on bulls, and elephants, and prancing horses; terrible Kalis with two fists rammed into their mouth, and six other arms spread like open wings; Ganesa, the elephant-headed god, ponderously squatting, his hands folded over his stomach; Garudha, the bird-headed god, ridden by Vishnu when he wanders through space; Hanuman, the monkey god, perched on a pedestal in an acrobatic attitude, the face painted bright green; gods of every size and every colour mixed up in a giddy whirl, round and round to the very summit of the structure.
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