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FORE:So far, virtue was with the Greeks what it must inevitably be with all men at first, chiefly self-regarding, a refined form of prudence. Moreover, other-regarding virtues gave less scope for reflection, being originally comprehended under obedience to the law. But there were two circumstances which could not long escape their notice; first, that fraud and violence are often, at least apparently, profitable to those who perpetrate them, a fact bitterly remarked by Hesiod;50 and secondly, that society cannot hold together without justice. It was long before Governments grew up willing and able to protect their subjects from mutual aggressions, nor does positive law create morality, but implies it, and could not be worked without it. Nor could international obligations be enforced by a superior tribunal; hence they have remained down to the present day a fertile theme for ethical discussion. It is at this point that morality forms a junction with religion, the history of which is highly interesting, but which can here be64 only briefly traced. The Olympian divinities, as placed before us by Homer, are anything but moral. Their conduct towards each other is that of a dissolute nobility; towards men it is that of unscrupulous partisans and patrons. A loyal adherence to friends and gratitude for sacrificial offerings are their most respectable characteristics, raising them already a little above the nature-powers whence they were derived. Now, mark how they first become moralised. It is by being made witnesses to an oath. Any one who is called in to testify to a promise feels aggrieved if it is broken, looking on the breach as an insult to his own dignity. As the Third Commandment well puts it, his name has been taken in vain. Thus it happened that the same gods who left every other crime unpunished, visited perjury with severe and speedy retribution, continued even after the offender��s death.51 Respect for a contract is the primary form of moral obligation, and still seems to possess a peculiar hold over uneducated minds. We see every day how many persons will abstain from actions which they know to be immoral because they have given their word to that effect, not because the actions themselves are wrong. And for that reason law courts would be more willing to enforce contracts than to redress injuries. If, then, one person inflicted damage on another, he might afterwards, in order to escape retaliation from the injured party, or from his family, engage to give satisfaction, and the court would compel him to redeem his promise.52 Thus contract, by procuring redress for every species of wrong, would gradually extend its own obligatory character to abstinence from injury in general, and the divine sanctions primarily invoked on behalf of oaths would be extended, with them, over the whole domain of moral conduct.Plato had begun by condemning poetry only in so far as it was inconsistent with true religion and morality. At last, with his usual propensity to generalise, he condemned it and, by implication, every imitative art qua art, as a delusion and a sham, twice removed from the truth of things, because a copy of the phenomena which are themselves unreal representations of an archetypal idea. His iconoclasm may remind us of other ethical theologians both before and after, whether Hebrew, Moslem, or Puritan. If he does not share their fanatical hatred for plastic and pictorial representations, it is only because works of that class, besides being of a chaster character, exercised far less power over the Greek imagination than epic and dramatic poetry. Moreover, the tales of the poets were, according to Plato, the worst lies of any, since they were believed to be true; whereas statues and pictures differed too obviously from their originals for any such illusion to be produced in their case. Like the Puritans, again, Plato sanctioned the use of religious hymns, with the accompaniment of music in its simplest and most elevated forms. Like them, also, he would have approved of literary fiction when it was employed for edifying purposes. Works like the Faery Queen, Paradise Lost, and the Pilgrim��s Progress, would have been his favourites in English literature; and he might have242 extended the same indulgence to fictions of the Edgeworthian type, where the virtuous characters always come off best in the end.

FORE:3. The valve must move after the hammer stops.