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FORE:Plato had begun by condemning poetry only in so far as it was inconsistent with true religion and morality. At last, with his usual propensity to generalise, he condemned it and, by implication, every imitative art qua art, as a delusion and a sham, twice removed from the truth of things, because a copy of the phenomena which are themselves unreal representations of an archetypal idea. His iconoclasm may remind us of other ethical theologians both before and after, whether Hebrew, Moslem, or Puritan. If he does not share their fanatical hatred for plastic and pictorial representations, it is only because works of that class, besides being of a chaster character, exercised far less power over the Greek imagination than epic and dramatic poetry. Moreover, the tales of the poets were, according to Plato, the worst lies of any, since they were believed to be true; whereas statues and pictures differed too obviously from their originals for any such illusion to be produced in their case. Like the Puritans, again, Plato sanctioned the use of religious hymns, with the accompaniment of music in its simplest and most elevated forms. Like them, also, he would have approved of literary fiction when it was employed for edifying purposes. Works like the Faery Queen, Paradise Lost, and the Pilgrim��s Progress, would have been his favourites in English literature; and he might have242 extended the same indulgence to fictions of the Edgeworthian type, where the virtuous characters always come off best in the end.Dick agreed readily.

FORE:With the feeling that great events were in the air, Lawrence hurried round to Bruce's rooms. There was a light in the front window that disclosed the fact that Bruce had not gone to bed. He came to the door himself, looking fagged and worn out.

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FORE:Dick judged the man to be both friendly and ��all right,�� from his pleasant, affable manner and his evident knowledge of their pilot��s identity."Stand aside," she said furiously, "and let me pass. If it was not for the child and the love she has for you I should dismiss you on the spot. Now go."

FORE:I could not stop there long, for I was actually within range. I saw a number of shells explode and twice hit a farmhouse, which was destroyed for the greater part. So I returned as quickly as possible to my little prot��g��e, and went on with her, following the road as far as the canal, and then along this to Maastricht."Our editor has moreover interviewed young Miss Antoinette de Bruijn here, whom our correspondent brought from Louvain to Maastricht. In the presence of her mother she told how she had been in a train full of wounded, that there were armed soldiers on the platform, and that some wounded soldiers had been teased by offering them steaming soup which was not given to them. The father of this girl, Mr. de Bruijn, also assured us that when he met his daughter at Maastricht, our correspondent, Mr. Mokveld, was still very much under the impression of what he had witnessed."

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