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One after another I made my salaam to Siva, seated on a peacock; to Ganesa, looking calm and knowing; to Parvati, riding a bull; to Siva again, this time pinning a dragon to the ground with a fork, a writhing reptile with gaping jaws and outspread wings; the same god again, with a child in[Pg 121] his arms; and again, holding his leg like a musket up against his shoulder with one of his four hands, the other three lifting a bull, a sceptre, and a trophy of weapons above his head.Presently three beggar-women came up to sing from door to door. In their arms, like babies at the breast, they carried shapeless idols painted red, bedizened with spangles and gilt paper. They wailed out a ditty repeated again and again, knocked perseveringly at the doors, insisting on alms; and[Pg 96] then, when they had received it, they touched the threshold with their blood-coloured puppets and departed.
ONE:The bearer of Kali walked into the sacred river up to his knees, and then dropped the idol. The[Pg 143] Hindoos who had followed him fell prostrate in fervent prayer, hiding their face in their hands, and then flung after the goddess, now lost in the waters, all the baskets, jars, and flowers, to be carried down the stream. For a moment the silver paper crown which had floated up spun on the water that was spangled by the moon, and then it sank in an eddy. THREE:That evening, near the temple where the god, having left the tank, was receiving the flowers and scents offered by his votaries, there was howling and yelling from the crowd of Hindoos, all crushing and pushing, but going nowhere. And louder yet the noise of the tom-toms, which the musicians raised to the desired pitch by warming them in front of big fires throwing off clouds of acrid smoke.
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TWO:Further on we came to a courtyard surrounded by a cloister, where the market for precious stones was held. The empress, invisible under her wrappers of gauze as thin as air, and surrounded by her women fanning her, would come out on her high balcony to choose the gems that pleased her for a moment by their sparkle, and then disappear into the gardens behind insurmountable walls. In another court, a[Pg 209] pool kept stocked with fish gave Shah Jehangir the pleasure of fancying he was fishing.

This theme features some wonderful photography courtesy of Death to the Stock Photo.

TWO:In the town is the tomb of the Ranee Sipri: walls of lace, balconies of brocade carved in stone. Opposite this mausoleum are an open mosque and two minarets as slim as sapling pines, wrought with arabesques as fine as carved ivory. There are lamps carved in relief on the walls, each hung by chains under-cut in stone with Chinese elaboration; and this lamp is everywhere repeatedon the mosque, on the tomb, and on the base of the minarets. The building, which has the faintly russet tone of old parchment, when seen in the glow of sunset takes a hue of ruby gold that is almost diaphanous, as filmy as embroidered gauze.
FORE:In the close-shut room the air, loaded with scent and smoke, was quite unbreathable; musicians playing behind a partition added to the irritating effect of all this perfume and noise.

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FORE:Wide strands of golden sand; here and there among the rice-fields the palms and bamboos are less crowded. In the moist air, that grows hotter and hotter, the daylight is blinding, hardly tolerable through the blue glass of the windows. Scorched, russet rocks stand up from the short grass, tremulous in the noontide heat. The cattle, the very birds, silent and motionless, have sought shelter in the shade; all the people have gone within doors. And then, towards evening, in an oasis of gigantic trees, amid bamboos and feathery reeds, behold the huge temples of Madura, in sharp outline against a rosy sky.In the coppersmiths' street was a booth that seemed to be a school of art, where little fellows of seven or eight were engraving platters and pots with the decision of practised craftsmen.

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FORE:DEHRA DOONTazulmulook arrives in the same town, and is on the point of ringing at Dilbar's door when he is hindered by his father's vizier, who tells him how many times this dangerous woman has been the ruin of kings' sons. But Tazulmulook, in a discourse on valour addressed to the audience, who stamped applause, rejects the counsels of prudence and rings at the dancer's door. Tazulmulook wins the game with Dilbar, and compels her to release his brothers, but only after branding each on the back of his neck.

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FORE:My friend Captain McT, with whom I stayed, had a house with a peaked, reed-thatched roof. Round the verandah where we slept at night hung festoons of jasmine and bougainvillea. Bamboos, ph?nix, and curtains of creepers at the end of the lawn made a wall of verdure, fresh and cool; and through this were wafted the perfumes shed on the airthe scent of roses and verbena, of violet[Pg 290] or of rosemary, according to the side whence the wind blew, mingling with that of the amaryllis and honeysuckle in bloom close at hand. And in this quiet garden, far from the bazaar where the darboukhas were twanging, birds sang all night, and the fireflies danced in mazes from flower to flower.In the evening the priest would say prayers over the couplethe bride being probably about fiveand the bridegroom would stay with the little bride's parents. Next day she would spend with the boy's parents, and after that they would both go back to their lessons and probably never meet again, unless they were very near neighbours, till he, having attained the age of fifteen, they would be really married.

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TWO:Then, as it began to grow a little cool, the inquiry was continued indoors, whither the table was removed with the papers and the weapons, and, with great care, the magistrate's "soda." The two culprits were brought in and out, and in and out again, sometimes alone, sometimes to be confronted with the witnesses, who, almost all of them, had the fresh stains of the festival on their garments.
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[Pg 27]On the landing-stage we read in large letters: "Beware of sunstroke," and lower down, "Avoid it by buying the best umbrellas and the best pith helmets of John Dash." The streets are the commonplace highways of a commercial town; the houses tall, with shops below. Dust and light alike were blinding; jinrickshaws were passing to and fro, drawn by almost naked coolies running as fast as horses.In the prince's stables were a long row of brood mares and superb stallions; and then a hundred or so of colts were turned out into the yardmischievous, frisking things, romping against each other, suddenly stopping short, and wrapped ere long in white dust, which fell on us, too.
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