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ONE:In the shrine of Chaumuc, the god of many faces, the four masks grin down from the sides of a square pillar of white stucco. The walls, vault, and pavement of this temple are all red, with borders of green and yellow; the colours scream in contrast to the whiteness of the images, with their staring eyes made of crystal balls that look like spectacles.

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ONE:The want of foresight in the people here is amazing. A servant earning five rupees a month got his son married, a child of fifteen, and for this event he bought fireworks on credit, and at enormous interest, which would cost him three years' wages.

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ONE:

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ONE:Inside the temple long arcades connect the shrines sunk in the thickness of the walls, gloomy recesses with images of Vishnu and other idols; where the corridors or arcades cross each other there are vast halls with a sculptured roof supported by thousands of columns. In one of these halls there is a chariot full of divinities. The wheels, the horses, the highly-venerated images, are all of marble very delicately wrought, and amazing after the coarse caricatures on the outside. In the courts again, under sheds, there are cars; one of enormous size in black wood carved with innumerable figures and interlacing patterns; pendant ornaments of the same wood sway in the wind. The solid wheels, without spokes, small and having huge axles, seem made not to turn, and the shafts, to which a whole army of the faithful harness themselves on the occasion of a high festival, are long and as thick as masts.[Pg 114] Another car, past service, lay slowly rotting in a corner; almost all its images had vanished, and its canopy had fallen off; it was almost completely hidden under aristolochia in blossom.Outside the fortifications is a peaceful township of large gardens with row on row of tombstones and mausoleums; some of enormous size, palaces of the dead, and others smaller, but wrought like lacework of stone. For a league or more the necropolis lies on both sides of the road. Across the door of each mausoleum hangs a chain by the middle and the two ends.

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ONE:

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ONE:Adinath, a Ja?n temple, is roofed with huge blocks of stone. The airy architecture is a medley of balconies, of pierced panels, of arcades in squares, in lozenges, in octagons; the two stories, one above the other, are on totally different plans, and along every wall, on every column and every balustrade runs a fatiguing superfluity of ornament, figures and arabesques repeated on the stone, of which not an inch is left plain.

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THREE:In front of these stolid-looking sepoys, their black heads and hands conspicuous in their yellow uniforms, are drilled to beat of drum, marking every step and movement.

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THREE:For our noonday rest I took shelter under a wood-carver's shed. On the ground was a large plank in which, with a clumsy chisel, he carved out circles, alternating with plane-leaves and palms. The shavings, fine as hairs, gleamed in the sun, and gave out a scent of violets. The man, dressed in white and a pink turban, with necklaces and bangles on his arms of bright brass, sang as he tapped with little blows, and seemed happy to be alive in the world. He gave us permission to sit in the shade of his stall, but scorned to converse with Abibulla."Kali?" he asked.

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THREE:I proposed to go in without the soldiers. Impossible, it was not etiquette! I was the Rajah's guest. The Prince of Morvi and I could not mingle with the crowd, our escort was necessary to isolate us. Well, then, the soldiers must take off their shoes, and leave their belts and guns at the door! Again impossible. Where would the prestige of the uniform be?

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THREE:From the roof, consisting of terraces between cupolas, there is a view of many temples glorified in the golden sunset, and nearer at hand stand ten[Pg 123] imposing columns, very tall��the last remaining vestiges of the rajah's elephant-house.

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ONE:

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THREE:[Pg 292]A tank here is deep below ground, down three flights of galleries. Quite at the bottom is a little stagnant water, into which children leap from the top of the structure, a plunge of twenty metres, ending in a great splash of green mud that smells of water-lilies and grease.

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ONE:This interminable piece, with twenty changes of scene, dragged its weary length till two in the morning. One by one the soldiers went away; even the baboos soon followed them, and only the coolies remained, enthusiastically applauding every scene, every harangue, in a frenzy of delight, before the final apotheosis of Tazulmulook and Bakaoli, as man and wife, lovingly united against a background of trees with golden boughs.

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THREE:"Yes, I know. How much?"In the train again, en route for Ahmedabad. As we crossed the fertile plain of Gujerat the first monkeys were to be seen, in families, in tribes, perched on tall pine trees, chasing each other, or swinging on the wires that rail in the road, and solemnly watching the train go by. Peacocks marched about with measured step, and spread their tails in the tall banyan trees tangled with flowering creepers. Shyer than these, the grey secretary birds, with a red roll above their beak, seemed waiting to fly as we approached. On the margin of the lakes and streams thousands of white cranes stood fishing, perched on one leg; and in every patch of tobacco, or dahl, or cotton, was a hut perched on four piles, its boarded walls and leaf-thatch giving shelter to a naked native, watching to scare buffaloes, birds, monkeys, and thieves from his crop.