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It may be urged that beauty, however difficult of attainment or severe in form, is, after all, essentially superficial; and that a morality elaborated on the same principles will be equally superficialwill, in fact, be little more than the art of keeping up appearances, of displaying fine sentiments, of avoiding those actions the consequences of which are immediately felt to be disagreeable, and, above all, of not needlessly wounding anyones sensibilities. Such an imitation of moralitywhich it would be a mistake to call hypocrisyhas no doubt been common enough among all civilised nations; but there is no reason to believe that it was in any way favoured by the circumstances of Greek life. There is even evidence of a contrary tendency, as, indeed, might be expected among a people whose most important states were saved from the corrupt60ing influences of a court. Where the sympathetic admiration of shallow and excitable spectators is the effect chiefly sought after, the showy virtues will be preferred to the solid, and the appearance to the reality of all virtue; while brilliant and popular qualities will be allowed to atone for the most atrocious crimes. But, among the Greeks of the best period, courage and generosity rank distinctly lower than temperance and justice; their poets and moralists alike inculcate the preference of substance to show; and in no single instance, so far as we can judge, did they, as modern nations often do, for the sake of great achievements condone great wrongs. It was said of a Greek and by a Greek that he did not wish to seem but to be just.46 We follow the judgment of the Greeks themselves in preferring Leonidas to Pausanias, Aristeides to Themistocles, and Socrates to Alcibiades. And we need only compare Epameinondas with David or Pericles with Solomon as national heroes, to perceive at once how much nearer the two Greeks come to our own standard of perfection, and how futile are the charges sometimes brought against those from whose traditions we have inherited their august and stainless fame.

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Second.The manner of moulding and its expense, so far as determined by the patterns, which may be parted so as to be 'rammed up' on fallow boards or a level floor, or the patterns may be solid, and have to be bedded, as it is termed; pieces on the top may be made loose, or fastened on so as to 'cope off;' patterns may be well finished so as to draw clean, or rough so that a mould may require a great deal of time to dress up after a pattern is removed.Charlton's heavy breathing ceased for a moment.Et merito: nam si certain finem esse viderentHetty had nothing to say. She was tired and worn out, and the cool contempt of her employer was galling. The Countess came into her bedroom presently; all her coldness had gone. She was the winning, gracious woman now as the world knew her. She had a little medicine glass in her hand.
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