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The country was nowhere deserted. Labourers in the rice-fields were transplanting the young seedlings or watering the taller growth that waved in delicate transparent verdure. Or again, there were the watchers perched on their platforms in the middle of the fields; fishermen pushing little nets before them, fastened to triangular frames, or grubbing in the mud in search of shell-fish��small freshwater mussels, which they carried away in clay jars of Etruscan form. A motley crowd, with animated and graceful gesticulations; the women red or white figures in fluttering sarees, with flowers in their hair, and a few glittering bangles on their arms; the children quite naked, with bead necklaces and queer charms of lead or wood in their ears or their nose; the men slender and active, wearing light-coloured turbans made of yards on yards of twisted muslin, their brown skin hidden only by the langouti or loin-cloth.

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All round the mosque, in narrow alleys, are more and yet more tombs, strewn with roses and enclosed in little plots. Some stand out in the street unenclosed, like milestones.One of the servants of the place, sitting in the shade of the arcade, was painting, after a strange method. He sprinkled powdered colour on the surface of some water in a tub, outlining the colour with black; then, with a feather, he massed and arranged the colours, taking some off and replacing it in infinitesimal quantities. Finally the result was a representation of Siva and Ourasi, robed in blue and violet, against a background of crude red. When they were quite finished he jerked the bowl, giving the figures a curtseying motion, and stood a little way off to contemplate the general effect;[Pg 158] and then, quite satisfied, stirred the whole thing up and began again, the same picture, with the same precise care.

ONE:Really the prison this time! in the midst of a large enclosure with high walls; a building on a star-shaped plan, with large windows to admit air and daylight. The prisoners, in a white uniform, with chains on their feet, were manufacturing various articles in basket-work, and in a shed with a cotton awning a hundred or so of convicts were weaving carpets. The brilliancy of colour was indescribable; the vividness of the medley of worsted piled by the side of the gorgeous looms, the light hues of the dresses, the faded turbans touched with light, the glitter of the steel chains, the bronze skins, glorified to gold in the quivering sunshine, which, scarcely subdued by the awning, bathed the[Pg 87] scene in a glow so intense that it seemed to proceed from the objects themselves. Behind each loom sat a warder, with the pattern of the carpet on his knees, dictating the colours to the weavers, chanting out his weariful litany of numbers and shades in a monotonous voice.
TWO:In one of the inmost circles, a sacred elephant had gone must, breaking his ropes, and confined now by only one leg. The chains fastened round his feet as soon as he showed the first symptoms of madness were lying broken in heaps on the ground. The brute had demolished the walls of his stable and then two sheds that happened to be in his way; now he was stamping a dance, every muscle in incessant motion, half swallowing his trunk, flinging straw in every direction, and finally heaping it on his head. A mob of people stood gazing from a distance, laughing at his heavy, clumsy movements; at the least step forward they[Pg 113] huddled back to fly, extending the circle, but still staring at the patient. In an adjoining stable were two more elephants very well cared for, the V neatly painted in red and white on their trunks, quietly eating and turning round only at the bidding of the driver; but one of them shed tears.
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ONE:In a copse, women, surrounded by naked children, were breaking stones, which men carried to the road. The women screamed, hitting the hard pebbles with a too small pick, the children fought, the men squabbled and scolded, and amid all this hubbub three Parsees, sitting at a table under the shade of a tamarind tree, were adding up lines of figures on papers fluttering in the wind. There was not a dwelling in sight, no sign of an encampment, nothing but these labouring folk and the bureaucracy out in the open air, under the beating sun.One of the servants of the place, sitting in the shade of the arcade, was painting, after a strange method. He sprinkled powdered colour on the surface of some water in a tub, outlining the colour with black; then, with a feather, he massed and arranged the colours, taking some off and replacing it in infinitesimal quantities. Finally the result was a representation of Siva and Ourasi, robed in blue and violet, against a background of crude red. When they were quite finished he jerked the bowl, giving the figures a curtseying motion, and stood a little way off to contemplate the general effect;[Pg 158] and then, quite satisfied, stirred the whole thing up and began again, the same picture, with the same precise care.
TWO:KOHAT
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ONE:Two or three thousand haggard and fleshless beings were digging or carrying earth to form an embankment for a railway or a road. With arms scarcely thicker than the handles of the tools they wielded, the labourers gasped in the air, tired in a minute, and pausing to rest in spite of the abuse of the overseers. Emaciated women, so small in their tattered sarees, carried little baskets on their heads containing a few handfuls of earth, but which they could scarcely lift. One of them, wrinkled and shrunken, looked a hundred years old tottering under her load; on reaching the spot where she was to empty out the soil, she leaned forward a little and let the whole thing fall, indifferent to the dust which covered her and filled her mouth and eyes; and after taking breath for a moment, off she went again as if walking in her sleep.
TWO:In the courtyard a tall and gaudy cock was keeping the crows in order, driving them relentlessly away from the kitchen precincts. On the roof of the servants' quarters, always in the same spot, perched a kite, ready to pounce as soon as anything was thrown out. The doves, the house-pigeons, the fowls fled at once and squatted in corners; but the cock stood his ground, his feathers all on end, his crest erect, chuckling with rage and stalking round the yard within ten paces of the bird of prey.The air is heavy with indefinable perfume. We are already coasting the Indian shore, but it remains invisible, and gives no sign but by these gusts of warmer air laden with that inscrutable aroma of musk and pepper. A lighthouse to port, which we have for some time taken for a star, vanishes in the light mist that hangs over the coast, and then again there is nothing but the immensity of waters under the clear night, blue with moonlight.
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THREE:Then, from a bridge across the Ganges, for a moment we had a last glimpse of the sacred city��the gold-coloured umbrellas, the throng of bathers on the steps to the river��and then Abibulla gravely remarked, "If only India had three cities like Benares it would be impossible ever to leave it." FORE:Colaba is the port; the docks, with tall houses between the enormous warehouses. The silence is appalling; windows, doors��all are closed. Only a few coolies hurry by in the white sunshine, with[Pg 13] handkerchiefs over their mouths to protect them against the infection in these streets, whence came the plague which stole at first through the suburbs, nearer and nearer to the heart of the city, driving the maddened populace before it.In the depths of little recesses the lamps twinkled feebly before images crowned with flowers. At the entrances to shrines little glass lamps, like a mysterious fairy illumination, followed the lines[Pg 116] of the arabesques, sparkling like glowworms, without lighting up the passages which remained dark, and in which, in fact, we finally lost ourselves.

