But as dinner-parties then took place in the day-time, often as early as two oclock, Lisette soon found it impossible to spare the time to go to them. What finally decided her to give them up was an absurd contretemps that happened one day when she was going to dine with the Princesse de Rohan-Rochefort. Just as she was dressed in a white satin dress she was wearing for the first time, and ready to get into the carriage, she, like her father in former days, remembered that she wished to look again at a picture she was painting, and going into her studio sat down upon a chair which stood before her easel without noticing that her palette was upon it. The consequences were of course far more disastrous than what had befallen her father; it was impossible to go to the party, and after this she declined as a rule all except evening invitations, of which she had even more than enough.
Lisette, in fact, liked to paint all the morning, dine by herself at half-past two, then take a siesta, and devote the latter part of the day and evening to social engagements.
ONE:Amongst other contrasts to be remarked between Louis XIV. and Louis XV., was the opposite way in which they treated their numerous illegitimate children.PAUL, EMPEROR OF RUSSIA
TWO:Have I not spoken plainly? Say no more about it.The French Ambassador, Count dEsterhazy, said that he would come at ten and take her to djeuner with his wife, who was just then living at Czarskoiesolo. For the first time during her wandering life from court to court, Lisette felt intimidated, and trembled. This was so different from any of her former experiences. At every other court she had been en pays de connaissance. Austrian society was very like Parisian, Rome was the centre of Christendom, the sovereigns of the lesser Italian states were the near relations of her own King and Queen, their religion was the same.
It was, of course, obvious that this was done in order that the carriage and servants of Mme. Le Brun being seen at night at the h?tel des Finances, the scandal might be diverted from Mme. S to the innocent owner of the carriage.When the Empress returned from Czarskoiesolo she desired Mme. Le Brun to paint the portraits of the Grand Duchesses Alexandrine and Helena, daughters of the Tsarevitch, then fourteen and thirteen years old, and afterwards that of the Grand Duchess Elizabeth, wife of Alexander, eldest grandson of the Empress, the young girl she had [134] seen on her first visit to Czarskoiesolo, by whom she was completely fascinated.Not so the Duchess, his wife. Brought up first in a convent and then under the care of her father, whose household, like those of many of the noblesse de robe, was regulated by a strictness and gravity seldom to be seen amongst the rest of the French nobles, Mme. dAyen cared very little for society, and preferred to stay at home absorbed in religious duties, charities, and domestic affairs, while her husband amused himself as he chose.
