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THREE:"You hear that?" Lalage went on. "You are going to die. Your life has been given over to me to do as I please with. There is one way to save your delicate skin, one way to freedom if you choose to take it."

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THREE:Returning to Socrates, we must further note that his identification of virtue with science, though it does not ex135press the whole truth, expresses a considerable part of it, especially as to him conduct was a much more complex problem than it is to some modern teachers. Only those who believe in the existence of intuitive and infallible moral perceptions can consistently maintain that nothing is easier than to know our duty, and nothing harder than to do it. Even then, the intuitions must extend beyond general principles, and also inform us how and where to apply them. That no such inward illumination exists is sufficiently shown by experience; so much so that the mischief done by foolish people with good intentions has become proverbial. Modern casuists have, indeed, drawn a distinction between the intention and the act, making us responsible for the purity of the former, not for the consequences of the latter. Though based on the Socratic division between mind and body, this distinction would not have commended itself to Socrates. His object was not to save souls from sin, but to save individuals, families, and states from the ruin which ignorance of fact entails.They crept round there unseen by dint of this and that doorway, but there was no luck that night. The little gate was fast. Hetty had seen to that. She had made up her mind to know what time the Countess returned, together with all other information possible.

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THREE:As a result of the foregoing criticism, Aristotle distinguishes four different causes or principles by which all things are determined to be what they are��Matter, Form, Agent, and Purpose.226 If, for example, we take a saw, the matter is steel; the form, a toothed blade; the agent or cause of its assuming that shape, a smith; the purpose, to divide wood or stone. When we have enumerated these four principles, we have told everything that can be known about a saw. But Aristotle could not keep the last three separate; he gradually extended the definition of form until it absorbed, or became identified with, agent and purpose.227 It was what we should call the idea of function that facilitated the transition. If the very essence or nature of a saw implies use, activity, movement, how can we define it without telling its purpose? The toothed blade is only intelligible as a cutting, dividing instrument. Again, how came the saw into being? What shaped the steel into that particular form? We have said that it was the smith. But surely that is too vague. The smith is a man, and may be able to exercise other trades as well. Suppose him to be a musician, did he make the saw in that capacity? No; and here comes in a distinction which plays an immense part in Aristotle��s metaphysics, whence it has passed into our every-day speech. He does not make the saw qua musician but qua smith. He can, however, in the exercise of his trade as smith make many other tools��knives, axes, and so forth. Nevertheless, had he only learned to make saws it would be enough. Therefore, he does not make335 the saw qua axe-maker, he makes it qua saw-maker. Nor, again, does he make it with his whole mind and body, but only with just those thoughts and movements required to give the steel that particular shape. Now, what are these thoughts but the idea of a saw present in his mind and passing through his eyes and hands, till it fixes itself on the steel? The immaterial form of a saw creates the real saw which we use. Let us apply the preceding analogies to a natural object; for example, a man. What is the Form, the definition of a man? Not a being possessing a certain outward shape, for then a marble statue would be a man, which it is not; nor yet a certain assemblage of organs, for then a corpse would be a man, which, according to Aristotle, criticising Democritus, it is not; but a living, feeling, and reasoning being, the end of whose existence is to fulfil all the functions involved in this definition. So, also, the creative cause of a man is another man, who directly impresses the human form on the material supplied by the female organism. In the same way, every definite individual aggregate becomes what it is through the agency of another individual representing the same type in its perfect manifestation.228

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