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A marble balustrade, of flowing design and astounding delicacy, exquisitely harmonious and artistic, encloses the white sarcophagus, which is inlaid with mindi and basilic flowers in costly agate, linked by inscriptions looking like lacings of narrow black braid. This balustrade alone, in the Taj, under the marble pile which forms the tomb of the empress, and on which 20,000 craftsmen laboured for twenty years, would, in its indescribable beauty of workmanship, have amply fulfilled Shah Jehan's vow.

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Very early in the morning we met a many-coloured caravan of men, women, and children riding astride on asses, amid baskets and bundles. They were on their way to a wedding: they had stopped to rest for the last time; and alone, far from the merry, noisy group, a "bad woman" sat down on a stone. She was on the way to the same festival, and was allowed to travel with the[Pg 288] caravan for succour in case of need; but she was not permitted to join the party.A Catholic church flanking the Jesuit college persistently sent up to us the shrill tinkle of a little bell, rattling out its quick, harsh strokes like a factory bell for workmen.
ONE:At Jan the pagodas are of red stone. The largest, conical in shape, covers with its ponderous roof, overloaded with sculptured figures of gods and animals, a very small passage, at the end of which two lights burning hardly reveal a white idol standing amid a perfect carpet of flowers. Round the sacred tank that lies at the base of the[Pg 45] temple, full of stagnant greenish-white water, are flights of steps in purple-hued stone; at the angles, twelve little conical kiosks, also of red stone and highly decorated, shelter twelve similar idols, but black. And between the temples, among the few huts that compose the village of Jan, stand Moslem mausoleums and tombs. Verses from the Koran are carved on the stones, now scarcelyl visible amid the spreading briars and garlands of creepers hanging from the tall trees that are pushing their roots between the flagstones that cover the dead. TWO:

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THREE:After passing through the town, all flowery with green gardens, at the end of a long, white, dusty road, where legions of beggars followed me, calling me "Papa" and "Bab," that is to say father and mother, I arrived at the residence of the Gaekwar, the Rajah of Baroda. At the gate we met the palace sentries released from duty. Eight men in long blue pugarees and an uniform of yellow khakee (a cotton stuff), like that of the sepoys, with their guns on their shoulders, looked as if they were taking a walk, marching in very fantastic step. One of them had a bird hopping about in a little round cage that hung from the stock of his gun. Three camels brought up the rear, loaded with bedding in blue cotton bundles. FORE:
THREE:In the distance we heard a sound of pipes, and the merchant hastened out to call the nautch-girls, who began to dance in the street just below us, among the vehicles and foot-passengers. There were two of them; one in a black skirt spangled with silver trinkets, the other in orange and red with a head-dress and necklace of jasmine. They danced with a gliding step, and then drew themselves up with a sudden jerk that made all their frippery tinkle. Then the girl in black, laying her right hand on her breast, stood still, with only a measured swaying movement of her whole body, while the dancer in yellow circled round, spinning as she went. Next the black one performed a sort of goose-step with her feet on one spot, yelling a so-called tune, and clacking her anklets one against the other. Then, after a few high leaps that set her saree flying, the dance was ended; she drew a black veil over her head, and turned with her face to the wall. The other boldly asked for backsheesh, held up her hands, and after getting her money, begged for cakes and sugar.Making my way among the too numerous gods in relief against the overwrought walls heavy with carving, I came to a wonderful balcony where, in broken cages, I found the parrots that had betrayed me, and among them an exquisite pale yellow cockatoo of great rarity. FORE:
THREE:And as they went home at nightfall enormous bats came out and flew across above the tall trees in heavy, steady, straight flight. Without a sound they made for the last gleam on the horizon, where[Pg 98] the vanished sun had left a crimson line; and what an insistent image of death and oblivion were those great black fowl, slowly flapping their five-fingered wings spread out round their bodies, headless as they would seem, so small is the head, and so close-set on the neck. One might fancy that they were bearing away the day, gliding noiseless and innumerable towards the west, where already the last gleam is dead.Seen through the blue glass under the low, broad carapace that covered the carriage, the landscape circled past, the colour hardly subdued to that of Europe; even in the dusk, with the windows open, everything was still intolerably, crudely white, with reflections of fiery gold. Everything vibrated in the heat, and at the stations the walls after baking all day scorched you when you went near. FORE:The Ghoorkhas, small men and very active, young too, with Chinese features, were practising gymnastics. And recruits were being drilled, two of them barefoot, though wearing their gaiters.From the summit we looked down over a panorama of the town, set out in square blocks sunk in the verdure of palms, bamboos, and banyans. At our feet was the cupola of the temple of Siva, all gold, and covered with bosses, the edges of the mouldings catching the sun. Besides this a number of coloured domes, painted in pale shades faded by the sunshine, descended the almost perpendicular incline down to the bazaar, where the throng was beginning to stir like white ants, of slow gait and deliberate gestures, their light-hued dhoutis flitting about the stalls for drink and fruit. Far away, beyond the bright green rice-fields, and against the horizon of intensely blue hills, the rocks stand outFrench rocks and Golden rockswhere the treasure of the conquered natives was distributed to English soldiers. It might almost be fancied that a glow of metal still shines on the smooth stone, a warm, yellow stone bathed in sunshine.
THREE:They were clad in colourless rags, matted and grizzled hair hung about their pain-stricken faces. The woman was the more delicate, her bones smaller and less knotted than those of the man, whose joints were gnarled, his scraggy knees forming thick bosses of bone above his shins. They threw themselves like hungry animals on some cooked grain which Abibulla brought out for them, and then, with scared looks all round, they went quickly away, as quickly as they could with halting, weary feet, without even saying thank-you. FORE:[Pg 119]A man by the roadside was mixing mud with[Pg 265] chopped straw; then when his mortar was of the right consistency he began to build the walls of his house between the four corner posts, with no tools but his hands. A woman and child helped him, patting the concrete with their hands until it began to look almost smooth.
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THREE: FORE:"No; the Virgin Mary."
THREE:Further away was one of the famine-campsestablished all over Indiato afford the means of earning a living to those whom the scourge had driven from their native provinces.