THREE:In the ward we had just passed through there were none but convalescents or favourable cases. At the further end of the room a boy, fearfully emaciated, so thin that his body, lying in the hollow of the mattress, was hardly visible under the covering, was asleep as we approached. He had come from one of the famine districts, and in escaping from one scourge had come to where the other had clutched him. The doctor touched him on the[Pg 34] shoulder, and he opened his great splendid eyes. The awakening brought him gladness, or perhaps it was the end of his dream, for he had the happy look of a contented child, shook his shaven head waggishly, and the single corkscrew lock at the top, and was asleep again instantly."Pan��, sahib!"��"Water, sir!" FORE:Opposite a large tank, where a tall column rises from the water in memory of the victims of the Mutiny, and where a party of the votaries of Siva are performing their pious ablutions, a building stands in the Hindoo-Jesuit style of architecture. It is heavy, with white carvings above its pink paint, and with columns supporting turrets crowned with large lion-faces, the masks only, in the Indian manner, daylight showing through the jaws and eyes, and the profiles absurd, shapeless, and unmeaning. This is the college of La Martini��re.

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THREE:

THREE:[Pg 201]
by Daniel Nyari View on Dribbble

FORE:Outside the fort which guards the opening of the pass there was confusion; a mad scurry of men, running, shouting, hustling. Quite a complicated m��l��e of animals bolting, elephants and camels let loose and impossible to overtake, but caught at last.
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THREE:A flight of regular steps, hewn in the rock, under the shade of banyans and bamboos, all tangled with flowering creepers, leads straight up to the temple. It is a vast hall, dug out of granite and supported by massive columns, with capitals of a half-flattened spheroidal shape��columns which, seen near, seem far too slender to support the immense mass of the mountain that rises sheer above the cave under a curtain of hanging creepers. The temple opens[Pg 21] to the north, and a very subdued light��like the light from a painted window��filtering through the ficus branches, lends solemnity and enhanced beauty to this titanic architecture.
by Daniel Nyari View on Dribbble

FORE:COLOMBO
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THREE:A station on the road��the delightful days at Bunnoo left far behind.When the dead are to be honoured in this land each true believer lays a pebble as homage on the tomb, and the dead man's repute is estimated by the size of the pile of stones that covers him.
by Daniel Nyari View on Dribbble

FORE:HARDWARThe Jumna Musjid, in the middle of the bazaar, is a reminder of the mosque at Cordova. A thousand[Pg 63] unmatched columns stand in utter confusion of irregular lines, producing a distressing sensation of an unfinished structure ready to fall into ruins. Every style is here, and materials of every description, brought hither��as we are told by the inscription engraved over one of the lofty pointed doorways��from the temples of the unbelievers destroyed by Shah Mahmoud Bogarat, the taker of cities, that he might, out of their remains, raise this mosque to the glory of Allah. In the centre of the arcade a large flagstone covers the Ja?n idol, which was formerly worshipped here; and my servant Abibulla, as a good Moslem, stamped his foot on the stone under which lies the "contemptible image." Some workmen were carving a column; they had climbed up and squatted balanced; they held their tools with their toes, just chipping at the marble in a way that seemed to make no impression, chattering all the time in short words that seemed all of vowels.
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THREE:The old palace of the kings is now yellow-ochre, coated with plaster and lime-wash over the splendid antique marble walls.

THREE:A dark street corner where there were no shops. Under a canopy constructed of four bamboos thatched with straw, a young man in a light-coloured dhoti was sitting on a low stool; about him were women singing. Presently one of them came forward, and dipping her fingers into three little copper pots that stood on the ground in front of the youth, she took first oil, then a green paste, and finally some perfume with which she touched seven spots��the lad's feet, knees, shoulders, and turban. Then she wiped her fingers on the saree of the bridegroom's mother��for he was to be[Pg 252] married on the morrow��who was standing behind her son.And certainly the most comical of all is the representation of a baboo donor, to whom two servants, prostrate before him, are offering a glass of water.

Two or three thousand haggard and fleshless beings were digging or carrying earth to form an embankment for a railway or a road. With arms scarcely thicker than the handles of the tools they wielded, the labourers gasped in the air, tired in a minute, and pausing to rest in spite of the abuse of the overseers. Emaciated women, so small in their tattered sarees, carried little baskets on their heads containing a few handfuls of earth, but which they could scarcely lift. One of them, wrinkled and shrunken, looked a hundred years old tottering under her load; on reaching the spot where she was to empty out the soil, she leaned forward a little and let the whole thing fall, indifferent to the dust which covered her and filled her mouth and eyes; and after taking breath for a moment, off she went again as if walking in her sleep.It was melancholy to return under the gloomy, spreading banyans, through the dimly-lighted suburbs, where the people were still at work and selling their wares; and the dungeon, the dead stones, the guns now for ever silenced and pointed at vacancy, were lost in blue darkness.

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