FORE:��No��not stunting,�� Larry forgot his voice would not reach Dick. ��They��re maneuvering.��CHAPTER IV MYSTERY OVER THE OCEAN

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FORE:It has been already shown how Extension, having become identified with matter, took on its mechanical qualities, and was conceived as a connected series of causes or modes of motion. The parallel found by Spinoza for this series in Thought is the chain of reasons and consequents forming a410 demonstrative argument; and here he is obviously following Aristotle, who although ostensibly distinguishing between formal and efficient causes, hopelessly confounds them in the second book of his Posterior Analytics.565 We are said to understand a thing when we bring it under a general rule, and also when we discover the mechanical agency which produces it. For instance, we may know that a particular man will die, either from the fact that all men are mortal, or from the fact that he has received a fatal wound. The general rule, however, is not the cause of what will happen, but only the cause of our knowing that it will happen; and knowledge of the rule by no means carries with it a knowledge of the efficient cause; as we see in the case of gravitation and other natural forces whose modus operandi is still a complete mystery. What deceived Aristotle was partly his false analysis of the syllogism, which he interpreted as the connexion of two terms by the interposition of a middle answering to the causal nexus of two phenomena; and partly his conception of the universe as a series of concentric spheres, through which movement is transmitted from without, thus combining the two ideas of notional comprehension and mechanical causation.

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FORE:But before the dissolving action of Nominalism had become fully manifest, its ascendency was once more challenged; and this time, also, the philosophical impulse came from Constantinople. Greek scholars, seeking help in the West, brought with them to Florence the complete works of Plato; and these were shortly made accessible to a wider public through the Latin translation of Ficino. Their influence seems at first to have told in favour of mysticism, for this was the contemporary tendency to which they could be most readily affiliated; and, besides, in swinging back from Aristotle��s philosophy to the rival form of spiritualism, men��s minds naturally reverted, in the first instance, to what had once linked them together��the system of Plotinus. Thus Platonism was studied through an Alexandrian medium, and as the Alexandrians had looked at it, that is to say, chiefly under its theological and metaphysical aspects. As such, it became the accepted philosophy of the Renaissance;369 and much of what we most admire in the literature��at least the English literature��of that period, is directly traceable to Platonic influence. That the Utopia of Sir Thomas More was inspired by the Republic and the Critias is, of course, obvious; and the great part played by the ideal theory in Spenser��s Faery Queen, though less evident, is still sufficiently clear. As Mr. Green observes in his History of the English People (II., p. 413), ��Spenser borrows, in fact, the delicate and refined forms of the Platonic philosophy to express his own moral enthusiasm.... Justice, Temperance, Truth are no mere names to him, but real existences to which his whole nature clings with a rapturous affection.�� Now it deserves observation, as illustrating a great revolution in European thought, that the relation of Plato to the epic of the English Renaissance is precisely paralleled by the relation of Aristotle to the epic of mediaeval Italy. Dante borrows more than his cosmography from the Stagirite. The successive circles of Hell, the spirals of Purgatory, and the spheres of Paradise, are a framework in which the characters of the poem are exhibited, not as individual actors whom we trace through a life��s history, but as types of a class and representatives of a single mental quality, whether vicious or virtuous. In other words, the historical arrangement of all previous poems is abandoned in favour of a logical arrangement. For the order of contiguity in time is substituted the order of resemblance and difference in idea. How thoroughly Aristotelian, indeed, were the lines within which mediaeval imagination moved is proved by the possibility of tracing them in a work utterly different from Dante��s��the Decameron of Boccaccio. The tales constituting this collection are so arranged that each day illustrates some one special class of adventures; only, to make good Aristotle��s principle that earthly affairs are not subject to invariable rules, a single departure from the prescribed subject is allowed in each decade; while370 during one entire day the story-tellers are left free to choose a subject at their own discretion.

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Achievments

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