Perspiciatis unde omnis iste natus error sit voluptatem accu santium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo.

THREE:"Then twenty-eight?"Inside the shops everything was piled together. The same man is at once a banker, a maker of papier-mach boxespapi-machi they call it hereand of carpets, a goldsmith, tailor, upholstererand never lets you go till you have bought something.

Perspiciatis unde omnis iste natus error sit voluptatem accu santium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo.

THREE:After passing through the town, all flowery with green gardens, at the end of a long, white, dusty road, where legions of beggars followed me, calling me "Papa" and "Bab," that is to say father and mother, I arrived at the residence of the Gaekwar, the Rajah of Baroda. At the gate we met the palace sentries released from duty. Eight men in long blue pugarees and an uniform of yellow khakee (a cotton stuff), like that of the sepoys, with their guns on their shoulders, looked as if they were taking a walk, marching in very fantastic step. One of them had a bird hopping about in a little round cage that hung from the stock of his gun. Three camels brought up the rear, loaded with bedding in blue cotton bundles.In a little alley of booths was a shop with no front show, and behind it a sort of studio full of carvers and artists working on sandal-wood boxes, ivory fans as fine as gauze, and wooden lattices with elaborate flower patterns, used to screen the zenana windows. And in little recesses workmen dressed in white, with small copper pots about them in which they had brought rice for their meals, were chasing and embossing metal with little taps of their primitive tools, never making a mistake, working as their fancy might suggest, without any pattern, and quite at home in the maze of interlacing ornament.

Perspiciatis unde omnis iste natus error sit voluptatem accu santium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo.

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FORE:From a quite small garden close to the palace a bronze gate with three medallions of lilies in high relief, of marvellous workmanship, opens on the Pearl Mosque, exquisitely white, at the end of its forecourt of immaculate pavement enclosed by a marble balustrade. Three polished and shining domes are supported by columns of snow made of a hard white marble, scarcely broken by [Pg 218]ornament, and carrying a roof hollowed into three vaults. The rings are still to be seen on the marble walls outside, to which, when the great Mogul came to prayer, curtains were attached made of gold net and spangled with diamonds and pearls.

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FORE:A giant rock and natural fortress command the plain, towering above the garden-land. Two roads, hewn in the stone, lead by easy ascents to the top. All along the rock wall bas-reliefs are carved, warriors riding on elephants, and Kalis in graceful attitudes. There are openings to the green depths of reservoirs, small temples, arcades sheltering idols bowered in fresh flowers. Arches in the Ja?n style of architecture span the road, and at the summit, beyond the inevitable drawbridge, stands Mandir, the palace of King Pal, a dazzling structure of yellow stone, looking as if it had grown on the hill-rock that it crowns with beauty. Towers carrying domed lanterns spring skywards above the massive walls. The decoration is playfully light, carvings alternating with inlaid tiles; and all round the lordly and solemn edifice wheels a procession of blue ducks on a yellow ground in earthenware.

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A fortified wall encloses Lashkar, the residence of the Maharajah of Gwalior; the bridges, which form part of the enclosure crossing the river that flows through the estate, have thick bars filling up the arches.Elephants, freshly painted, go past begging.In the harbour, where there was a light breeze blowing, the little outrigged canoes had hoisted large sails, white edged with black, and vanished into the distance, skimming like winged things over the intensely blue water.
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